Showing posts with label JLA. Show all posts
Showing posts with label JLA. Show all posts

Tuesday, October 6, 2020

Justice League #39


Justice/Doom War Finale

Scott Snyder Writer
Jorge Jimenez (pages 1-11), Daniel Sampere & Juan Albarran (pages 12-21) Art
Alejandro Sanchez (pages 1-11) & Hi-Fi (pages 12-21) Colors
Tom Napolitano Letters
Tyler Kirkham & Arif Prianto Cover
Kenneth Rocafort Variant Cover
Ben Meares Associate Editor
Jamie S. Rich Editor
Superman created by Jerry Siegel and Joe Shuster.
By special arrangement with the Jerry Siegel family.

Our cover shows the Hall of Justice floating in space with the Justice all falling/floating/dying/who knows? It's vague and strange, which is perfectly fitting for this story. And it gives a sense of defeat, which is also perfectly fitting.

This is the end of a long, confusing story involving the Multiverse and an all-powerful deity called Perpetua. It'd be impossible and pointless for me to try to recap this sprawling tale. So instead, I'll merely say that Perpetua succeeds in destroying the Justice League, but instead of our heroes dying, they are saved by the Quintessence — basically an organization of some of the most powerful beings in the universe: Highfather, the Phantom Stranger, Hera, the wizard Shazam, Ganthet and the Spectre. The Quintessence saved the Justice League from dying and explained to them that forces of evil have divided the universe, but they have also saved a door that connects everything. So our heroes valiantly run through that door to see a world where all stories matter.


I could be wrong, but it seems like Scott Snyder is implying that Young Justice and Naomi existed outside of regular DC continuity. But Brian Michael Bendis clearly showed that this was not the case, as they repeatedly crossed over into his Superman stories and were referenced in his Legion stories. The past few years of continuity confusion at DC really makes me yearn for the pre-New 52 days. It seems like ever since Flashpoint happened, no one at DC has been able to definitively say what "counts" and what doesn't. And these sprawling stories that allege that "everything matters" only serve to create more confusion.

Next time, we'll get back to a story where Impulse actually gets to do something — Young Justice #13.

Saturday, July 18, 2020

Justice League #34



Justice/Doom War Part 5

Scott Snyder & James Tynion IV Writers
Bruno Redondo and Howard Porter Art
Hi-Fi Colors
Tom Napolitano Letters
Francis Manapul Cover
Francesco Mattina Variant Cover
Ben Meares Associate Editor
Jamie S. Rich Editor
Superman created by Jerry Siegel and Joe Shuster.
By special arrangement with the Jerry Siegel family.

Well, I caved in and bought this comic. I decided that if you like something, then you should support it when you can. And I want DC to keep making comic books, so I'm going to keep giving them money — even if I only care about one page in this issue ...

I'm not going to pretend to know anything about what's going on in the cover or in the Year of the Villain as a whole. Young Justice has not been involved in it at all. But I will say I like the cover — Manapul remains one of my all-time favorites. However, the cover doesn't truly convey what's inside this issue, which is a mashup of dozens and dozens of heroes from alternate timelines and parallel worlds. And that's where we come in, just for this one splash page.


In the bottom left corner is what dc.fandom.com describes as the "Sins of Youth" Flash. And it's hard to argue with that. Chances are, this is an alternate, adult version of Bart Allen. The costume's not quite the same from Sins of Youth, but it's close enough for me to write this brief blog about it. I wish we would have seen this Flash in a few more panels to get confirmation of who he really is, but I guess we'll just have to make do. I actually was more interested in the guy next to him, who is clearly, unquestionably the Flash from DC One Million, John Fox. And next to him is the Flash from Batman Beyond. 

Anyway, it is pretty neat that DC keeps finding ways to validate all these different versions of characters, even if it's just for a random panel here or there. Let's check out the new ads:

Murder is his art. Catching killers is hers. Joker/Harley: Criminal Sanity.

The Batman's Grave.

A DC Nation interview with The Last God writer Phillip Kennedy Johnson.

Next time will be another quick post, as we take a peek at The Flash #81.

Tuesday, September 24, 2019

Justice League of America's Vibe #3


Trial by (Flash) Fire

Sterling Gates Writer
Pete Woods and Fabiano Neves Pencillers
Sean Parson and Fabiano Neves Inkers
Brad Anderson Colorist
Carlos M. Mangual Letterer
Brett Booth, Norm Rapmund and Andrew Dalhouse Cover
Kate Stewart Assistant Editor
Brian Cunningham Senior Editor

Just when we thought we were done with Brett Booth, he comes roaring back with this foldout cover. Believe it or not, DC actually dubbed this gimmick "WTF" covers (ostensibly to stand for "What The Fifty-Two" ... sure ...). Every comic published in April 2013 had a foldout cover with a "shocking reveal." Whatever. I guess the occasional gimmick is necessary and mostly harmless. Same with this particular cover. It's fine. Booth normally does a fairly decent job on covers.

So apparently in addition to managing Belle Reve Prison and the Suicide Squad, Amanda Waller also runs the government organization called A.R.G.U.S. and her own team of heroes called the Justice League of America (not to be confused with the regular Justice League). I have no idea if this issue is supposed to happen before or after the Teen Titans broke into Belle Reve, and the creators of this comic don't seem at all concerned with matching up with any continuity in the Teen Titans series. For all intents and purposes, this is a completely different Amanda Waller.

Anyway, Waller has recruited Vibe with the express purpose of taking down the Flash, so she's decided to give Vibe some training by pitting him against Kid Flash. Vibe is sent to Manhattan with a handful of A.R.G.U.S. troops, and they quickly locate Kid Flash apparently searching for something in the subway tunnels. Vibe immediately blasts Kid Flash with a "vibrational burst" as he calls it. This really throws Kid Flash for a loop, and he promptly retreats.

Vibe manages to separate himself from the A.R.G.U.S. guards, and tracks Kid Flash's energy trail. Once he's alone, Kid Flash grabs him, demanding to know how he effected his speed in a way that no one else has ever before. But when Kid Flash touches Vibe, he sees images of his past that don't really tell us anything we don't already know (or had already suspected). On the plus side, though, there weren't any major contradictions from the tiny bit of information Scott Lobdell has slowly been leaking out in Teen Titans.

Vibe also saw these flashbacks, and is surprised to learn that Kid Flash is a human from the future. Kid Flash tries to retreat again, but Vibe blasts him again, demanding to know why this "criminal" doesn't go by a more villainous name like Anti-Flash or Reverse Flash. Kid Flash insists he's not a criminal, and manages to escape when a fortuitous subway train passes by. Vibe keeps tracking Kid Flash, though, and finds him examining an odd hole in the ground with the Flash symbol on the bottom of it.


Kid Flash says he's dreamed about this location and believes it was where he was sent to from the future — although he still has no idea who sent him back in time or why. Vibe decides to try to help out by touching Kid Flash again, hoping that a more controlled view into his timeline will give him the answers he's searching for. But when he touches him this time, there's a large electrical discharge that destroys a bunch of the electronics back at A.R.G.U.S. headquarters in Detroit for some reason. Kid Flash is infuriated by this, saying he can't risk letting Vibe and his cohorts learning more about him. He knocks Vibe down, tells him to stop working for the bad guys, and runs away for good this time.




This wasn't a bad issue, but it wasn't particularly good, either. I was a bigger fan of it back when I reviewed it for my New 52 Flash blog, but now I'm rather indifferent toward it. Mainly because I know this story isn't going to go anywhere. We're most likely never going to see Vibe again, and when we finally do get to Kid Flash's origin, I doubt it'll have anything to do with this mysterious hole under the streets of New York. So what was the point of all this? I mean, other than providing a ridiculous excuse to knock out the power of A.R.G.U.S. to advance the plot in Vibe's book.

Kid Flash acted completely different here than he does in Teen Titans. And Amanda Waller's involvement with both the JLA and Suicide Squad is insane. How many secret organizations can she run at a time? Maybe if she focused on taking down the Teen Titans or the Justice League, she'd actually succeed, instead of splitting her time between so many teams and secretive organizations. Just saying.

Channel 52 reports that Catwoman has been kicked out of the Justice League of America and sent to Arkham Asylum.

Next time, we return to Teen Titans #19.

Tuesday, April 16, 2019

Justice League: The Rise of Arsenal #2


Staring into the Abyss

Written by J.T. Krul
Pencilled by Geraldo Borges & Kevin Sharpe
Inked by Mario Alquiza & Mark McKenna
Lettered by Rob Clark Jr.
Colored by Hi-Fi
Dream sequence by Mike Mayhew & Andy Troy
Cover by: Greg Horn
Associate Editor: Sean Ryan
Editor: Brian Cunningham

Our cover shows Roy Harper, sporting his new robotic arm, battling his occasional girlfriend, Cheshire. This is a well-done cover, but ... dang ... it's practically pornographic! I mean, seriously, it's not practical at all for Cheshire to let her boobs hang out of her outfit like that. I don't care how good a fighter you are, that is a massive weakness you're leaving exposed. Believe it or not, but it is actually possible to look sexy without being objectified.

Our story begins with a freaky dream sequence of Roy's late daughter, Lian, ripping off her father's arm as she falls into an abyss. Roy wakes up to the news that Green Arrow had murdered the man responsible for the loss of his arm and daughter, Prometheus, but doing so cost Oliver Queen his secret identity. Black Canary stops by to talk, but Roy is furious that he wasn't the one to kill Prometheus. Roy then visits Ollie in jail to yell at him for robbing him of his chance at revenge.

At S.T.A.R. Labs, Dr. Mid-Nite and Cyborg help attach a robotic arm to Roy, but because this story is as melodramatic as possible, the prosthetic causes an enormous amount of pain when connected. (Prometheus apparently infected Roy with some nanites.) Later, Roy finally holds a funeral for Lian, which is attended by all the major heroes with connections to the JLA or Titans. Barry, Wally and Jay are there, but Bart chooses to stand with Raven, Beast Boy, Atom, Wonder Girl and Superboy.


Roy hallucinates that Lian's heart begins beating again, so he hastily retreats from the group to pop some pills. Ravager saw this, and tries to share some positive memories of when she babysat Lian way back when. Mia Deardon also tries to comfort Roy, but he blames her for his daughter's death and even gets his hand around her throat before Dick Grayson and Donna Troy intervene. Roy yells at everyone before heading home, smashing his bow, popping more pills and being attacked by Cheshire.




I think it's pretty safe to say that this is a rather reviled comic. There's tragic stories, and then there's this. Let's pile on as many bad and terrible things as we possibly can on one character, and make the bleakest, most depressing, most melodramatic story we can. And you know what? Nobody likes that. Luckily for us, this funeral cameo is the complete extent of Bart's involvement in this story.

Next time, we'll watch Bart and Kon take on Holocaust in Teen Titans #82.

Tuesday, March 26, 2019

Justice League of America #41


This issue has two separate covers by Mark Bagley that connect into one larger image showing the new lineup of the Justice League of America. It's a rather random assortment of heroes, and I'm not sure how well they all work together. Notably, three of Bart's former Titans teammates have been promoted to the big leagues — Cyborg, Donna Troy and Starfire. And in case there's any confusion, that Batman isn't Bruce Wayne, but actually Dick Grayson, formerly Nightwing, formerly Robin.

Blackest Night went on for eight months, which is an incredibly long time to ask all these other titles to put their stories on hold. So this issue is our first glimpse of a post-Blackest Night world before that event has officially concluded. Sadly, that means we now know that Green Arrow and Donna Troy will recover from being turned into Black Lanterns. And that nothing bad will happen to Green Lantern, the Atom or any of these other characters on the cover. It also means that James Robinson is forced to address the Blackest Night event without actually being to talk about it. And he pulled that off by beginning the issue with a splash page of previously resurrected heroes becoming Black Lanterns and a caption box simply saying, "We survived."


Our story properly begins with an injured Vixen overlooking a completely destroyed Red Tornado with Dr. Light, telling her she's going to leave the team. Vixen explains that she didn't have time to think during the Blackest Night event, but now that it's over, she blames herself for the team's failure against a villain named Prometheus, who cut off Arsenal's right arm.

After Blackest Night, Donna Troy decided to give up on being a hero (even though she kept wearing her uniform) and flew to a children's hospital to find her son's body and bury it. However, a group of terrorists are holding the children as hostages. So Donna reluctantly, but easily defeats the terrorists. Wonder Woman shows up once the fighting's all over and convinces Donna to join the Justice League of America.

Donna not only immediately changes her mind on the spot, but she actively begins recruiting her former teammates — Vic, Kory and Dick. Dr. Light and Guardian offer Mon-El a spot on the team, and Green Lantern and Batman ask Green Arrow to join them. And that's all we really care about.




This issue had lackluster art and suffered from playing into the cliché of having a reluctant hero suddenly change their mind because of a 30-second pep talk. Add in the difficulties of moving on past a major event before it's finished, and you end up with a rather rough comic book.

Next time, we'll move on to the publication month of April 2010, where we will finally — finally! — conclude The Flash: Rebirth.

Monday, December 3, 2018

Justice League of America #26


The Second Coming Chapter Five: Spiritus Mundi

Dwayne McDuffie – Writer
Ed Benes – Artist
Pete Pantazis – Colorist
Rob Leigh – Letterer
Benes w/Hi-Fi – Cover
Adam Schlagman – Associate Editor
Eddie Berganza – Editor

Our cover shows Vixen's boobs surrounded by the alternate version of the Justice League created by the West African spider god of mischief, Anansi. Yes, I am still annoyed and will forever be annoyed by Benes' art style. Anyway, this alternate version of Bart Allen basically looks like Impulse in the New Titans back in 1995. And I also have to laugh at the "Not an Elseworlds!" line. As we'll soon find out, this is basically an Elseworlds story, as the new reality Anansi created only exists within Vixen's totem.

Our story picks up with Vixen in this alternate reality, trying to gather together the heroes of this world to enlist their aid in her fight against Anansi. She first visits the alternate Batman, Paladin, and just so happens to encounter him while the new Green Lantern was trying to take Paladin into custody. Vixen somehow convinces the two of them to come with her to the Fortress of Solitude, where they find Wonder Woman still mourning the death of Superman. Wonder Woman's lasso of truth confirms Vixen's story, so they all go up to the Watchtower, where the rest of the Justice League takes Wonder Woman's word for Vixen's story. The elderly Zatara comes out of retirement to cast a spell that sends this Justice League and Vixen back to Anansi's webs inside the totem.

Anansi blames himself for the excessive continuity he put in his alternate reality, so he flips the tables on Vixen, by corrupting all the heroes she just brought with her. Vixen manages to dodge the first couple of attacks, but ultimately knows she's hopelessly outnumbered. So she grabs one of Paladin's guns and holds it to the Tantu Totem, threatening to destroy it unless Anansi brings her friends back and the world to the way it was. Anansi compromises by bringing in the entire real Justice League of America, and they all help Vixen defeat the evil alternate heroes.


The good guys win — a little too easily, Vixen realizes, and she soon finds herself standing alone before Anansi. He tells her the world is changing, but it's not his doing, as he can only control the stories within the totem. Making a vague allusion to the upcoming Final Crisis, Anansi explains that this whole ordeal was just a test for Vixen — his attempts to make her a stronger hero to face this upcoming threat. With that said, Vixen and the rest of the JLA find themselves out of the totem and safely back in the real world, wondering just what had happened.




This alternate Bart Allen does not say a single word in this issue. Nor does anyone address him or even talk about him. He just shows up in the background of this story that can essentially be classified as a dream sequence. Once again, McDuffie spent an inordinate amount of time with the alternate Batman, Paladin, but I don't really blame him. That concept is really interesting. I just don't think it was fair to throw a whole new world at us, but basically only talk about one person in it. I suspect that McDuffie had this idea of Paladin for a full-fledged Elseworlds story, but realized he wouldn't be able to do that, so he crammed it into this Vixen story. As such, both stories felt compromised.

Well, that's it for the year 2008. Next time, we'll have our 15th Year in Review.

Friday, November 30, 2018

Justice League of America #25


The Second Coming Chapter Four: The Best Lack All Conviction

Special 25th Issue brought to you by
Writer: Dwayne McDuffie
Pencils: Ed Benes, Doug Mahnke, Darick Robertson, Shane Davis, Ian Churchill, Ivan Reis
Inks: Ed Benes, Christian Alamy, Darick Robertson, Rob Stull, Ian Churchill, Joe Prado
Color: Pete Pantazis
Letters: Rob Leigh
Cover: Ed Benes w/Hi-Fi
Assistant Editor: Adam Schlagman
Editor: Eddie Berganza

Our cover is a perfect example of Benes' weaknesses. Bland, emotionless faces, combined with an obsession for boobs and butts. Vixen, Zatanna, and Wonder Woman are the worst offenders here. I mean, how are you supposed to fight super villains with that much exposed cleavage? How are you supposed to run, jump and kick with two heavy beach balls strapped to your chest? I have nothing against beautiful superheroes, but this over sexualized garbage feels like a cheap copout. Benes can't draw a beautiful woman, or give her a realistic human expression on her face, but he can make her breasts as big as her head, and make sure to show off her nipples when she stands to the side. And he even does this with normal women. In a scene inside this issue, he gives a random closeup to the enormous and perfectly shaped buttocks of Kathy Sutton, the girlfriend of Red Tornado. OK, rant over.

This issue is a special double-sized celebration, meaning there are a lot of side stories we'll be skipping. I will comment on one, though. Red Tornado formally proposed to Kathy, which I thought was odd, because I had always believed they were married. I mean, they did adopt a daughter together. Perhaps things changed during Infinite Crisis.

Anyway, the only story we care about is Vixen's story. She gets sucked into her Tantu Totem by the West African god of mischief, Anansi. He traps her in red spiderwebs and prevents the rest of the JLA from rescuing her when they also enter the totem. Anansi says all stories belong to him, and he changes the stories of the heroes trying to save her. When young Bruce Wayne went out to the movies with his parents, the swashbuckler film they wanted to see was sold out. So they instead watched a Western about a vigilante who shot and killed every evildoer he met. When Bruce's parents were murdered in the alley, Bruce became so angry, he actually frightened the killer, who dropped his gun and tried to run away. But young Bruce picked up the gun and shot the man who murdered his parents. He then grew up to become Paladin, a gun-wielding vigilante who killed every criminal he encountered.

But in Anansi's new reality, there still is a Justice League, although it's significantly weaker. There's a new Green Lantern and Aquaman. Wonder Woman married Superman, but quit the League after Doomsday killed Superman. And for reasons not fully explained, Bart Allen is the Flash, even though he's wearing a slight modification of his old Impulse uniform.


As Anansi talks, windows appear in his spiderwebs, showing Vixen images of this new reality. Vixen finally manages to break free of the webs and leaps into one of the windows, arriving in this new world. She now seeks to gather as many of these altered heroes as she can to take them back to defeat Anansi and restore reality to what it was before.




This was a rather bland comic. I do like the idea of alternate realities, and seeing how one little change can have larger consequences down the road. McDuffie spent more than two pages going over the alternate Batman's story — and that was quite interesting — but he only spent one or two panels on each of the other alternate heroes. I'm sorry, but I feel ripped off when I'm given an alternate reality where Bart is the Flash, but I'm not told why.

Next time, we'll wrap up this story and the year 2008 with Justice League of America #26.

Tuesday, October 2, 2018

Justice of League of America #10


The Lightning Saga Final Chapter: The Villain is the Hero in His Own Story

Brad Meltzer Writer
Ed Benes Penciller
Sandra Hope Inker
Rob Leigh Letterer
Alex Sinclair Colorist
Michael Turner & Peter Steigerwald, Phil Jimenez & Rod Reis Covers
Adam Schlagman Asst. Editor
Eddie Berganza Editor

The main cover by Turner is the final piece of a connected image showing all the major characters involved in this crossover with the Justice Society of America. And Turner ended this image by drawing what he loves most — boobs, boobs and more boobs. I wish I could say the variant cover by Jimenez is much better ... but I really can't.


I got this image from DC.wikia.com. Both Turner and Jimenez are great artists, but I don't get the fascination with breasts. Turner especially went nuts on Power Girl. I mean, there's a difference between having big boobs and having two beach balls taped to your chest.

It's kind of hard jumping right into the ending of a major crossover, but, suffice it to say, our story opens on the JLA and JSA having a hard time with a handful of time-traveling members of the Legion of Super-Heroes. These Legionnaires aren't being entirely truthful with our heroes of the present day, and have mysteriously scattered themselves all around the world — to Tokyo, Central City, Smallville, San Francisco, Gotham City and Keystone City. Jay Garrick confronts Dreamgirl in Keystone, and after a quick discussion on time travel and visions of the future, Dreamgirl suggests to Jay her job was just to distract the one person fast enough to stop the Legionnaires. Jay laughs at this, reminding her that he's not the fastest member on these teams. And as he speaks, Power Girl, Green Lantern, Red Tornado and Superman have caught up with other Legionnaires.

Superman quickly figures out that the Legionnaires are attempting to re-create a ritual to bring someone back from the dead. The ritual requires a group of people to wield lightning rods, but unfortunately one of those people will be struck by lightning and killed in the process. So Superman spreads the word, which leads to brief debate between Batman and Mr. Terrific on whether they should stop someone from trying to commit suicide. But everyone else is committed to stopping these heroes from the future.

Batman tracks down the Legionnaire in Gotham, and is shocked to see he's in a very familiar place. At the beginning of Crisis on Infinite Earths, a dying Barry Allen appeared before Batman to warn him of the upcoming threat. And now Batman is back in that same room. At the same time, Hal Jordan realizes that the Legionnaire he tracked down in Central City is in the same room where Barry was initially struck by lightning and doused in chemicals, turning him into the Flash.

Meanwhile, all the Legionnaires have activated forcefields around themselves to keep the well-meaning heroes away from them. Jay can't vibrate through them, and Black Canary's attempt to remotely deactivate the forcefields is thwarted by Brainiac 5's self-repairing design. We then see the final Legionnaire, the Karate Kid, is in Blue Valley. And he happens to be the lucky one struck by lightning — although he does survive.

All the Legionnaires immediately begin to teleport away, and our heroes learn of the blast in Blue Valley. Superman, Flash and Power Girl quickly race to the scene, finding a huge crater waiting for them. Green Lantern pieces things together, saying all the locations the Legionnaires were at — the lab, Titans Tower, Blue Valley, all had links to the person they were trying to bring back.

And we see lying at the bottom of the crater in Blue Valley are Wally West and his family. The twins, Jai and Irey, appear about 12 to 13 years old, with Irey having hit puberty before her brother and standing a few inches taller than him. The twins both have red hair and are wearing purple jumpsuits, matching their mom, Linda. Jay asks Wally if he's OK, and Wally struggles to spit out his catchphrase, "M-m-my name is Wally West. I-I'm the f- — I'm the fa- — I'm the fast- — I'm faster than anyone."

We see the Legionnaires all teleported to Superman's Fortress of Solitude to take a portal back to the future — all except for Karate Kid, who is forced to stay back in the present ... because Countdown. And Starman, who chose to stay back because he's insane.

Jay tells Wally they all knew he'd be back and they didn't have a funeral for him, even though he'd been missing for more than a year. With tears in his eyes, Wally says he held on. It was so hard, but he held on. Green Lantern and Red Arrow teleport to Blue Valley and reunite with their old friend and immediately offer him a spot on the JLA. Batman, however, is a bit disappointed, saying he was expecting someone else. And Starman wildly proclaims, "Flash is back. Worlds will die again!"

In the future, Brainiac 5 is surprised to learn that Wally West returned. But he doesn't really care. The important thing was that they got who they wanted. And we can just barely make out a face of someone inside the lightning rod.



I know Bart didn't bother asking for help during his last stand, but if he did, he would have found out that the JLA and JSA were much more concerned with a handful of Legionnaires potentially committing suicide than stopping the Rogues. I don't know if you call it irony or poetic justice, but at literally the same moment one Flash was dying, another Flash was returning to Earth. And this story is really interesting because even though it was ostensibly about bringing back Wally, it did briefly tease the possibility of bringing back Barry. But at the very end, we find out that Wally's return was just a coincidence, and the real target won't be revealed for about a year. (Spoiler: It was Bart!) I don't know if that was always the intention of this issue, but that's how it turned out, and I think it actually works — in a strange, comic book way. So how about that for poetic justice? The same day Bart was killed in one comic, the seed was planted for his return in another comic.

Next time, we'll see what Wally did immediately upon his return in All Flash #1.

Friday, December 1, 2017

JLA: Welcome to the Working Week


Writer Patton Oswalt
Penciller Patrick Gleason
Inker Christian Alamy
Letterer Ken Lopez
Colorist John Kalisz
Separator J.D. Mettler

Cover Penciller: Patrick Gleason
Cover Inker: Christian Alamy
Cover Color: Dave Stewart

This is a 64-page special, telling the story of Marlus Randone, a young man who publishes his own magazine about superheroes, and somehow was able to spend a week at the JLA Watchtower. The hodgepodge cover shows the various photographs, notes and clippings Marlus uses for his magazine. It also is a perfect representation of the hodgepodge nature of this story, as well as the humor befitting the comedian Patton Oswalt.

The story begins with an alien invasion hitting Marlus' neighborhood in Portland, Oregon. To protect the citizens, the JLA teleports the whole neighborhood to the Watchtower. The aliens are quickly disposed of and all the people are teleported back home. Except for Marlus. He manages to sneak away from the group and spend the next week hiding, stealing food, and taking a few pictures of the heroes in action. Much of what he observes is your basic superhero stuff (and none of it involves Impulse), but there are a few highlights I found interesting.

One day, the Weather Wizard threatens the Virginia coastline. But instead of sending in the Flash to take him out, Batman calls up the Weather Wizard and negotiates with him. He points out that even if the Weather Wizard did fight and defeat the Flash, his act of terrorism-for-profit would have every human and metahuman agent and agency on his trail for the rest of his life, not to mention Doctor Fate and Zatanna hounding him in the afterlife. So Batman offers Weather Wizard a chance to work with a major U.S. corporation to co-patent his technology, receive a huge tax break and earn royalties in perpetuity as the device is used for beach reclamation around the world.

On another day, Wonder Woman brings Cheetah, Killer Croc and Lady Shiva up to the Watchtower to spar with her to have a few months shaved off their prison sentences. And in a rather gruesome scene, Batman tests his limits by seeing how long he can survive in space. But the only part we really care about is the night that Plastic Man throws a party, and everyone is invited. And I mean everyone.


Impulse is seen hanging out with Blue Beetle for some reason. We also see Robin with Nightwing and Superboy dancing with Spoiler. Poison Ivy tries to crash the party, but Plastic Man catches her. The issue then heads into a climactic battle against some monsters from another dimension, and Marlus is able to help thanks to a dream he had. In the end, he's teleported back home, and we learn that the JLA knew he was there the whole time. Martian Manhunter decided to let him stay because he recognized Marlo from years ago when his father, a firefighter, died saving J'onn's life.



This is an unusual comic. It was kind of fun to see the JLA operate from the perspective of an outsider who doesn't quite know what's going on. Although, too much of that did become a bit frustrating and disorienting. Adding to the disorientation were all the time jumps, flashbacks, dreams and fantasies. But working through the confusion, this comic does have some funny and really interesting moments (I thought the bit with Batman and Weather Wizard was brilliant). Unfortunately, the art did let me down a bit, which is kind of odd because in 2017 Patrick Gleason is one of my favorite artists. I guess he wasn't quite as refined in 2003.

Next time, we'll conclude Titans/Young Justice: Graduation Day.

Wednesday, November 8, 2017

JLA/JSA: Virtue and Vice


Writers: David S. Goyer • Geoff Johns
Penciller: Carlos Pacheco
Inker: Jesús Meriño
Letterer: Ken Lopez
Colorist: Guy Major

Cover Penciller: Carlos Pacheco
Cover Inker: Jesús Meriño
Cover Colorist: Guy Major

Frankly, I find this cover a bit boring. The top part shows some of the top members of the JLA — Wonder Woman, Atom, Superman, Green Lantern, Batman and Flash. The bottom has some JSA members — Captain Marvel, Doctor Fate, Mr. Terrific, Sentinel and the first Flash, Jay Garrick. Keep in mind that this represents only a portion of both of these teams, as they had fairly massive rosters at this time. (At least I consider those rosters massive compared to what I'm used to from the New 52 and beyond.) Anyway, my main complaint with this cover is that is implies a battle between the Justice League of America versus the Justice Society of America. And that is not at all what this book is about.

Virtue and Vice is a 94-page prestige-format book featuring dozens of characters. There's a lot going on here, but Impulse only shows up in one panel, so I'm going to give this the briefest of recaps. The story begins with the JLA and JSA deciding to start an annual tradition of having Thanksgiving together. Everything's going great until Captain Marvel, Plastic Man, Green Lantern, Mr. Terrific, Batman, Doctor Fate and Power Girl become possessed by the Seven Deadly Sins of Man, which are usually safely locked away at Shazam's base, the Rock of Eternity.

The possessed heroes turn on their teammates, throwing a handful of them into various prisons before  heading out to wreak havoc in the world. The remaining members of the JLA and JSA team up to try to figure out what's going on. To make matters worse, there's an epidemic of insanity spreading around the world, forcing all the rest of Earth's superheroes to try to quell riots across the globe. And this is where we see Impulse, fighting one such riot in New York, alongside Robin, Wonder Girl and the Red Tornado.


As you can see, this story perpetuates the error from the Secret Origins issue that forgot Red Tornado is no longer working alongside Young Justice. Anyway, to make a long story short, we find out the main villain behind all this is a powerful being named Johnny Sorrow, who teamed up with the ghost of Despero and enlisted the aid of a psychic from Apokolips called Doctor Bedlam (not to be confused with the Bedlam we've seen Young Justice battle several times). Johnny Sorrow imprisoned the wizard Shazam, releasing the Deadly Sins to possess the heroes. And Despero possessed President Lex Luthor to throw off the reader, I guess.

As interesting as the setup is, I found the the conclusion a bit wanting. After a brief pep talk from Dr. Mid-Nite, Batman is able to shake off the Sin of Anger through sheer willpower, I guess. Batman tells the others that Captain Marvel is the key, so Green Arrow shoots Wonder Woman's lasso around his neck, forcing him to say his magic word, which returns his powers to Shazam, who promptly entraps the Seven Deadly Sins again. Green Lantern and Sentinel capture Johnny Sorrow and use his powers against Despero, saving Lex Luthor and the world.

It's not a bad story. Just a bit disjointed and with an all-too convenient ending. But there was definitely a lot of fun here. It's always neat to see heroes turn evil, and this time, they weren't just generic evil, but different shades of evil — anger, lust, envy, sloth, etc. And this issue did include the DC version of the demon Surtur (although he was much cooler in Thor: Ragnarok).

Next time, we'll do an issue with a bit more Impulse, Young Justice #52.

Saturday, November 4, 2017

JLA/JSA Secret Files & Origins #1


Stormchasers

Jim Beard / Writer
Clément Sauvé / Pencils
Serge La Pointe / Inks
Kurt Hathaway / Letters
Tom McCraw / Colors
Digital Chameleon / Seps

Cover by Carlos Pacheco and Jesus Meriño, with color and separations by Guy Major. From time to time, DC will attempt a horizontal cover, but they never fully commit to the idea (just like the Sins of Youth covers). The picture is going one way, but all the words are going the other. Anyway, this is your standard posed image of all the major members of the Justice League of America and the Justice Society of America. It's alright, I guess. Nothing too striking.

In keeping the tradition of Secret Files & Origins, this issue features a main story, several quick backup stories and a handful of profile pages. The main story serves as a prologue for the upcoming special, JLA/JSA: Virtue and Vice, which we actually will cover on this blog because Impulse does make a very quick cameo in it. But all we care about today is this issue's backup story that includes Impulse.

We begin in Johnsville, Ohio, which is being threatened by the flooding Ohio River. Aiding in the relief effort are several members of the JLA, JSA and Red Tornado, which confuses a news reporter, since he's not sure which team the android belongs to. Red Tornado works alongside the townspeople to help create a massive wall of sandbags. Superman and Jay Garrick both join up with Red Tornado, and Superman asks him to rejoin the Justice League right before Jay asks him to come back to the Justice Society.

Red Tornado is honored by the requests, but he tells the two heroes he has to decline the invitations. As he talks, Impulse, Superboy, Robin and Secret show up to help, and they're all in a bit of a rowdy mood. Red Tornado tells Superman and Jay that Young Justice needs the guidance he once received from the JSA and JLA. The android says he has long searched for an identity, and now he has found one in a parental role to these teenaged heroes. He then takes off to scold Impulse about spilling sand in Superboy's face.


Bart had his own experience with a flood in Manchester, so I'd imagine this mishap with a sandbag was a mistake, and not just him goofing around with Kon. But more importantly, I have to point out the glaring continuity error in this story. Red Tornado put Snapper Carr in charge of Young Justice, and he hasn't been with them for quite a while now. And even when Red Tornado was the official supervisor of Young Justice, he still was an active member of the JLA. So the idea that he doesn't have time to be on the JLA or JSA is a completely ridiculous one, thus rendering the entire purpose of this story null and void.

Next time, I promise a much more meaningful story in Young Justice #51.

Tuesday, June 13, 2017

JLA #57


Mind Over Matter

Mark Waid – Story
Mike S. Miller – Pencils
Paul Neary – Inks
David Baron – Colors
Ken Lopez – Letters
Steve Wacker – Assistant Editor
Dan Raspler – Editor

Unlike most of the DC Universe in the summer of 2001, the JLA series did not participate in Our Worlds at War, instead focusing on an invasion of white martians. I'm not exactly sure what this cover is trying to illustrate, other than the continuing fight against these aliens. The cover seems to imply that Superman was turned into a white martian, but the white martians, like Martian Manhunter, are merely shapeshifters. So I don't really appreciate the misleading nature of this cover.

Impulse only shows up in one panel, so we're not going to get involved in this whole story. All we need to know is that the white martians have altered Earth's atmosphere to inhibit oxidation. This lack of oxygen is making it harder for people to breathe, especially Atlanteans, is causing people to go insane, and, most importantly, has removed the white martians' only weakness: fire. To demonstrate this, Mark Waid has brought in his creation, Impulse, who has wrapped up a criminal in firecrackers. Luckily for the criminal, Impulse is unable to get his lighter started.


It's a pretty funny scene, and if it feels a bit reckless by even Bart's standards, we can blame it on the lack of oxygen going to a distracted, teenage brain that needs all the help it can get. Anyway, that's all we care about in this issue. The JLA don't defeat the white martians here because this is just part three of four. I loved seeing that Waid has forgotten about Impulse, and I thought he looked pretty good here, minus the slight coloration error.

None of the letters in Justice for All mention Impulse (or Flash for that matter), so let's check out the new ads:

Get xtreme. Get Right Guard. With Dave Chappelle.

Big. Mean. Loud. JVC.

Harry Potter and the Sorcerer's Stone. The magic begins November 16. You'd be hard pressed to find somebody my age who wasn't profoundly influenced by these books and movies.

No shirt, no shoes, no X Games.

Fortress. The twerps have landed!!! For Game Boy Advance.

Oxy Shower Gel fights acne bacteria and pimples all over.

Dark Age of Camelot. The adventure begins Fall 2001 A.D.

Next time, we return to Our Worlds at War with Young Justice #36.

Monday, June 5, 2017

JLA: Our Worlds at War #1


A Date Which Will Live in Infamy

Jeph Loeb Writer
Ron Garney Penciller
Mark Morales Inker
Tanya & Rich Horie Colors
Richard Starkings Letters
Tom Palmer Jr. Ass't Editor
Eddie Berganza Editor
Superman created by Jerry Siegel & Joe Shuster
Batman created by Bob Kane

Like all the Our Worlds at War one-shots, this cover is by Jae Lee. And I'm happy to say that he apparently draws adults much better than teenagers. Not that I'm in love with this style still, but it feels a lot more natural than his cover for Young Justice. He also kept things simple — the JLA surrounded by flames — avoiding the odd Revolutionary War imagery that Young Justice was saddled with. This cover is a decent representation of the bleak tone of this story.

Now, Impulse barely makes the briefest of cameos in this issue, but I'm more than happy to review it, since it is essential reading for understanding the Our Worlds at War event. But before we dive in, a quick recap: After a lot of buildup involving Warworld, Apokolips, an alien alliance transporting the entire population of Metropolis onto a massive Space Ark, President Luthor secretly dealing with Brainiac 13 and a superpowered individual in Germany calling himself General Zod, war finally begins with the arrival of an Imperiex probe that destroyed Topeka, Kansas. Superman battled and destroyed that probe, but several other probes began heading for Earth. The JLA tried to stop them ... but they didn't do a very good job.

Our story begins on a horrific image of a beaten Martian Manhunter, floating through space, with his eyeball popped out of its socket. All he can do is telepathically call out for help while Green Lantern tries to protect him from the attacking Imperiex probe. Kyle creates a bunch of missiles and Flash tries to help speed them along. (Yeah ... Flash and Plastic Man and everybody can somehow survive and run around just fine in outer space. I guess I'll just have to assume they were given some kind of invisible space suits to help them out.) Anyway, our heroes' efforts are in vain, as the probe easily knocks out Flash, Green Lantern and Plastic Man. Only Wonder Woman and Aquaman are left to try to prevent at least one probe from reaching Earth.

We see that some of the war has spilled out to Gotham City, where Batman is calling for help from Nightwing, Robin, Batgirl and Huntress, while asking Oracle to tell the Justice League that he's made Gotham his priority now. After defeating the probe that destroyed Topeka, Superman visited Smallville, only to find it completely leveled. Before he can spend any time searching for his parents, he hears Martian Manhunter's distress call and blasts into space.

Superman helps Aquaman and Wonder Woman battle the probe, and Diana delivers the final blow, cracking open its armor with her shield. But doing so created a huge explosion that knocked her out. Superman rushes her to the Paradocs on the Space Ark, and Aquaman learns from Starfire that one of the Imperiex probes landed outside the capital city in Atlantis, so he immediately heads down there.

At the White House, General Rock reports to President Luthor that the JLA only turned back one Imperiex probe. The others have landed in Kansas, Russia, Germany and Atlantis, but Luthor already knew this. Doctor Magnus points out that each city Imperiex has attacked is the dead center of their respective continents, indicating Imperiex's plan to tear the planet apart. Luthor asks which heroes are  left after the Justice League, and he's told the Justice Society, the Titans and Young Justice. When asked who he wants, Luthor simply says, "Everyone."


And that's all the Impulse we get in this issue. But there's still more, so let's keep going. Blue Beetle, Booster Gold and Guy Gardner take on the probe in Russia, and Guy is killed. General Zod battles Imperiex in Germany, Jesse Quick joins the Titans in their fight against a probe in Africa, and the Outsiders attack another probe in Antarctica. Back on the Paradocs, Green Lantern is alert and talking while recuperating, but Wally is still too injured to respond. Superman has a brief moment with Lois Lane before he learns of the Imperiex in Atlantis. So he immediately takes off again to help Aquaman. The King of Atlantis faces the Imperiex probe on his own, ultimately piercing its armor with his trident. Superman arrives just as the probe explodes — too late to save Aquaman. The Man of Steel cries out, "Imperiex! If you want war — I'll give you WAR!"

Throughout the story, we were given the speech Franklin D. Roosevelt gave to Congress on December 8, 1941 — the day after Japan bombed Pearl Harbor. The speech details America's resolve to respond to this surprise attack, as well as listing all the islands and nations that are currently being attacked by Japanese forces. I think this story paralleled that moment in history fairly well.

This issue is pretty darn explosive. So much happened. Maybe a little too much. The pace could have been slowed down just a bit, especially when characters died. But I guess that's what the tie-in issues are for. In any way, I actually am enjoying this story. It was hard when our first two issues felt inconsequential. But now the threat is real. Earth is under attack, and the situation is dire. I think this might be the most credible threat I've felt in any major event we've covered. Imperiex is more imposing than anything we saw in Genesis, DC One Million or Final Night. The only thing that compares was Zero Hour.

The art was dynamic, often using breathtaking splash pages to show the enormity of this story. Sadly, the one panel I used for a picture is probably the worst panel of the whole issue. Perhaps the images of those heroes around Luthor was an afterthought, because the rest of the art looks much better than that.

This issue is also included in the Superman: Our Worlds at War Book One trade paperback, which makes sense since there is no way to understand this event without reading this issue. My trade was published in 2002, and seems like it was hastily and cheaply thrown together (using the more newspaper-like paper). Most the issues in this trade feel essential, except for one Supergirl issue (even though I love Peter David's writing). The issues building up to the war feel a bit slow, which is contrasted by the super fast pace of this issue. But my biggest complaint is that DC pushed all the covers to the back, perhaps in a poor attempt to create the illusion of making this one connected story. But it's not seamless, and can sometimes be quite jarring when you turn the page and jump into a completely different story without warning. And they made the covers really small in the back, squeezing two on each page, taking away any chance to properly enjoy them.

Next time, we'll see how our favorite teenage heroes are brought into this war in Young Justice #35.

Wednesday, December 21, 2016

JLA Secret Files & Origins #3


Blame

D. Curtis Johnson • Writer
Pablo Raimondi • Penciller
Claude St. Aubin & David Meijis • Inkers
Tom McCraw • Colorist
John Costanza • Letterer
Tony Bedard • Editor

Cover art by Dave Ross & Dan Adkins
All color separations by Digital Chameleon

Our cover shows Batman looming ominously over the newly reduced roster of the JLA — Superman, Martian Manhunter, Wonder Woman, Plastic Man, Green Lantern, Aquaman and the Flash. This matches the theme of the stories inside well, as the JLA recently learned that Batman had been keeping secret contingency plans against his fellow teammates, and these plans had been stolen and used against them.

Like all other Secret Files & Origins issues, this comic is comprised of one big story, several shorter stories, and a bunch of profile pages. There's a brief look back at the history of the JLA, but everything else deals with the current status of the team moving forward. Of interesting note, one of the side stories is drawn by Ethan Van Sciver, who might have done this during one of his breaks on Impulse. Speaking of Impulse, he actually makes two brief appearances in this issue.

The main story details how Batman began to create his countermeasure files on each member of the JLA, and how Talia al Ghul stole these plans. But, perhaps of most interest, we get to see what these plans actually contained. We only care about Impulse and the Flash, so let's just skip to that part.

In a flashback, we see that Batman began working on a vibra-bullet to stop a speedster shortly after Barry Allen died in the Crisis on Infinite Earths. Alfred was uncomfortable with this, but Batman notes that Wally is now taking over the Flash's mantle and both Johnny Quick and Jay Garrick could get back in the game someday, so there is still a need to have a way to take down speedsters. To Batman's defense, he does explain that he's only doing this in case of mind controllers, body swappers, Amazo clones or other such events.


Subject: Flash

The vibrational characteristics of Wally's superspeed at full strength are very nearly the same as Barry's. The countermeasures I devised for Barry should continue to suffice. They may also have application against other speedsters, if this vibrational pattern set is common.

Addendum: Recent developments hint at some sort of unified "Speed Force," which would explain the similarities between the various speedsters I've observed. More data on the phenomenon will have to be gathered.

I believe these vibrational characteristics can be mimicked, which suggests that countervibrational artifacts could be created which could not be vibrated through safely. Active countermeasure barrier materials could be used to create an inescapable cell, for example.

Even more interesting are the possibilities suggested by introducing these countermeasures directly into Wally's central nervous system. Seems like a good general-purpose incapacitation with, hopefully, no permanent side effects.

And that's all we see of Impulse in the main story. Of interesting note, the story is called "Blame" because Talia asks herself who's to blame for this tragedy. Is it her dad, Ra's al Ghul for telling her to steal the plans? Is it Batman, who made the plans in the first place? Or is it the JLA, who put so much trust into Batman?

Lost Pages

Mark Waid Writer
Steve Scott Penciller
Mark Propst Inker
John Costanza Letterer
Tom McCraw Colorist

This short story begins with Flash visiting Nightwing at Titans Headquarters. Wally tells Dick that it was Superman who cast the deciding vote to kick Batman out of the League. Wally voted to keep Batman in, but he admits he made that vote against his better judgment. He explains to Dick that the while the Titans have always felt like a family, the JLA is a diverse group with a lot of major differences. And because of these differences, its necessary for them to trust one another implicitly. Nightwing angrily says he's trusted Batman with his life since he was 8, and Wally notes that it's worked out well for him, but now Nightwing's teammates on the Titans are wondering just how much information Batman trusted him with. If Batman kept anti-JLA files, did he also keep anti-Titans files?

This same question is being tossed around in Young Justice, who are battling Team Turmoil at the moment. Superboy asks Wonder Girl if Robin has anti-Young Justice files, but Cassie doesn't think this could be true. Impulse then tries to vibrate one of the villains into a wall, and Robin tells him not to, since his powers don't work that way. Bart repeatedly asks Robin how he knows this.


When Robin angrily exclaims, "I just know!" Superboy and Wonder Girl exchange a worried look. Oracle is also worried, and she tells Batman that both the Titans and Young Justice are now suspicious of Nightwing and Robin. But Batman refuses to say he's sorry or not sorry from this fallout, and he hangs up on Oracle. She then sends a video of that conversation to Superman, who is also pretty broken up by this whole situation.


And that's it for Impulse's involvement in this issue. This was an interesting first look into what will be an ongoing point of contention for all characters associated with the "Bat family." I think overall, it's a really good ethical debate. Was Batman right to keep these files on his teammates? Was the JLA right to kick Batman off the team? And the beauty here is there's no right or wrong answer. It's all relative.

I am glad that Mark Waid got to write Impulse again, even it was for only a couple of panels. However, it seems like he hasn't been paying attention to the evolution of Bart's powers. In the pages of Young Justice, Bart was able to vibrate himself and his teammates through the floor of a building. And Robin was one of those teammates, so he should know that Impulse is fully capable of vibrating a bad guy into a wall. I get what Waid was going for here, but he should have chosen a different ability for Robin to harp on.

Naturally, there aren't any letters to the editor, so let's check out the new ads:

Gotham Girls and Lobo. Awesome animation with an interactive twist. Check out the wild webisodes, only at warnerbros.com.

What will the real fruit juice inspire you to ponder? Starburst.

A DC subscription ad, showing you could get 12 issues of The Flash for $19.95.

You could win instantly a trip to WWF WrestleMania through Cornnuts.

Introducing new Sour Skittles.

Greenday Warning: The new album.

And you thought you were good at raising a little Hell. Spawn world broadcast premiere on TBS.

Next time, Impulse and Young Justice will make another quick cameo in Superman #163.

Tuesday, December 20, 2016

JLA: The Secret Society of Super-Heroes #2


Writers: Howard Chaykin and David Tischman
Penciller: Mike McKone
Inker: Jimmy Palmiotti
Letterer: Bob Lappan
Colorist and Separator: David Stewart

Cover Penciller: Mike McKone
Cover Inker: Jimmy Palmiotti
Cover Color: David Stewart
Logo Design: Todd Klein

Our cover shows our "heroes" floating menacingly above the ruins of a city. I find this slightly odd, since not all of these characters are able to fly, but I guess the general attitude of this image is in line with the story inside. One thing to note, though, is Bart's boots are red on the cover, but inside, his costume is one solid yellow piece from head to foot — kind of like little kids' pajamas. I also find this discrepancy odd, since David Stewart colored both the cover and the inside pages. For what it's worth, though, I like the red boots a lot better.

Our story picks up where we left off last time, with Bruce Wayne and Lois Lane having discovered the secret hideout of the Kryptic Order, just as Bart Allen is welcomed to the team. While Wayne and Lane sneak around the shadows, the "heroes" show Bart around, promising to get him a costume like Wally's before too long, but in the meantime, they present him with an invisibility device. Wonder Woman and Superman explain that the device is made of Amazonium, and comes from Wonder Woman's old invisible jet, which they broke down and put into these individual devices so the Kryptic Order can operate without being seen. Bart's first thoughts involve using this device to peek on pretty girls in the showers, but Wonder Woman tells the teen right out that this technology is for such activities.

Bruce and Lois then sneak away, but they pass through a trophy room and discover a Batman suit with a label saying it belonged to Bruce's dad, Thomas Wayne. Bruce heads to a hospital/nursing home of some kind to visit his old friend, Alfred Pennyworth, who appears quite sickly and nearly senile. Bruce asks him about his dad's connection to the bat suit, and Alfred whispers the truth in his ear. Lois publishes a story about her discovery, but she decides to keep Bruce out of it.

We then cut to Bart's first night on patrol with Green Lantern and Flash. (They never say if he's Kid Flash or Impulse. In fact, they only call him Bart, so that's what I'll call him.) Bart quickly grows bored, and to pass the time, Wally and Kyle tell Bart how some of them use their powers to make a little money on the side.


Kyle admits that Superman and a few of the others are opposed to this idea, so they conveniently forget to tell them about their side activities. The message to Bart is he can make a real killing if he's willing to keep his mouth shut. They eventually spot some criminals, and Flash quickly knocks them out by running around them and depriving them of oxygen. Bart thinks that was pretty cool, and he asks if it's like this every night. Wally hopes he'll be able to show Bart something a little more interesting soon, and Kyle says these guys aren't worth sending to the Phantom Zone, which opens up a whole new topic of discussion.

Bart gets pretty shaken up by all this, feeling that stealing money and exiling people to the Phantom Zone is wrong. In addition to the typical stresses of a teenager, Bart now has his mind occupied with trying to figure out a way to get out of the Kryptic Order. When he comes home one night, he's so lost in his thoughts that he doesn't even hear his parents trying to talk to him for several minutes, and they both fear their son is on drugs.

Bruce and Lois continue to work toward taking down the secret society of superheroes, and Bruce even quits his job at the FBI to focus full time on this mystery. Later, a meeting at the Kryptic Order becomes incredibly tense when Superman discovers that Green Lantern caused the Hong Kong market crash to line his pockets. During the course of their argument, Wonder Woman reveals that she has also been stealing money for years and lying to the team by saying it came from the Amazons. Despite this, Wonder Woman still stands with Superman's stance of keeping the team secret. The war of words heats up, and soon we have Superman, Wonder Woman, Hawkgirl and Metamorpho on one side, with Green Lantern, Flash, Atom and Plastic Man on the other. Both Superman and Green Lantern put a lot of pressure on Bart to join their side, but Bart realizes this isn't good and he doesn't want any part of it. So he runs away.

At Kyle's urging, Wally takes off after Bart, but he's unable to find him. Bart heads to Paris first, and sends an email to his mom, saying he won't be home for dinner. But it's unclear exactly how many dinners Bart missed, as we later see Bart on a cruise ship and later in George Washington's nose on Mount Rushmore. The teen realizes he needs help or he'll eventually be caught and sent to the Phantom Zone.

Bruce visits Arkham Asylum and has the Riddler help him in his investigation. He later steals an invisibility device and special goggles that allow him to see invisible people. Green Lantern, Atom and Plastic Man are shocked when a devastating hurricane in Florida wipes out their entire portfolio. They're also upset that Wally hasn't found Bart yet, and Plastic Man begins to wonder how their stock market activity is any different from the criminals they fight. But Green Lantern is mostly upset with his hunch feeling that Superman caused the hurricane.

Bart then visits his dad at the police lab, where Barry berates him for going missing and worrying his mother. As Barry threatens to ground Bart until he's 40, Bart starts to think the Phantom Zone isn't looking too bad. But he stops himself from thinking that way and he tells his dad that he's in big trouble right now and really needs his help. Barry looks at his son for a moment, then realizes he's serious, so he takes the rest of the afternoon off to find out what's going on with Bart. That night, Bruce puts on his dad's old Batman suit and begins practicing jumping around on the rooftops of Metropolis.

The next day, Superman is suddenly attacked by Green Lantern while doing a quick patrol during his lunch hour. Green Lantern is joined by Plastic Man, Atom and Flash, and since everybody is invisible, all the passersby on the street have no idea why things suddenly start breaking and getting smashed. Superman calls in his allies to help, and soon we have a full-fledged fight on our hands in the middle of the street. Wonder Woman tells Metamorpho to take on Plastic Man and Hawkgirl to handle the Atom, while she battles the Flash. Wally starts by throwing a bunch of rocks at Diana, which she manages to block with her wrist bands. Wally apologizes, saying he's made his bed, even if he's not going to sleep well in it.

Meanwhile, Bart is telling his dad about everything at a restaurant when the TV reports on "poltergeists" in Metropolis. Bart instantly recognizes this as the Kryptic Order, and he tells his dad he has to go there to stop Green Lantern from killing everybody. Barry reluctantly agrees, and Bart gives him a piggyback to the scene of the battle. Bruce, now officially Batman, has also joined the battle, using a device to negate the effects of everyone's invisibility discs.

Green Lantern hits Superman with a big kick and sends the Kryptonian flying right toward Lois. Bart arrives in just the nick of time (now wearing his costume) and he saves the reporter. He stops to make sure she's alright, then he confronts Green Lantern, saying this has to stop now. Kyle says he doesn't think so, and Barry yells at him to stay away from his son. Wally also tells Kyle to back off, but Green Lantern ignores him. He knocks out Barry, then prepares to kill Bart. But Wally steps in front of the blast and dies protecting Bart.

Hawkgirl then kills the Atom by stepping on him, and Metamorpho enters Plastic Man's body. Superman notices their fighting has caused a building to begin to collapse, so he tries to stop it from crushing all the people on the street. Green Lantern, injured by a gunshot from the police, is taken down by Batman, who breaks his arm, knocks him out and leaves him on a pile of rubble. Clark successfully saves everyone from the collapsing building, but the strain of the battle is too much for him, and he dies in Lois' arms, telling her he's long admired her from afar.

Hawkgirl and Wonder Woman quietly slip away in the commotion, with Diana regretting that she never told Clark she loves him. Plastic Man dumps Metamorpho out in the sewers, since Metamorpho thinks that's the only place for a freak like himself. Bart cradles Wally's dead body, and Barry stands over his son, sadly telling him that Wally is dead. But Barry does refer to Bart as a hero — perhaps the only good thing to come from this horrific event.

Later, Bruce and Lois officially become a couple, and while out fighting crime one night, Batman rescues a black teenage girl named Robin. Selina Kyle reads about Batman in the Daily Planet and decides to turn to a life of crime as Catwoman to get some attention. Barry gives Bart a yellow Volkswagen Beetle to show him how proud he is of his actions in Metropolis. Bart gives him a hug and thanks his dad for coming through when he really needed him.

We end with Bart meeting Bruce in the Kryptic Order's now abandoned headquarters. Bart is now wearing a red costume to keep Wally's dream alive, and he hopes that he and Batman can work together to keep alive the dreams of Superman and Thomas Wayne. Their first action is to open up the Phantom Zone.


Well, that happened. Just like with the first part of this story, there's just way too much stuff going on here. In addition to everything I went through, there was the ongoing subplot of Martian Manhunter leading a peaceful life in the Phantom Zone. And that had absolutely no bearing on this issue. It potentially did set up a third part of this story that never came. As such, those pages wasted valuable real estate that could have been spent further developing Batman or Bart. Since those are the two heroes left standing at the end, they should have been the main focus of this story. But there was too much going on, and I never fully understood why anybody was doing anything. Suddenly they were fighting in the streets and dying, and the next thing I knew, Bart and Batman were trying to restart this team of superheroes. But why?

I did like how Bart was the conscience of the Kryptic Order, refusing to become involved in their bewildering politics. (I mean, if Wonder Woman was also stealing money, then why was she still on Superman's side in the fight?) I also liked how Bart was able to be reconciled with his father, but I still find it an extremely odd choice to put Barry Allen in this story but not make him the Flash. At the end, though, I didn't understand why Bart and Batman wanted to honor the memories of Wally and Superman. Wally was stealing money right along with half of the Kryptic Order, and Superman personally sent hundreds of people to the Phantom Zone without giving them a fair trial. Yeah, Wally did save Bart's life at the end, and Superman did catch that building, but those disasters wouldn't have happened in the first place if they hadn't been engaging in unethical activity for so long.

I just don't know what to make of this ending, which in turn effects how I feel about the story as a whole. There were a lot of interesting ideas here, for sure, but after reading it all, I can't help but ask, "What was the point?" It almost felt like the writers were too focused on world building and setting up future stories to focus on this single story. And in the end, we were left with a disjointed, forgettable story.

Next time, we'll take a very quick look at JLA Secret Files & Origins #3.

Tuesday, December 6, 2016

JLA: The Secret Society of Super-Heroes #1


Writers: Howard Chaykin and David Tischman
Penciller: Mike McKone
Inker: Jimmy Palmiotti
Letterer: Bob Lappan
Colorist and Separator: David Stewart

Cover Penciller: Mike McKone
Cover Inker: Jimmy Palmiotti
Cover Color: David Stewart
Logo Design: Todd Klein

Our cover shows this Elseworlds version of the JLA in a very serious pose. Their costumes are slightly different, but they're still recognizable — Hawkgirl, Flash, Wonder Woman, Superman, Atom, Green Lantern, Metamorpho, Plastic Man and at the very bottom in yellow, this world's version of Bart Allen. The statue of blind justice on the side implies that this story will explore the deep themes of law and order and the role superheroes play in it.

Our imaginary, out-of-continuity story begins in 1943, with a young Clark Kent learning lessons of doing good anonymously from his parents. Skip forward to today, Clark is the aging editor of the Daily Planet, nearing retirement, and his powers are beginning to fade. Lois Lane is working at a tabloid, investigating wild stories of people being abducted by a man in a green suit. Bruce Wayne works at the FBI, and he's also investigating the reports of hundreds of people mysteriously vanishing without a trace.

We then cut to Keystone City, where we're introduced to Bart Allen. He's a bit older than the Bart we're used to, and he's living with his parents. This Bart has an earring and a rather acrimonious relationship with his parents, who are currently chewing him out for wrecking the family car. Bart's mom complains that she was pulled away from showing a house to her client, and Bart's dad complains that the repairs will cost $4,500. He accuses his son of being careless. Bart tries to explain that it wasn't his fault and it was just an accident, but his parents don't care for his tone. Bart clenches his fist, which is surrounded by lightning, but his parents don't notice. He then walks out on them in the middle of the lecture, and they're shocked to see their son is long gone when they open the door just a moment later.


Bart runs all the way out of Keystone City, worried about what his parents would do if they found out he had super speed. He visits a diner he comes to every Thursday and orders his usual, a blueberry pie. But Bart doesn't notice that while he eats, a young man with blondish/orange hair is closely observing him. (The coloring isn't particularly consistent.)

We then see Clark Kent enter a secret underground base to conduct a meeting of the Kryptic Order, comprising all the heroes we saw on the cover, minus Bart Allen. The topic for discussion once again is the debate on whether the team should go public. Green Lantern is leading the charge for this, with the Flash, Atom and Plastic Man on his side. But Wonder Woman, Metamorpho and Hawkgirl agree with Superman's longstanding mandate, so that continues to be the team's policy as long as there's a tie. Flash reports that he's located a potential new member for the team, but he doesn't know how he'll vote. In the meantime, Flash has this candidate under constant surveillance, and says he's made his first contact with him. We soon find out that this "first contact" came in the form of a letter with the haunting message, "I know what you can do." Bart is understandably freaked out to see this.

Meanwhile, Bruce Wayne and Lois Lane cross paths, as they're both investigating the same mystery, and they agree to team up. We learn the Kryptic Order is able to maintain is secrecy by using technology from Wonder Woman to become invisible. And the Atom causes a financial crisis by hacking into the Hong Kong stock exchange.

Even though Bart was scared by the letter from the Flash, he follows its directions and heads to the same diner he was at earlier. There he meets Wally West, who eats Bart's hamburger, but assures the teen that he's not going to expose his secret. Instead, Wally demonstrates that he, too, has super speed. He assures Bart that he's not a freak, and he takes him on a quick "jog" to tell him all about the secret world of superheroes.

We then see that the Kryptic Order has a habit of capturing criminals, judging them, and exiling them to a lifetime in the Phantom Zone. Meanwhile, Green Lantern is working behind the Order's back by abducting all potential super-powered individuals to conduct DNA tests on them. But after 39 subjects, he still hasn't found any new recruits. Clark Kent has a heart attack at work, and he's shocked to see that his skin has grown weak enough for the paramedics to pierce it with a needle.

One night, Bart tells his parents he wants to go to UCLA to study history. Bart's dad, Barry (we never find out his mom's name), is mad at his son for changing his plans from last week, when he said he wanted to be a pharmacist. But he coldly says Bart may have only wanted to pursue that career to acquire drugs. Bart insists he wants to study history, saying it's important to learn the mistakes of the past to stop them from happening again.

The next day, an upset Bart heads to the park and skips stones on the lake. But his stones are traveling way too fast, and one of them destroys a kid's remote control boat. Wally appears out of nowhere and gives the kid money to buy a new boat. Bart tells Wally that he had another fight with his dad, and Wally tells him that he can't change his dad, but he can change his reaction to him. Bart says things will be better once he's 2,000 miles away from his dad at college, but Wally insists that Bart's dad really does love him. Wally speaks in more depth about the Kryptic Order and he formally offers Bart a spot on the team. But he does warn him, though, that once he's in, there's no going back.

We take a quick peek inside the Phantom Zone and see that hundreds of criminals have been sent there over the past half century, including the Martian Manhunter. But J'onn J'onzz has made the prison a rather pleasant place, transforming it into a peaceful community focused on meditation and harmony.

Bart is taken to the Kryptic Order secret headquarters, and he observes the team training against a bunch of robots. Wally introduces Bart to the whole team, but while they're doing this, Bruce and Lois have made a breakthrough in their investigation and have discovered the entrance to the headquarters.


This is a pretty interesting story. It's a fairly realistic premise with layered, nuanced characters. No one is purely good or bad, and there isn't one particular threat for the heroes to deal with. This works to the story's benefit and detriment. This issue, 48 ad-free pages, is pure world building. There's no clear direction to work toward or character to focus on. Superman losing his powers and place in the world could be an interesting framing device on its own, but it's competing with the equally interesting stories of Bruce and Lois investigating the elusive superheroes and Bart Allen trying to figure out what to do with his powers and find his place in the world. And all this is confounded by the countless subplots involving Martian Manhunter, Lucious Fox, Green Lantern, the Atom, etc., etc. Ultimately, there's just too much story here. We will have a second 48-page issue to conclude this tale, but that issue will feel equally overburdened.

This version of Bart Allen is a real interesting character, and I wish his story could have been the main focus here. Bart feels like a very realistic teenager who often gets in trouble and can sometimes be a jerk, but ultimately wants to do good, yet is held back by his insecurities. I'm not exactly sure, though, why he's so scared that anyone will find out he has super speed. Nor do I know why his dad is a powerless Barry Allen. Wally has powers, and all the other superheroes seem more or less the same, so why not Barry? All in all, this Bart is not as fun as the impulsive version we're used to, but he does have potential for some thought-provoking stories.

Ultimately though, I can't say I'm a fan of this issue. While there is lots of potential present, it's too difficult to form any connections to any characters. And it's not a particularly pleasant comic to look at, either. The art is subpar, at best, failing especially in the action scenes, hair coloring, and facial recognition (many characters are impossible to distinguish when they're out of costume). This is also one of the rare times where I'll criticize the letterer. It feels like all the letters were written with a shaky hand, and it is very annoying.

Next time, we'll take a break from this disappointing Elseworlds tale and review something great — Young Justice #25.