Friday, August 30, 2019
Smallville: Season Eleven #29
Haunted Part Four
Writer Bryan Q. Miller
Art Jorge Jimenez
Colors Carrie Strachan
Lettering Saida Temofonte
Cover Art Cat Staggs
Assistant Editor Sarah Gaydos
Editor Jim Chadwick
Superman created by Jerry Seigel & Joe Shuster
Our cover shows Superman and Impulse being chased by the Black Flash. It's a rather strange cover, in that none of the characters her seem to look quite right. Especially Impulse, who's now all of a sudden an 11-year-old boy. I really wish Jimenez drew this.
Sometime between last issue and this one, Bart came clean with Clark and told him all about the Black Flash. And since Bart's too scared to run anymore, Clark is flying him back over the Atlantic. Clark asks why Bart never mentioned the Black Flash before, and Bart explains that it wasn't always there. The first time he saw the Black Flash was when Lex Luthor kidnapped him and forced him to run longer and faster than he ever had before, way back in "Justice."
(I'm calling it the Black Flash, but Bart hasn't settled on a name for it yet, testing out Speed Demon and Black Racer.) Bart tried to put this haunting vision behind him, but now he knows it's still there, even when he's not running. Clark asks why he risked that race to India, and Bart confesses that since Clark is the only person who can almost keep up with him, he was hoping that he'd be able to confirm or deny the existence of the Black Flash.
Secretly, Bart was hoping he was just going crazy, finding that preferable to actually being chased by a dark entity. Clark doesn't believe Bart is crazy and vows to find some way for him to get face-to-face with Bart's "boogeyman."
That night, Lois Lane is investigating a sudden clean-up effort at the site of the old LuthorCorp industrial site that Bart, Clark and the others destroyed five years ago. Everyone is wearing HAZMAT suits, even Lois. One of the workers finds a strange bit of crackling energy near Bart's old cage. When he gets too close to the electricity, he gets caught up in a bright whirlwind. When it spits him out, the man is suddenly old and withered.
Yeah, it's still popcorn entertainment, but I actually am liking this story. I think Jimenez is getting more comfortable with this style. And I'm glad to see more direct references to the show. Even though I hated the show, it's nice to see that Miller is paying attention to detail.
Next time, we'll return to Young Justice: Invasion.
Thursday, August 29, 2019
Young Justice: Invasion – "Before the Dawn"
Director: Tim Divar
Writer: Kevin Hopps
In the Pacific Ocean on March 30, 18:28 HAST (Hawaiian-Aleutian Standard Time), a full week after Impulse, Beast Boy and Blue Beetle were captured and taken to a Reach ship in the Atlantic Ocean, we check in with our poor heroes via an Aqualad tour. Kaldur is introduced to the three leaders of the Reach, known only by their titles — the Ambassador, the Scientist and Black Beetle. They show him one of the members of the Team, Lagoon Boy, is held in a lab next to a villain named Shimmer and a handful of other teenagers who haven't had their meta-gene activated yet. Beast Boy and Impulse are in a separate room, being electrocuted so the Reach can study metahumans under stress and see if their abilities can be duplicated or extracted. But the Reach does not allow Aqualad to see Blue Beetle, saying he is of the Reach.
Luckily for our heroes, a rescue operation is finally underway. Batgirl, Robin and Bumblebee go undercover and join a group of teenagers being transferred to the Reach. Nightwing, Wonder Girl and Miss Martian use the cloaked bio-ship to dive down to the Reach ship. M'gann phases into the ship and quickly locates Gar and Bart. She telepathically links with Batgirl, who has been brought into the other lab with all the teenagers. They can't find Blue Beetle, but Nightwing orders them to begin their escape plan anyway.
As soon as M'gann frees Impulse and Beast Boy, Bart says he needs to find Blue and takes off before M'gann can stop him. While the rest of the heroes start loading the teens onto the bio-ship, Impulse vibrates into each room until he finds Jaime. M'gann tries to follow Bart, but she runs across Aqualad. In Nightwing's infinite wisdom, he chose not to tell M'gann that Aqualad and Artemis were secretly working for the team. So, M'gann believes Aqualad had killed Artemis, and he destroys his mind in a blind rage. By doing so, she learns the truth, and is devastated by her actions.
After Impulse knocks out the Scientist and frees Jaime, Bart tells him what life was like in the future. Bart was a slave, wearing a power-suppressing collar, being bossed around by an adult Blue Beetle. Bart says that in his time, the Reach got the scarab back on mode and Blue Beetle became the biggest, baddest, Big Bad in history. And that's the main reason Bart came back to the past — to stop Jaime from betraying the human race and bring on a Reach apocalypse.
Black Beetle has sealed off our heroes' escape route and began knocking them all out one-by-one. When Bart and Jaime get there, the scarab takes control of the armor and actually does a decent job of keeping Black Beetle occupied. This allows Impulse to help the others get onto the bio-ship. But Shimmer decides to remain a bad guy and idiotically help out the aliens who kidnapped and experimented on her. However, she doesn't realize her meta-gene was activated, and she inadvertently melts a hole in the Reach ship, causing a huge wave of water to come rushing in.
The water starts flooding into the bio-ship, as well, and when Impulse realizes Blue Beetle isn't on board yet, he tries to go back for him, but is knocked back by the wall of water. Batgirl decides to seal the hatch, reasoning that they can't save Blue Beetle if they drown or are crushed by the pressure at this depth. However, Blue Beetle is fortuitously knocked out of the hole Shimmer created, and Lagoon Boy is able to pull him into the bio-ship. Black Beetle is forced to remain behind and repair the hole.
When Jaime wakes up, the first thing he sees is Impulse standing over him. Jaime immediately powers down his armor, crying out, "It's me! It's me!" Bart smiles and says, "Of course it is."
It sure is a good thing that Bart and Gar are such good-natured kids, because I'm sure just about anyone else would be pretty upset that it took the Team a whole week to rescue them. And Jaime's too busy dealing with the bombshell Bart dropped on him to be feeling any other emotions right now. Anyway, this was a great, action-packed, mind-blowing episode. Bart's reveal is huge. And confirmation that every interaction Bart had with Jaime, every time he mentioned his name, was all part of his master plan to prevent the Reach from taking over the Earth. But judging by Jaime's meltdown in this episode, one could argue that Bart shouldn't have told him all this.
On the other hand, though, Bart's (delayed) honesty might be the best policy. Nightwing's secrecy essentially destroyed both Aqualad and Miss Martian. Why didn't he think he could trust M'gann with this secret plan? As frustrating as it is, though, it does make a more compelling story to have characters make mistakes and have to deal with the ramifications of them. This episode was a turning point in the season. The Reach is finally out in the open. We were introduced to the delightfully evil Black Beetle. And now we have a clear goal to work toward at the end of the season.
Next time, we'll return to Smallville: Season Eleven.
Teen Titans #15
Teen Scream
Plot: Scott Lobdell
Dialogue: Fabian Nicieza
Pencils: Brett Booth
Inks: Norm Rapmund
Colors: Andrew Dalhouse
Letters: Tranis Lanham
Cover: Greg Capullo and FCO Plascencia
Asst. Editor: Darren Shan
Editor: Eddie Berganza
Our cover is an extreme closeup of Red Robin's face. It's incredibly boring, but it does grab your attention with its stark simplicity. It's also consistent with the rest of the Death of the Family covers. Consistent, but boring.
If you thought the regular cover was boring, wait until you see the black-and-white variant! I don't know why DC bothered making this one available. I mean, what's the point?
Our story opens on an incredibly bright night in Gotham City, thanks to the many searchlight in the sky and the full moon, which has somehow grown to roughly the size of the planet Mars. Batgirl comes swinging in, striking the sexiest, most gratuitous pose Brett Booth could muster. She is meeting with Wonder Girl, Bunker and Solstice on the top of a toy store because it was the only fun place Kid Flash could find in Gotham.
The first thing Batgirl says to Kid Flash is that she heard about him stealing the Statue of Liberty's plaque (how is that such a big story?). The first thing Kid Flash does is try to give Batgirl a big hug for some reason, but is repelled by these odd "blast pads" Batgirl has in her suit. And to make things even more obnoxious, Red Robin, who is being held captive by the Joker, is narrating this issue, perfectly predicting everything as it happens, including Bart's failed hug attempt.
Anyway, Kid Flash explains that Red Robin had left behind a "bat-phone-thingie" with only one number that wasn't in code, which was Batgirl's. So they sent her a text, pretending to be Red Robin, fearing that Batgirl wouldn't meet with them otherwise. Turns out, Batgirl already knows that Red Robin has been kidnapped by the Joker, and she agrees to work with the Teen Titans to rescue him.
Well, by "work with" I mean helping the Titans come up with a plan before taking off on her own. She asks for a map, so Kid Flash quickly grabs one along with a ball cap and sports foam finger for the Blades (presumably Gotham's hockey team). Batgirl marks eight spots on the map for them to check out, telling Kid Flash and Solstice to form one team and Bunker and Wonder Girl to be another. As Batgirl drives away on her motorcycle, she tells the Titans that luckily there's a good chance Red Robin is still alive, since Joker usually likes to talk a lot before acting.
Kid Flash takes Solstice to the first stop on their list, the Wayon Housing Complex, but only find homeless people inside. Kid Flash didn't notice the rising green smoke as he raced through the building, and the Joker actually reveals to Red Robin that this was part of his plan. With cartoons drawn on a chalkboard, Joker takes Red Robin step-by-step how he planted some of his gas on the ground where Kid Flash would step on it and spread it through the city on his search. And sure enough, Kid Flash inadvertently "jokerized" all the people he ran past, and they're now attacking him and Solstice.
Solstice is afraid of hurting the people, and Kid Flash also worries about vibrating through them, saying his powers feel out of control right now and he might accidentally blow them all up. (This is apparently due to a completely unrelated Birds of Prey plot that goes nowhere as far as this story's concerned.) Wonder Girl and Bunker arrive to help out, and so do Arsenal and Starfire, who are searching for the leader of their group of outlaws, the Red Hood.
I know Nicieza was credited with writing the dialogue for this issue, but I wonder if he also wrote Tim Drake's pretentious narration. He came across as an armchair quarterback, constantly saying, "I knew that was going to happen" after the fact. Also, what's the deal with Kid Flash suddenly being a hugger? Yeah, the original Bart is, and so is the Bart on Young Justice: Invasion. But I think this New 52 guy has only ever hugged Solstice.
Well, with that all out of the way, I do have to say this wasn't a bad issue. Joker brilliantly turned Kid Flash's search into a mechanism to spread his gas through the city. Of course, I have no idea how or why our heroes are immune to the gas. It actually would have been really cool if they were all jokerized. But the story we got was still pretty interesting.
Next time, we'll return to Young Justice: Invasion.
Wednesday, August 28, 2019
Year in Review: 2012
In 2012, I had graduated from college and moved to Boise, Idaho, to begin my first real job at the Idaho Statesman. By far the best aspect of that move was my discovery of a store called Captain Comics. That's where I officially began collecting comics and, through the New 52 Flash, discovered and fell in love with Impulse. And the rest, as they say, was history.
It certainly was an exciting time in the superhero world. Beyond the New 52 comics and Young Justice animated series, DC and Marvel produced three genuine blockbusters for the big screen. The biggest one, by far, was The Avengers. It was Disney's first Marvel film, and the first real superhero team-up film. I had enjoyed the individual Marvel films for Iron Man, Hulk, Thor and Captain America, but I didn't think this could work. Well, I was completely, and happily, wrong, as The Avengers dominated the box office with $1.5 billion.
DC also crossed the billion-dollar threshold with the conclusion of Christopher Nolan's Batman trilogy, The Dark Knight Rises. (I'll admit I cried at the end.) Sony also found success in their Spider-Man reboot, The Amazing Spider-Man, at $758 million. Skyfall and The Hobbit: An Unexpected Journey also grossed more than a billion dollars, and Argo won the Academy Award for Best Picture.
And as for Bart Allen? Well, he technically didn't exist in 2012. The original Bart sacrificed himself at the end of Flashpoint (clinging to life inside his Flash ring in the Speed Force), and the "Bart Allen" we got in the following comics was actually a completely different version of the character. We also saw a return of the Smallville version of Bart in the Season Eleven comics. And, most exciting, we were introduced to the first animated version of Bart in Young Justice: Invasion. So, between these three Barts, we actually had a pretty busy 2012 (and it'll be an even busier 2013).
Best Episode: Bloodlines
This category is normally for the Best Issue, but TV episodes have always been eligible — they just never had a chance to win until now. Frankly, there weren't any comics that really grabbed me this year. The closest would be the wacky DC Presents with Kid Flash and the dinosaurs, but that's miles away from what Bloodlines did. This episode was such an amazing debut of Bart, who beautifully was allowed to be Impulse again, instead of Kid Flash. Impulse fans had to wait almost two decades for this moment, and when it finally came, it was practically perfect. Yes, he was different, but his core was true to the heart of the Impulse we all know and love that Mark Waid created in 1994. Bloodlines wasn't just the best moment of 1994 — it was one of the best moments for Bart ever.
Best Writer: Peter David
This is David's second award on this blog, but this time it's not for any comics he wrote. What David accomplished in Bloodlines far outstripped the fun Fabian Nicieza had with the dinosaurs and the marginally decent Smallville stories Bryan Q. Miller penned. Scott Lobdell was pretty close to being a travesty, so David faced no competition from him. In Bloodlines, David paid homage to the Flash family, gave us an Impulse that felt both familiar and fresh, and worked him into the larger Young Justice story in a meaningful way. He made Bart fun, talented and layered with an emotional depth that never seemed to betray his nature. True, I did hate how David ended that episode with the weird time-travel effect, but that was the only ding in an otherwise amazing episode.
Best Artist: Jorge Jiménez
I almost considered giving Young Justice a clean sweep here, but it felt too weird to give this award to MOI Animation, Inc. So I decided to reward the individual who drew the best Bart of the year. Booth's work is far too off-putting for me to seriously consider him, so that basically leaves us with Jiménez. And if the only work he gave us was Smallville: Season Eleven, then I'd be rather loathe to honor him. But Jiménez also gave us some truly inspired work with the side dinosaur story. It was fun, dynamic, and probably would even have given Humberto Ramos a run for his money.
Best Supporting Character: Blue Beetle
We only had two episodes of Bart interacting with Jaime Reyes, but they were rather significant episodes. They had a revealing heart-to-heart conversation in the cave, then got to hang out and show off their powers before getting into a real fight and sadly being captured. Bart does slightly annoy Jaime, but nowhere near enough for him to push Bart away. At the end of the day, he does like hanging out with Bart and they actually have a rather cute relationship. So cute, in fact, that many fans spent years speculating that Bart and Jaime were secretly a couple. While season 3 proved this not to be the case, the New 52 did actually make a girlfriend in 2012 — Solstice. I never seriously considered her for this award, though, because her relationship with Kid Flash wasn't near as interesting or organic as Bart's and Jaime's.
Best Villain: Harvest
This was a very difficult choice this year. Neutron wasn't really a villain, nor was Aqualad, who only captured Bart as part of his undercover mission infiltrating the Light. And I can't really choose the Light or the Reach because Bart hasn't directly confronted them yet. The Smallville Bart defeated Psimon and the Brain way too quickly to give them any consideration, and the Black Flash only just arrived. So that leaves us with the primary antagonist of the New 52 Teen Titans. He was frustratingly vague, displaying unlimited resources and powers combined with an entirely nonsensical plan. But he did provide the catalyst that created the Teen Titans and successfully kidnapped Bart twice.
Next time, we'll begin the year 2013. And as I said earlier, our three different Barts are going to keep us quite busy — we have 11 appearances in the month of January alone. It all begins with our Death of the Family crossover in Teen Titans #15.
Tuesday, August 27, 2019
Smallville: Season Eleven #27
Haunted Part Three
Writer Bryan Q. Miller
Art Jorge Jimenez
Colors Carrie Strachan
Lettering Saida Temofonte
Cover Art Cat Staggs
Assistant Editor Sarah Gaydos
Editor Jim Chadwick
Superman created by Jerry Siegel & Joe Shuster
We pick up with Superman and Impulse arriving at the Louvre in Paris to deal with the art thieves. But an explosion reveals these aren't ordinary art thieves — they're the Brain and Monsieur Mallah, accompanied by a swarm of monkeys and apes, each taking off with a painting. As Superman and Impulse begin corralling the monkeys, Bart says, "This almost never happens in Mexico," implying that he's made Mexico his permanent home, which is why he keeps calling Clark his "amigo." Clark naturally worries about actually hitting the apes, but when one of them sends Impulse flying toward the Louvre's glass pyramid (which he vibrates through), Bart says they can hit the animals.
As Superman confronts the Brain and Mallah, he has Impulse clear the civilians. Bart helps a beautiful woman first, telling her he wishes he could stay and chat, but has to settle for just kissing her hand before returning to the fight. For some reason, Monsieur Mallah is able to hold his own against Superman. The gorilla pulls out a machine gun, spraying bullets all over the place. Bart is able to catch the bullets, but he has to push himself to go faster than his usual speed.
After he stops all the bullets, Bart is genuinely exhausted and gasps that he was going too fast. His eyes suddenly light up with lightning and he hears the dark voice calling his name again. He dejectedly says, "Not now ... not again ..." as he's confronted by the Black Flash. The whole encounter occurs at super speed, so nobody else can see the Black Flash chasing Bart, creepily telling him it's time.
Superman finally knocks out Mallah and his apes with a powerful handclap. He finds Bart down on his knees, weakly saying, "It almost got me ..." But when Clark asks Bart what he means, Bart brushes him off.
I'll admit this was a pretty fun comic. Is Smallville: Season Eleven growing on me? Perhaps. It is really fun to see actual villains from the comics like Psimon and the Brain battling our heroes in exotic locations like Paris. But everything is only skin deep. Psimon only wanted revenge on Luthor and was taken out with just a couple of hits. The Brain idiotically thought he could sell the Mona Lisa and other priceless works of art that were very publicly stolen in broad daylight (that a main point in "Run" — Bart stole something too unique and valuable from Luthor to actually sell it). And, just like Psimon, the Brain and Mallah were very easily defeated simply because the short comic had reached its last page.
So yeah, it's cool to see the Brain and Black Flash and Psimon and all these characters. But that's all we're getting. Just a quick glance at them. Nothing more. This is more like a trading card than a comic. Popcorn entertainment, if you will. Not bad, but not fulfilling.
Well, that's it for 2012, our first full year without the original Bart Allen. Next time, we'll have our Year in Review.
Smallville: Season Eleven #26
Haunted Part Two
Writer Bryan Q. Miller
Art Jorge Jimenez
Colors Carrie Strachan
Lettering Saida Temofonte
Cover Art Cat Staggs
Assistant Editor Sarah Gaydos
Editor Jim Chadwick
Superman created by Jerry Siegel & Joe Shuster
There are a couple of drawbacks with the weekly digital-first comics. One is the repetition of covers. Instead of commissioning a new cover for each issue, DC decided to reuse the same cover for a couple of issues, which would then be compiled into one average-sized print comic. That's fine for print readers (although the numbering does get messed up), but the digital readers get bored seeing the same cover over and over again. Another big drawback is that DC created these comics under the assumption that these comics would be read exclusively on smartphones tilted sideways. So every single page and panel is designed in landscape. But that's not how I read my comics. I use a tablet and like to view one page at a time in portrait mode — just as if I was reading a book. So going through this series is a minor inconvenience for me. And the DC Universe app automatically cuts the covers down to this landscape shape.
After the incredibly quick and easy defeat of Psimon, Impulse and Superman decide to spend some time catching up by running across the ocean. Bart mocks Clark for not being able to keep up, and Clark admits he's been focusing more on flying than running lately. So he suggests they have a race where he's allowed to fly and the loser has to buy lunch.
The two heroes blow through Cameroon, Africa, before coming to a stop in Mumbai, India. Superman briefly thinks he arrived there first, until he sees Impulse in the middle of a soccer game with some local boys. Bart smugly says, "Last name? 'Ever.' First name? 'Fastest.'"
Later, Superman tells Impulse that he basically can't go back home right now without risking exposing his secret identity to Lex Luthor. He recently got hit with a dose of radiation poisoning, but luckily S.T.A.R. Labs tells him sunlight is chipping away at the radiation's half-life. Bart suggests camping out inside the sun until the radiation's completely gone, but Clark says Emil Hamilton worries that such an action would turn him into raw energy. Bart admits he's not informed enough to weigh in on the subject, so he tactfully stops giving advice.
Clark then asks Bart why he suddenly showed up in Metropolis for the first time in years. Bart simply says he couldn't resist seeing Clark Kent in tights and a cape. He then recalls their first meeting way back when, and calls Clark the closest thing to family he has. Clark says Bart was the first super-powered person he met who hadn't been infected by a meteor, which helped him not feel so alone. And the two young men vocalize their love for each other.
This tender moment is interrupted by a call from the Watchtower. There's a situation in Paris, and since they don't have a Watchtower agent in Europe yet, Superman and Impulse are the closest to help. Clark receives the details on a shield-shaped data pad, which tells him the "situation" in Paris is merely some art thieves.
Despite the low-key nature of this distress call, the two heroes decide to go help out. However, they do use this trip to Paris as an excuse for another race, this time with the loser buying a baguette. Bart gives Clark a head start this time, but before he starts running, he hears a dark voice calling his name. Bart ignores this voice, acting as if he's heard it before, and chases after Clark into the sunset.
I was initially confused as to why Impulse didn't look like Kyle Gallner. But this issue showed a flashback that looked just like him. So we're supposed to assume this is Gallner, for all intents and purposes, just with really short bleached hair. It's not a good look. At least this issue also clearly showed he's not wearing regular jeans (another incorrect assumption I made last time).
I actually liked this issue. Yes, I'm sad that Psimon, once a world-destroying powerhouse in the '90s, was defeated with such little fanfare. But Bart's arrival is intriguing. He's clearly dealing with something dark and sinister, and wants Clark's help, but is unable to work up the courage to talk about it. The quick flashback also reminded me of an annoying cost-saving element of the episode "Run" — the off-screen trip to Miami. In the comic, we actually got to see Clark and Bart run to India, and that makes a big difference.
Next time, we'll wrap up the year 2012 with issue #27.
Monday, August 26, 2019
Smallville: Season Eleven #25
Haunted Part One
Writer Bryan Q. Miller
Art Jorge Jimenez
Colors Carrie Strachan
Lettering Saida Temofonte
Cover Art Cat Staggs
Assistant Editor Sarah Gaydos
Editor Jim Chadwick
Superman created by Jerry Siegel & Joe Shuster
Smallville finished after 10 seasons, finally putting Clark in the iconic Superman outfit in the last scene of the show. DC then decided to explore this next chapter through a "Season 11" weekly digital comic. So it's the same continuity, same cast of characters and everything from the show that I could not stand. Maybe a different format will help the story out. If anything, it should eliminate the constraints the show had with special effects.
Our cover shows Lex Luthor covered in blood and being haunted by ghosts of the past ... or something? I don't know ... he apparently had his memory erased recently, and it's a whole thing. I will give Cat Staggs credit for making Luthor look just like the actor who played him on the show, Michael Rosenbaum.
Let's pick up toward the end of this issue, where's Luthor's amnesia has gotten him in trouble with Smallville's version of Psimon. He honestly doesn't remember funding Project Ares, which apparently turned this Dr. Jones into Psimon, but he does offer to help Psimon get the best psychiatric care money can buy. That's not good enough for Psimon, who tries to kill Luthor with a blast of purple psychic energy.
Superman saves Luthor, then begins to fight Psimon, but has a hard time. Psimon makes a common comic book boast of how Superman can't keep up with "the synaptic firing of the human mind." Suddenly, Impulse comes out of nowhere, suggests it's time for a team-up, and begins beating up Psimon. Impulse moves so fast, Psimon can't see him, and asks Superman how he got so fast. Superman calmly says there's always been someone faster than him. Once Psimon is down for the count, Impulse grabs ice cream for all the nearby bystanders and even puts a cone in Superman's hand. Clark thinks it's a little early for ice cream, but Bart tells his "amigo" he needs his calories, since this "speed" thing is a killer.
I find it odd that Luthor looks like Michael Rosenbaum but Impulse doesn't look like Kyle Gallner. Maybe DC couldn't get his permission to use his likeness? And if that was the case, then why would he refuse? Whatever the reason, this redesign of Impulse is pretty crappy. The short, blond hair does not look good, nor does his subdued outfit. The jacket's fine, but why is he wearing normal jeans? The goggles/sunglasses make sense. But the whole effect is quite disappointing, especially when you put him right next to Superman wearing the full-on blue tights and red cape. But I will say that, so far, this Impulse does feel like the Impulse we saw on the show.
And, yes, this is the same Jorge Jiménez, whose work on that Kid Flash/dinosaur story made me an instant fan. Sadly, his art does not inspire the same joy for me here. Perhaps that's because he's trying a more realistic style, forgoing the cartoony look that I was so fond of. This isn't bad art — it just makes me sad, since I know what Jiménez is capable of.
We have a house ad for all the weekly digital-first comics DC had at the time: Ame-Comi Girls, Batman: Arkham Unhinged, Arrow, Legends of the Dark Knight, Smallville: Season Eleven, Justice League Beyond, Superman Beyond and Batman Beyond.
Next time, issue #26.
Teen Titans #14
The Origin of Wonder Girl Part Two
Scott Lobdell • Writer
Fabian Nicieza • Script Assist
Ale Garza • Art
Andrew Dalhouse • Colors
Travis Lanham • Letters
Brett Booth, Mark Irwin & Andrew Dalhouse • Cover
Darren Shan • Assistant Editor
Eddie Berganza • Editor
Our cover shows Wonder Girl, Superboy and Red Robin gruesomely battling Diesel's "blood warriors." Once again, Superboy is wearing a uniform he doesn't actually wear in this issue. And this gratuitous display of violence has nothing to do with Kid Flash, so we'll skip over it.
The black-and-white variant actually makes the violence seem even more graphic. But that's one of the hallmarks of the New 52, right? Fill every issue with as much nonsensical violence as possible, while constantly pushing the limits of what that "Teen" rating can handle.
While Red Robin and Superboy are helping Wonder Girl wrap up her fight against her armor and Diesel, Kid Flash, Bunker and Solstice are still holed up in a motel off the Jersey Turnpike. Kid Flash and Bunker have at least managed to procure stylish civilian clothes, but they're dreadfully bored while waiting for the others to come back. Kid Flash knocks a can of soda loose from a vending machine for Bunker, then say he wishes he could play Call of Duty, eat 32 Hot Pockets and implies that he wants to sleep with Solstice.
Eventually, Wonder Girl defeats Diesel and takes control of her armor, so everybody returns to Lex Towers in Manhattan, where Tim Drake's penthouse seems to have been rebuilt in their absence. Kid Flash is happy to be back home, where he doesn't have to pay for the adult channels anymore. Superboy takes off for his apartment across town, and Red Robin is later called away to Gotham City. And this is where Superboy #14 presumably takes place.
A day later, Kid Flash, Wonder Girl and Bunker are finishing a meal prepared by Solstice. It seems like this is breakfast, as it looks like everyone's wearing their pajamas, but Kid Flash asks Solstice if she's going to bed soon. Anyway, just as Bunker sadly wonders which of them will go missing next after Skitter and Superboy, Kid Flash discovers a freaky little voodoo doll dressed like Red Robin, with a "Gone Fishing" note stabbed to its chest. The doll is tied up and has a large smile painted on its face, meaning only one thing: Red Robin has been kidnapped by the Joker.
I do feel a little bad for Lobdell. After spending a year of teasing us with mysterious hints of everybody's origins, he finally gets around to properly exploring Wonder Girl's backstory. But as soon as he does, he's overshadowed by H'el on Earth and Death of the Family. So our story is feeling a bit disjointed — not that there's anything new with that feeling. Anyway, this version of Kid Flash is starting to get a bit lewd — we'll see if that keeps up. I'll also say I prefer Garza's artwork to Booth's. Sadly he's only a fill-in artist.
Next time, we'll check in our third alternate version of Bart Allen this year — the Impulse from the world of Smallville in its new digital comic.
Superboy #14
The Face of H'el!
Tom DeFalco – Writer
R.B. Silva – Penciller
Rob Lean – Inker
Tanya & Richard Horie – Colorists
Travis Lanham – Letterer
Chris Conroy – Editor
R.B. Silva & Rob Lean with Hi-Fi – Cover
Our cover shows Superboy being torn apart (telekinetically) by the main antagonist of the Superman crossover called H'el on Earth. The Teen Titans (minus their leader, Red Robin) are helpless to prevent Superboy's muscles grotesquely being unraveled by the invincible H'el. Yeah, if you thought Harvest was invincible, wait until you meet H'el. This is the way of the New 52 — our heroes can only fight invincible villains they have absolutely no chance of defeating. Anyway, on this cover and inside, R.B. Silva did his best to mimic the style of Kenneth Rocafort, the main architect of H'el on Earth. That's not an easy task, as Rocafort walks a very fine line between transcendental and terrible. Silva slipped on the wrong side, and somehow ended up making every character's skin look like the texture of a porcelain doll.
We pick up our story with Kid Flash and Wonder Girl having a late-night discussion in Tim Drake's penthouse at Lex Towers. Kid Flash was unable to sleep with Red Robin's sudden departure for Gotham City and Bunker's crusade to have Superboy move in with them. Kid Flash acknowledges Superboy's role in helping Wonder Girl solve her armor problem, but he still thinks Bunker is wrong. Bunker, meanwhile, is visiting Superboy in his apartment across town. Suddenly, H'el attacks, and Bunker summons his teammates by making a large "T" in the sky with his bricks.
Our heroes wake up Solstice and arrive at the scene of the battle in time to watch H'el begin to take Superboy apart just like on the cover. The Titans charge H'el, but he pushes them away with a whirlwind. It takes a little work, but Kid Flash is able to counteract the whirlwind and free himself and his teammates. Solstice despondently believes they don't stand a chance against H'el, but Wonder Girl vows to risk her life for Kon-El, even if she doesn't necessarily like him.
But as soon as the Titans catch up to H'el and Superboy, H'el teleports away and takes Kon with him. Bunker says they can't lose another member like they lost Skitter, but Kid Flash says they already have lost a member in Superboy. He asks Wonder Girl what they should do, as she has become the de facto leader in Red Robin's absence.
Scott Lobdell is no longer the writer on Superboy, which only hurts things continuity-wise. Superboy is back in his Harvest uniform that he abandoned in Teen Titans. And Wonder Girl's trial is over in this series before wrapping it up in Teen Titans. I've checked several sources, and all indicate this issue came out one week before Teen Titans #14, when it really should have come out after it ... or during it. I don't know, we'll get there. The fact of the matter is the Teen Titans are caught in the middle of two crossover events — H'el on Earth in the Superman books and Death of the Family in the Batman books — and things are just going to be messy.
Speaking of messy, this was easily the worst art we've seen in the New 52. I know I give Brett Booth a lot of grief, but this stuff? Man! Silva and the Hories couldn't even figure out what to do with Kid Flash's eyes. They're supposed to be red, like on the cover, but inside, they alternate between being white and actually showing his pupils. It's the kind of sloppiness that goes hand-in-hand with the grammatical typos I spotted in this issue. Luckily for us, we're not going to be returning to this series anytime soon.
Next time, Teen Titans #14.
Sunday, August 25, 2019
Young Justice: Invasion – "Darkest"
Director: Mel Zwyer
Writer: Jon Weisman
In El Paso on March 23, 18:18 Mountain Daylight Time, Impulse surprises Jaime Reyes by showing up at his front door. Apparently, the two of them had enough fun hanging out the other day, Bart decided to stop by for what he calls "chillanging" (chilling and hanging). But to Jaime's dismay, Bart is not only wearing his Impulse uniform, but is openly calling Jaime "Blue, BB, Beetle, Bee-tell."
Jaime doesn't want to put his secret identity at risk, and his scarab agrees, saying, "The Impulse is trouble. Destroy him." Only Jaime can hear his scarab, so when he responds to it, "Overreacting won't help," Bart thinks he's talking to him, and apologizes for still not getting used to the retro obsession with secret identities. He asks what's the point in hiding how crash they are, to which Jaime says, "If you don't know, I can't explain it." He activates his Blue Beetle armor and suggests they get out of here before someone spots them.
They head out into the Texas desert, where Blue Beetle shows off his powers by blasting large boulders. He calls Impulse "Hermano" and asks him to top that. Bart concedes the boulder's definitely feeling the mode, but he tells his "amigo" that one thing he learned in the future that it's easier to destroy than create. He runs around real quick then stops to strike a pose, while crying out, "Ta-da!" The scarab says, "The Impulse has created nothing. And its premise is faulty. Tactical destruction is more effective than creation." Jaime asks what the "ta-da" is about, so Bart says, "Curb the attitude, get a little altitude, Hermano." Blue Beetle flies up and sees that Bart has rearranged a bunch of rocks on the ground to form an enormous self-portrait, striking the same pose he's still holding. Bart calls his work of art "Impulse by Impulse," and Jaime has to admit that it's totally crash.
Suddenly, Jaime is attacked from behind by Tuppence Terror, who leaps hight into the air and smashes Blue Beetle into Impulse's self-portrait. Bart laments that he spent 1.6 seconds on that masterpiece, then quickly dodges an incoming attack from Tigress. But he didn't see Tommy Terror right behind her. He knocks Impulse down, giving Tigress time to shoot a net around the speedster. As Aqualad climbs to the top of a nearby rock formation to survey his team's efforts, the Terror Twins hold Blue Beetle in place for Icicle Jr. to freeze him in a block of ice.
Impulse calls out for Blue and vibrates out of his net before Tigress can react. Blue Beetle uses his sonic blaster to easily break out of the ice and knocks down the four villains around him. The scarab recommends "evisceration," but Jaime says that since they're outnumbered four to two, they should strategically retreat. Bart agrees, but wonders how the villains found them.
As he talks, he spots Aqualad perched up on a rock, and runs up to him. Bart confronts the former hero, despising him for working with the bad guys now. He sees Aqualad holding a strange device in his hand, which Bart deduces is alien tech to track Blue Beetle. Impulse easily dodges all of Aqualad's attacks, while angrily telling him that is actions are not crash at all. He then steals the device from Kaldur, rejoins Blue Beetle and tells him they can retreat now, knowing they can't be followed anymore.
Blue Beetle and Impulse arrive at Mount Justice at 21:05 EDT (less than one hour after Bart rang Jaime's doorbell). The computer recognizes Blue Beetle as B-2 and Impulse as B-23 (he's official now!). Bart brags about how they left the villains in the dust, but Nightwing is immediately suspicious of the device in Bart's hand. Bart calls it a souvenir, but Jaime tells his "Ese" that souvenirs are Beast Boy's thing. Bart (correctly) thought it was Kid Flash's thing.
Nightwing impatiently tells them to get to the point, so Jaime tells him all about their attack, saying he recognized all the villains except for Tigress, whom he dubbed "a ninja girl." Bart proudly says he took the device to make sure they can't track Blue Beetle again, but Nightwing calls it a rookie mistake to bring foreign, possibly alien tech into the cave.
As they analyze the device, Aqualad and his team used it as a Trojan horse to bypass Mount Justice's security, sneak in and knock out Beast Boy and Superboy with power-suppressing collars. The villains then ambush the control room by throwing Superboy at Nightwing. Icicle Jr. creates a sheet of ice on the floor, but Impulse sees this as an attempt to take away his traction. He easily dodges the ice, runs up the side of the wall, and hits Icicle Jr. with enough speed to send him bouncing off the opposite wall.
Impulse sees Tuppence walking by with the unconscious Beast Boy over her shoulder. Bart tries the same trick with her, but finds out the hard way she's a lot stronger than Icicle. Impulse bounces off Tuppence and right into the hands of her twin brother. Bart tries punching Tommy, but only hurts his hands. When he asks Tommy what he's made of, Tommy jokingly says, "Snips and snails and puppy dog tails." He slaps a collar on Impulse's neck, who tries to vibrate out of it, but finds his powers have immediately been shut down. Tommy then knocks out Bart, as Tigress takes down Nightwing.
With Blue Beetle the only hero left standing, Aqualad convinces him to stand down by setting up a large bomb that will destroy Mount Justice if his finger slips off the trigger. Jaime allows them to place a collar on his neck, and Aqualad has him, Impulse and Beast Boy loaded up into their jet. He chooses to leave Nightwing and Superboy behind, since Dick is a human and Conner is a half-Kryptonian, which aren't of interest to their partner.
As the villains head out to their jet, Jaime's scarab defies his wishes by taking control of the armor, disabling the collar and fighting Aqualad. This causes Aqualad to drop the bomb's trigger, but just as the scarab predicted, Kaldur was bluffing and the bomb does not go off. Jaime's so surprised and angered by this, Aqualad is able to get in a powerful electric attack, fused with mystical energy that actually tears open a hole in the Blue Beetle armor. Tigress shoots a tranquilizer dart at Jaime's exposed chest, which promptly knocks him out.
Impulse and Beast Boy wake up on the plane, just in time to see Aqualad order Tigress to press the real trigger. Our heroes are horrified to witness the large explosion, and Bart mournfully cries out, "Oh no!"
We cut to the Atlantic Ocean on March 24, 3:17 EDT. Bart, Gar and Jaime have been placed in red pods and are unconscious as they're wheeled onto Black Manta's ship, en route to meeting up with the Light's partner.
This was a pretty big episode. We got to see a little bit of what super-powered teens do in their free time, hear some great lines from the scarab, and got to see Impulse in combat for the first time. He is actually a pretty effective fighter, hampered only by the occasional "rookie mistake." But it's not Bart's fault he got captured and the cave was destroyed. The whole event was a carefully orchestrated plot between Nightwing, Aqualad and Artemis (disguised as Tigress). But none of the kids who were captured know this, and one would imagine they won't be happy to find out they were merely pawns in this falsified tragedy. I still think almost everything Bart says and does is part of a rehearsed act, but his reaction to the destruction of Mount Justice felt genuine. He only knew that place as a desolate crater in his time, and probably truthfully believed that his plans would prevent this.
At the end of the episode, Wally berates Dick for pulling off such a dangerous stunt. Dick mentions Wally's lost souvenirs, but, surprisingly, nobody has mentioned Bart's time machine since his arrival. I know he fried the circuits on his journey, but with all the great scientists connected to the Team, you'd think that at least one person would try to get it running again. Well, it's too late now. For all intents and purposes, the time machine was also destroyed in the explosion.
Sadly, we won't get another episode until January. This stretch right here is perhaps the biggest reason that Young Justice was cancelled after two seasons. After going on a three-month hiatus in the summer, the show returned at the end of September for just two episodes before beginning another three-month hiatus. No show can survive such a haphazard release schedule, especially one with a dense, connected story like this.
Next time, we'll head back to the comics with Superboy #14.
Friday, August 23, 2019
Young Justice: Invasion – "Satisfaction"
Director: Doug Murphy
Writer: Greg Weisman
In Mount Justice on March 21, 17:33 EDT, we find Bart Allen in the grotto of the cave, mourning the death of Artemis with Jaime Reyes, Garfield Logan and Tim Drake. Well, "mourning" is a strong word. Bart is loudly munching on a bag of freeze-dried Chicken Whizees while gazing at the large hologram statues of Artemis, Jason Todd, Tula and Ted Kord. Bart's also dressed in casual civilian clothes, but so are the others, suggesting there may have been a more official memorial earlier.
Anyway, Jaime takes issue with Bart's crunching. He grabs Bart's shirt and pulls him aside to accuse him of stealing the Whizees from his locker. Bart confesses to the crime, but insists he was just scavenging like he did in the future. Jaime doesn't buy this excuse, so Bart blames Kid Flash for getting him hooked on the Whizees. Luckily, Jaime isn't really that upset.
Bart asks Jaime why this memorial is hidden deep in the cave instead of proudly displayed in the Hall of Justice. Jaime agrees with Bart, but says Captain Atom told him the Justice League doesn't want a public shrine to its members who died in the line of duty. Jaime speculates the League just doesn't want to advertise the fact they're not immortal. He laments that the world doesn't know about Ted Kord's sacrifice. In fact, many people believe that Jaime is Kord in a new suit.
Bart praises Jaime for continuing the Blue Beetle heroic tradition, but Jaime feels ripped off that he doesn't have a mentor like Superboy, Wonder Girl and Robin. He says Bart's been in this era for five minutes and he already has three Flash mentors — one who feeds him junk food. But Jaime never even got to meet the man who should have been his mentor.
After all this depressing talk, Bart quickly changes the subject. He tells Jaime they have more in common than he might think — starting with their love for Chicken Whizees. He offers to buy some to replace the bag he "salvaged," as he puts his arm around Jaime's shoulder and leads him out of the grotto. Jaime agrees to hang out with Bart, who promptly asks if Jaime has any money.
March 21 is also Superboy's birthday, but his first without Miss Martian as his girlfriend. So that's why he looks so grumpy in that screenshot.
This was a short episode for Bart, but a significant one. It's been almost a month since he came back in time, and it seems like he's officially a member of The Team (the boringly titled covert group of teens connected to the Justice League). It's unclear whether he's gone on any missions yet, but he is at least allowed to hang out in Mount Justice. Most importantly, though, this episode gave us our first scene of Bart interacting with Jaime. It was no accident that Bart stole Jaime's snack, regardless of what junk food Wally has introduced him to. And although Bart didn't get into it here, he does know exactly how Jaime feels to grow up without a mentor. But Bart fixed that by coming back in time to save his grandpa's life. Now, he's beginning his second mission. True, he's not being entirely honest with Jaime, but I wouldn't go as far as to call him manipulative.
Next time, we'll look at the subsequent episode, which is called "Darkest."
Teen Titans #12
Armored Up and Out!
Story by Scott Lobdell
Pencils by Brett Booth
Inks by Norm Rapmund
Colors by Andrew Dalhouse
Letters by Dezi Sienty
Cover by Booth, Rapmund, and Dalhouse
Assistant Editor Darren Shan
Editor Eddie Berganza
Our cover shows Wonder Girl fighting a new villain named Diesel, while Superboy and Red Robin are tied up to some pillars. Superboy is once again wearing the wrong costume, and Booth's artwork is as annoying as ever. I can't even distinguish the features on Diesel's helmet because there's so much noise from the linework and coloring.
I was tempted to place all the blame on Dalhouse, but, as you can see, even removing the colors from this image does not make Diesel's features any more clear. At the end of the day, though, it doesn't really matter, as this represents a scene from a story that Kid Flash has no involvement in.
That non-Kid Flash story details Red Robin's and Superboy's attempts to save Wonder Girl from her armor. They took her to what appears to be Alfred Pennyworth's summer cabin to train/fight in relative peace. Meanwhile, Tim has placed the other Teen Titans — Solstice, Bunker and Kid Flash — in a seedy motel just off the Jersey Turnpike, fittingly named after Lobdell. The three of them are still injured from Wonder Girl's attack — especially Bunker — and while it's not explicitly stated, reason dictates that Tim needed to have his penthouse repaired. As limitless as his funds seem to be, it would be a bit of a stretch for him to spring on a third penthouse at the top of another Lex Tower.
Anyway, that's all I have to say about the main story. Let's head to the backup.
When Dinosaurs Walked the Earth Epilogue
Fabian Nicieza – Writer
Jorge Jiménez – Artist
Brad Anderson – Colorist
Carlos M. Mangual – Letterer
Darren Shan – Assistant Editor
Wil Moss – Associate Editor
Eddie Berganza – Editor
Some time has passed since DC Presents #12, and despite Kid Flash's promise, it seems like the Teen Titans have not helped Teryx track down Steg and Dac. But Kid Flash, at least, is helping Teryx take care of the random mutated dinosaurs that Steg keeps creating. To assist them in their effort, Kid Flash "borrowed" some manacles from S.T.A.R. Labs.
Kid Flash also has been dropping the dinosaurs off at S.T.A.R. Labs, but has never stuck around to see how the scientists react to this, let alone what they actually do with the creatures. Teryx decides to move his search to New Jersey, but Steg and Dac happen to be fairly close, building an army of dinosaur humanoids in another area of the sewer.
The caption says, "Not the end ..." but I'm pretty sure this is the end. It's sad, because I really liked Teryx, but I don't think he ever reappeared in any comics. Nicieza and Jiménez had something nice going on here, but DC apparently didn't think it was nice enough to keep going.
We have a new house ad for Geoff Johns' Teen Titans run with Mike McKone. As bas as I thought that run was, I really wish I had them back instead of Lobdell and Booth. It's funny how after you think you've reached rock bottom, you discover things can always get worse.
Kid Flash is only an unconscious flashback on one panel in Teen Titans #13, so next time, we'll return to the best part of 2012, Young Justice: Invasion.
Thursday, August 22, 2019
DC Universe Presents: Kid Flash #12
When Dinosaurs Walked the Earth (That Would be Today)
Fabian Nicieza – Writer
Jorge Jiménez – Artist
Guy Major – Colorist
Dezi Sienty – Letterer
Ryan Sook – Cover Artist
Darren Shan – Assistant Editor
Wil Moss – Associate Editor
Eddie Berganza – Editor
Special thanks to Scott Lobdell, whose firsthand experience with extinction proved invaluable.
Our cover shows Kid Flash racing down the highway with the three dinosaur people he started tracking down last issue. This setting contradicts the story inside, as all the action there is confined to Chinatown, New York. I also really, really wish Jiménez drew this cover. Sook is ... adequate. Not bad by any means. But Jiménez brings life to Kid Flash — the spark I've been craving since the New 52 began.
DC Universe Presents was an odd series that jumped around every couple of issues (or sometimes just one issue) to feature characters that couldn't quite hold down their own monthly series. Or at least DC thought they couldn't. It's nice that Kid Flash got a moment in this spotlight, but don't expect any answers on his mysterious past here.
Our story begins with Kid Flash breaking the fourth wall and addressing the reader directly. He provides a brief recap on how the Teen Titans escaped the Crucible, ended up on Mystery Island, then returned to Chinatown, but were followed by three "dino-teens." Kid Flash concludes his recap with a curious line: "Continuity doesn't really matter! Clarity is overrated! Let the fun begin!"
We then cut to Kid Flash chasing the pterodactyl girl across the rooftops. She eventually becomes entangled in a clothesline, which gives Kid Flash the opportunity to question her. She introduces herself as Dac, saying she came to this world with her friends Teryx and Steg in search of adventure. Suddenly, Teryx attacks Kid Flash from behind with his ridiculously long tail. Kid Flash easily breaks free, then cockily puts Teryx in his place.
Dac calms them down, but Kid Flash decides it's time for the dino-teens to go home. Problem is, they don't know where Steg is. Kid Flash searches the neighborhood, eventually finding Steg causing a commotion in a Chinese restaurant. The establishment decorates its walls with chameleons and other lizards in aquariums, which Steg believes is an outrage to his "brothers and cousins." Kid Flash rescues a couple of police officers from Steg's rampage, but unfortunately the cops are quick to remind Kid Flash of his debacle with the house fire and the time he stole the Statue of Liberty's plaque.
Things get even worse when Steg starts spreading a strange powder that makes all the lizards mutate and grow into dinosaurs. Kid Flash is forced to flee from these dinosaurs, and makes a point to let the police officers know that this isn't his fault. Dac and Teryx catch up, and Kid Flash learns that Dac is in love with Steg, despite his psychotic tendencies, and poor Teryx is the nice boy that Dac won't give the time of day. So Kid Flash asks Dac to talk some sense into Steg, while he and Teryx chase down the newly transformed dinosaurs.
Kid Flash and Teryx make a good team, quickly tying up all the dinosaurs. But when they regroup with Dac and Steg on a rooftop, Dac reveals that she and Steg lied to Teryx. They always intended to come to this world to seek revenge against the mammals. Steg tosses a pouch off the roof, which, when ripped, will release mutagenic mists on the street below, according to Teryx. And to hasten this process, Steg launches several projectile barbs from his tail at the falling pouch.
Teryx and Kid Flash dive to catch all the barbs, and they succeed, but it turns out the pouch was empty. Naturally, Steg and Dac used that diversion to escape, and Teryx warns Kid Flash that Steg still holds enough mutagenic compound to harm countless innocents. Kid Flash manages to persuade Teryx to allow him and the Titans to help take down Dac and Steg, then he turns to the reader and announces this story will continue in Teen Titans #12.
It's a good thing Kid Flash warned us that this story is essentially not in continuity. The timing doesn't make any sense, and it's downright criminal that we didn't see any of these dinosaur people when we were on Mystery Island. But if you took Kid Flash's advice to not worry about such things, you'd actually have a lot of fun with this issue. Nicieza writes a terrific Kid Flash. He's fun, witty, energetic, and cleverly says his ideas out loud while he's doing them. And Jiménez was simply tremendous. This version of Kid Flash never looked better. And Teryx had a really cool design, too. I so wish we had this creative team with this style of storytelling on the Teen Titans series. I'm so tired of the super-serious story weighed down by way too many unanswered questions and gratuitous violence. Oh well. At least we got a brief respite here.
We have a new house ad for the Geoff Johns run on The Flash with Scott Kolins and Howard Porter.
Next time, we're going to follow Kid Flash's advice and pick up Teen Titans #12.
Wednesday, August 21, 2019
Teen Titans #11
Wonder Wonder Who
Story by Scott Lobdell
Pencils by Brett Booth
Inks by Norm Rapmund
Colors by Andrew Dalhouse
Letters by Dezi Sienty
Cover by Booth, Rapmund, and Dalhouse
Assistant Editor Darren Shan
Editor Eddie Berganza
Our cover shows Wonder Girl completely consumed by her armor, which is ... alive, or something? I don't know, it's a whole deal, and I don't care too much about it. Mainly because Lobdell is incapable of giving a straight answer about anything. And for those who were worried he'd break that trend and tell us who, exactly, Wonder Girl is and how her armor works in this issue, you can rest easy. No such questions are answered here.
Wonder Girl is holding Kid Flash, Bunker and Solstice captive in her lasso, while Red Robin and Superboy look on in horror. This is very close to what actually happens in this issue. The main differences being Wonder Girl actually beats up her teammates worse than this, and Superboy has finally shed his stupid Tron outfit. In fact, all of the Teen Titans have, and that's a good thing.
Our story begins with Wonder Girl's armor painfully growing spikes all over her body, while Kid Flash, Bunker and Solstice battle a big blue guy named Loose Cannon in Tim Drake's penthouse. The fight eventually spills into Wonder Girl's room, where she was trying to quietly endure her crisis. Wonder Girl snaps when she sees Loose Cannon, and she takes him outside to defeat him and drop him in the water. Oddly, none of her teammates actually saw what she did, and Wonder Girl herself doesn't know how she beat the villain, as she seems to have blacked out during the fight.
Regardless, Wonder Girl flies back to the penthouse and demands to know how that villain got in. Bunker says that when they were on the mystery dinosaur island, Red Robin considered quitting the Teen Titans. So Bunker took it upon himself to seeks out new members. He placed an online ad, and thought he found a good candidate, who obviously had no intentions of joining the team. In an amusing, but out-of-place bit of breaking the fourth wall, Kid Flash wipes away Bunker's flashback with his arms to berate him for being an idiot. Kid Flash then asks Wonder Girl how she defeated Loose Cannon, but she declines to say she doesn't know herself, nor does she tell her teammates about the troubles she's having with her armor.
Later that night, Bunker and Kid Flash are eating pizza and popcorn while watching TV. Poor Solstice is trying to clean and repair the penthouse by herself, but Kid Flash assures her he'll take care of it before Red Robin gets back. Suddenly, the power goes out, so Kid Flash races down to the basement to check the fuse box. He sees that someone has deliberately destroyed the box, and as he investigates, he gets punched in the side of the head. Oddly, yet sort of remarkably, Kid Flash manages to run all the way back to the top of the building before passing out because of the punch.
Solstice calls Kid Flash her love, and explains to Bunker that they made out on the island — but nothing more. They see someone turning the door handle, so Bunker tries to block the entryway with a wall of bricks, but the intruder easily smashes through them and knocks Bunker out. Solstice is shocked to see Wonder Girl is the one causing all this trouble, and she engages in a pretty intense battle, before being knocked out, as well.
Tim was riding in the back of limo from some event or other when his phone alerted him to the trouble at his place. So he ditched the car and flew back. On his way, he's joined by Superboy, who's now staying at an apartment across town. He happened to be outside when Tim's penthouse lost power, so he decided to go check it out, clad in jeans, a black Superman T-shirt and a leather jacket. When the two boys enter the trashed apartment, they find Cassie looking much like she did on the cover. Except she's sadly kneeling down in a pool of blood, begging her teammates to help her before she kills again.
Yawn! This is a really boring series. I don't like the art. I don't like the humor. And the story is hampered by Lobdell's refusal to provide a straight answer on anything. How am I supposed to care about Wonder Girl when I don't know anything about her? Was I supposed to be amazed that she overcame Solstice's attack, even when I don't have the foggiest notion as to where her powers came from or how they work? Ugh. It's just more of the same, month after month. Constantly running in place and never getting anywhere. Luckily, we do have a backup story to shake things up.
When Dinosaurs Walked the Earth
Fabian Nicieza – Writer
Jorge Jiménez – Artist
Dezi Sienty – Letters
Brad Anderson – Colors
Darren Shan – Assistant Editor
Eddie Berganza – Editor
It's unclear whether this story takes place before or after the story we just read. But either way, we open up in Chinatown — Danny the Alley, to be precise — where three humanoid dinosaur teenagers decide it's finally safe to come out. They begin running and flying through the street, causing quite a scene. Luckily, Kid Flash happened to be in the area eating some noodles. He had nothing better to do, so he decided to throw on his uniform and glean as much information on the dinosaur people he can from bystanders' cellphones. Kid Flash concludes that these individuals must have followed the Titans back from the mystery island.
This story was incredibly brief, but promising. Fabian Nicieza was the writer on the Red Robin series before Flashpoint, and I thought he did a great job there. And Jorge Jiménez's art so far looks very good. In any case, this is a fresh reprieve from the Lobdell-Booth stuff we've been slogging through.
Next time, this backup story is continued in DC Universe Presents #12.
Tuesday, August 20, 2019
Teen Titans #10
Saur Feelings
Story by Scott Lobdell
Pencils by Brett Booth
Inks by Norm Rapmund
Colors by Andrew Dalhouse with Blond
Letters by Carlos M. Manual
Cover by Booth, Rapmund, and Dalhouse
Assistant Editor Darren Shan
Editor Eddie Berganza
Our cover shows Kid Flash and Solstice gleefully running with a pack of very ugly dinosaurs. Solstice has shed her Harvest outfit, going with her natural, naked(?) form. Kid Flash's Harvest outfit is falling apart, halfway to reducing him to his naked form. I don't know. This is just rather random, boring, and not particularly pleasant to look at.
We're back with the dumb sideways black-and-white variant. On the plus-side, the ugly dinosaurs don't stand out as well on this version.
Our story picks up with Kid Flash being chased by a dinosaur on the mysterious beach our heroes washed up on after escaping the Crucible. Solstice, Bunker and Red Robin are still unconscious, so it's up to Kid Flash to subdue the dino, which he does by tying it up with vines conveniently hanging from all the nearby trees. Kid Flash then wakes up Red Robin and runs him away to safety (the top of a random palm tree). He quickly fills in Red Robin on their predicament, and Tim is naturally horrified to learn that Kid Flash left the others behind. Luckily, Kid Flash is able to quickly rectify that problem and bring Bunker and Solstice up to the tree.
Upon being confronted with all this insanity, Red Robin almost has a panic attack, which he conceals under the pretext of "aerial recon." Bunker flies off after Red Robin, who confesses he's upset by the missing Skitter, Superboy and Wonder Girl, not to mention the dead Artemis and his lingering suspicions that Harvest may have killed Danny the Street with his initial attack. So they have a nice little heart-to-heart, and luckily it doesn't take Superboy and Wonder Girl too long to catch up with their teammates. They had their own boring adventure in Superboy #10, but don't worry, that issue didn't answer any questions, either.
Soon, everybody is taking a bath in a waterfall, while Kid Flash and Solstice are choosing to race dinosaurs nearby, just like on the cover. The two eventually lie down on the grass and talk about what Harvest did to Solstice (without providing us any details or backstory, naturally). Kid Flash tells her how Timber Wolf recognized him and tried to kill him, but all Solstice responds with is playful flirting. Kid Flash flirts back and even lies on top of her, claiming to have kissed her at super speed. We don't actually see them kiss, but from this point on, Solstice is constantly hanging on Kid Flash as if she was his girlfriend.
Later, Bunker comes across some bricks that aren't his psychic creations. He realizes they are parts of Danny, strewn across the island. So everybody chips in and gathers every piece they can find of the living street. Solstice finds a message in a bottle, which says that it was an honor to fight alongside the Teen Titans, and now Danny wants to perform his final act by bringing them safely back home. Red Robin warns the street that he'll never survive the trip, but Wonder Girl urges him to allow Danny to make this choice.
Danny teleports the Titans to Chinatown in New York, and all that seems to remain of him is a sign that says Danny the Alley.
This is our first issue with Eddie Berganza as editor. He was the editor for a lot of books we've reviewed on this blog, including the entire Young Justice run. In December 2010, he was promoted to Executive Editor, but then demoted to Group Editor in April 2012 because of sexual harassment allegations. He was finally fired in 2017, which means we're likely going to be seeing his name for quite a while longer. And as much of a scumbag as he is, I am forced to admit that he is a good editor. Every project he works on just seems a little smoother and cleaner. So ... and I hate myself for saying this ... I'm hoping to see an improvement in this series now that Berganza has replaced Bobbie Chase. These past 10 issues under her have been pretty rough. Luckily, though, she wasn't simply kicked off this book to make room for a sexual harasser — she was promoted to Editorial Director, then later Vice President of Talent Development. And honestly, at this point it's impossible to tell what problems on this book were hers or Scott Lobdell's.
Anyway, this story still sucks. We're still not having any questions answered. What was that strange island? How did our heroes get there? What did Harvest do to Solstice? I'm completely ambivalent on the Solstice-Kid Flash romance. And I couldn't care less about Skitter. But I am actually sad about Danny the Street. That character was such a novel concept — perhaps too high-brow for this comic. Sadly, we didn't get any questions answered about him before he "died." Reading this series is like pulling teeth.
Next: It's a secret that can no longer be kept: The mystery behind the origin of Wonder Girl! (Lobdell's actually going to give us a backstory? I'll believe it when I see it.)
Young Justice: Invasion – "Depths"
Director: Tim Divar
Writers: Kevin Hopps and Paul Giacoppo
Only one week passed in real life between these two episodes, but almost three weeks passed in the show time. In Mount Justice on March 19 at 11:42 Eastern Daylight Time, Nightwing is providing an update to Malcolm Duncan and Superboy about Bart Allen and the recently discovered Roy Harper. (And yes, that is this show's version of Superboy in the screenshot. And no, he's not going to be Bart's best friend — he's too old and serious for him. Unfortunately.) Anyway, Nightwing brings up a photo of Bart on the computer and says that he's living with the Garricks in Central City. And that's all we get of Impulse in this episode.
So I guess Bart's long-term secret mission didn't take any interesting turns this past month. Nothing more interesting than settling into his new life. Possibly going to school and all that, but we'll never get that story, as fun as it could be. One of the greatest strengths of this show is also one of its greatest weaknesses. There are lots and lots of characters and subplots running concurrently. This means that quite a few characters often have to take the backseat. And in this episode, it was Bart's turn to step aside. And to add insult to injury, "Depths" marked the mid-season finale, kicking off a three-month hiatus for the show. What a way to tease Impulse fans. Give them one wonderful episode, then absolutely nothing for the whole summer.
Next time, we'll start filling in those missing months with the comics, starting with Teen Titans #10.
Young Justice: Invasion – "Bloodlines"
Director: Mel Zwyer
Writer: Peter David
On June 2, 2012, the world finally was introduced to the first (and so far only) animated Impulse. Sadly, the Young Justice animated series has very little in common with the Young Justice comic series by Peter David and Todd Nauck, so we didn't get any Impulse in the first season of the show, or any of the subsequent tie-in comics. But in the sixth episode of the second season (which has the subtitle of "Invasion"), Bart Allen got to join the show. And who better to write his debut than Peter David himself? (OK, Mark Waid and Todd Dezago would have been great choices, too, but David is right up there with them.) I know I'm rambling, and that's because I'm so excited, I don't know where to begin! I guess I should start with the episode.
We open on a gray, desolate scene with ash falling from the sky. A bald man in an orange jumpsuit and power-suppressing collar approaches a teenage boy with brown hair, green eyes and fingerless gloves working on some sort of device. The man says he wishes he could go with the boy, but he's told there's only room for one.
We then cut to Mount Justice in Happy Harbor, Rhode Island, on February 28 and 10:07 Eastern Standard Time. Nightwing, Robin and Beast Boy are discussing their recent battles with a group of aliens called the Kroloteans, who are apparently abducting humans to research what Nightwing dubs the "Meta-Gene." Suddenly, the computer warns them of an "unknown energy impulse." There's a loud rumbling, a fancy lightning show, and the device from earlier appears out of thin air, falling to the ground with a thud. The door opens and the boy with brown hair, now wearing a red-and-white jumpsuit, leaps out with a triumphant, "Ta-da!"
Nightwing immediately has the computer lock down the cave, while Beast Boy says he thinks they've found their unknown energy impulse. The intruder latches on to the word "impulse," calling it "crash." He likes that it's catchy, dramatic and one word, like Nightwing, Robin and Beast Boy. But as soon as he says that, he realizes Beast Boy is two words, like Blue Beetle. He asks if Blue Beetle is here, too, but before anyone can answer, he starts to take off, vowing that Impulse can find that out for himself. Nightwing tells Beast Boy and Robin to take him down, while he remains behind to ponder Impulse's use of the word "crash."
Impulse runs into the showers, commenting on the retro faucets as he turns them all on. Beast Boy, hot on his trail as a cheetah, slips on the water and slams into the wall. Impulse zooms around the kitchen and playfully ducks under an attack from Robin's bo staff, calling it "limbo time." Nightwing throws some steels balls on the ground in the next hallway, but Impulse easily avoids them by running up the side of the wall. He pauses for a moment to boast of how he can't be caught that easily, when Nightwing manages to knock him down from behind and promptly places cuffs on Impulse's wrists and ankles. Nightwing says that was crash, but Impulse laments that he's "feeling the mode."
The three heroes begin interrogating the intruder, having a hard time believing his story of being a time-traveling tourist. Impulse claims that half the "meat" at Comic-Con are from his era, a comment that only further perplexes Robin and Beast Boy. So Impulse reveals that he's Bart Allen, grandson of Barry Allen, the Flash. Beast Boy says he still doesn't believe him, so Bart points out that he has the Flash's speed and his "amazingly good looks." He says he can't wait to meet his grandfather, before hastily adding he wants to meet the Flash when he was in his prime.
Nightwing brings Impulse a glass of water, and as Bart drinks, he realizes that Nightwing is actually collecting a DNA sample. Bart helpfully spits into the glass, calling it a "Dick Grayson thing to do." Bart proves he knows things only a future boy would know by also revealing Robin's identity as Tim Drake and Beast Boy's as Garfield Logan. This came as news to Beast Boy, prompting Bart to apologize for the spoilers and remark on the retro nature of secret identities. But Bart assures his three new friends that it's crash if they call him Impulse, Bart, Bart Allen or Bart Impulse Allen.
As Tim asks Dick if it's possible for Bart to be telling the truth, Gar gets in Bart's face (as we saw in the screenshot above), and demands to know when he becomes leader of the Team, a member of the Justice League and the star of his own reality series. Bart apologizes for not being the best history student, while adding that they can't risk altering the time stream, since that would make them all feel the mode. He explains that nothing is worse than the mode, and it's always better to crash the mode, but Beast Boy is still confused by this slang.
The computer then announces the arrival of Malcolm Duncan. Realizing that means a door is opening somewhere, Impulse easily vibrates out of his cuffs and takes off. Beast Boy turns into a peregrine falcon and chases after him, but both Robin and Nightwing know he doesn't stand a chance of catching up to him. Nightwing pulls up a large map, revealing that he snuck a micro-tracker into Bart's drink (as Tim points out, any other kind of tracker would have fallen off at that speed). Seeing that Impulse is making a beeline to Central City, Dick pulls out his phone to call a friend.
In Central City at 12:03 Central Standard Time, Barry and Iris Allen are having lunch with Jay and Joan Garrick to celebrate their 70th anniversary. Barry gets a phone call that makes him ask about an impulse and another speedster. While still standing by the open front door, he asks, "He says he's my what?" Right on cue, Bart runs through the front door and happily announces himself as Barry's grandson, Bart Allen, aka Impulse. He quickly gives the perplexed Barry a big hug, saying he's always dreamed of doing this, before hastily adding that he means he always wanted to hug his grandpa when he was young and he didn't have to worry about breaking old Gramps.
Before Barry can react, Bart moves on to the rest of the room, greeting his Grandma Iris with another big hug, before embracing both the Garricks, whom he proclaims his "honorary great-grandparents." Jay asks Barry if he's been meaning to tell them something, but Barry insists Bart is not his grandson, saying he and Iris don't even have kids. Iris speaks up, saying she found out this morning that she's pregnant, and was planning on telling her husband later that night, in private. Bart awkwardly leans in toward Iris' womb and says hello to his dad and Aunt Dawn. Barry and Iris are shocked to learn they're having twins and Bart is forced to once again apologize for spoilers.
Wally West then enters the house, telling Bart to be careful of what he says, or he might crash the whole time stream. But Bart actually wishes he could crash the time stream. Wally explains that Nightwing called him, so he decided to come out of his semi-retirement to help with this mess. Bart gives Wally a big hug, recognizing him as his first cousin once removed. Wally pushes Bart away, choosing to emphasize the "removed" part of their relationship.
When Iris' phone begins to ring, Bart warns her not to answer it, before playfully saying they shouldn't interrupt the reunion. But Iris answers the call anyway, since it's her boss at GBS. She finds out the police are evacuating downtown because a new super-powered lunatic is wreaking havoc and calling for the Flash's blood. And sure enough, we see a man in a red suit use an energy blast to destroy the Flash's statue, while cascading waves of energy ripple through the streets.
Barry quickly puts on his Flash outfit, but Bart urges him to let the Justice League handle this, pointing out how rare it is to have a relative from the future show up at his door. Barry tells Bart he'll deal with him later and he takes off, vowing to be back in a flash. Bart asks the others if Barry says that often, and they all sigh in exasperation at the cheesy pun. Wally coyly asks Bart if he's going, too, to which Bart replies, "Doy," and runs out the front door.
As the villain blasts everything in sight, sending cars and debris flying through the air, Barry rescues a woman and her baby, telling her to head to the shelter on the corner of Fox and Gardner (named after legendary Flash creator Gardner Fox). Barry then moves in toward the villain, but is knocked out of the air by the villain's waves of energy. Impulse catches the Flash's fall with a cushion of wind, saying his dad taught him that trick, after learning it from Barry. The two speedster easily dodge a few more blasts from the villain, prompting Impulse to mock the "meat" for thinking he could hit them. But Flash points out that they're at a standstill because of the villain's waves energy, which start up before the previous wave dissipates. Barry then remembers that he told Bart not to come, but Bart says he couldn't resist watching his grandpa beat the bad guy in his prime.
We then cut to a couple of unseen aliens watching the battle from a secret facility disguised as a warehouse. They say the test is "on-mode" and they have complete control over subject Neutron, who is performing almost too well against "the meat." They are worried that Neutron's energy will crash the mode.
Kid Flash arrives on the scene, warning the police to stay back. An officer begins to argue with him, calling Wally "Speedy." Bart and Barry join the conversation, and Bart corrects the officer, saying Speedy is a different hero, although the history book were unclear on why. Barry gets the conversation back on track, telling the officer the best way they can help is to keep the civilians safe. Bart completes his thought, by saying they'll handle Neutron. Barry is surprised to learn the villain's name is Neutron, and Bart claims he heard the villain shout out, "My name is Neutron! All of you will die!"
Bart asks Barry what their plan is, so Barry suggests replicating Bart's earlier trick with the wind funnel, but on a much larger scale. As they talk, their voices get higher and higher as they slip into a super-speed conversation, speaking too quickly for even Wally to understand them. Barry asks Wally if he's on board, but he confesses all he heard was something about funnel cake. So Bart tells Kid to just follow their lead, which makes Wally rather grumpy.
The speedsters begin racing around Neutron, and Wally becomes even grumpier to see both Barry and Bart are easily lapping him. The funnel lifts Neutron high up into the air, and the secret aliens observe that the mode is crashing. Soon, Neutron bursts into a huge explosion, and Bart and Barry have to rush Wally away to safety (an act he decries as "humiliating"). Once the explosion is clear, Bart begins to walk forward, saying he just wants a closer look, believing that Neutron has "totally felt the mode." Wally checks out the scene with this telescopic goggles and reports that Neutron is putting his body back together from scratch.
Once Neutron's muscles and skin have regrown, he begins to panic and asks what's happening. The secret aliens lament that their control device was destroyed in the explosion, so they abort the test and destroy the warehouse on their way out. Wally switches his goggles to infrared vision and speculates that Neutron was wearing a containment suit and without it, he's likely to blow up again, maybe even bigger than before. Barry borrows the goggles and reports brief fluctuations between Neutron's energy levels. When Wally says he didn't see that, Bart mocks him for not having the Allen family eyes, prompting Wally to say, "Don't make me hurt you."
Barry times the fluctuations at less than a microsecond, but says that should be enough time for him to grab Neutron and race him out to the desert to minimize the damage of the impending second explosion. Bart's not so sure about this plan, but Barry rushes forward anyway, promising again to be back in a flash. But as he runs, Bart suddenly appears next to him. Right before they reach Neutron, though, Bart trips and knocks Barry down. Neutron's begins to erupt again, and Wally and Jay come out of nowhere to save Bart and Barry at the last second.
Wally chastises Bart for nearly getting Barry killed, but Barry says Bart actually saved him. He explains that Neutron's overload accelerated, and he never would have made it to the desert in time. Barry then asks Jay why he came out of retirement, pointing out that he could have died. Jay laughs him off, saying his wife's going to kill him anyway just for putting on the tin hat. While they talk, Bart surreptitiously slips away and runs straight down to the reforming Neutron.
As muscles begin to form over Neutron's skeleton, Bart throws a small blue ball at him. When the ball touches Neutron's finger, it absorbs into his body, and blue lines form all over him. By the time the other speedsters arrive, Neutron has reformed as a normal teenage boy, who is bald, naked and very confused. Barry finds a blanket for Neutron, and Bart claims ignorance of the whole affair, suggesting that Neutron simply "ran out of juice."
That night, everybody meets back at the cave, and Nightwing confirms that Bart's DNA matches up with both Iris and Barry. Also, that Bart's time machine is giving off both Zeta and Chronotron radiation, which Wally says would be the necessary ingredients in a theoretical time machine. Barry takes all this as evidence that Bart is exactly who he said he was. Bart says it was crash, but now the future awaits. As he prepares to leave, he tries out a bad pun of his own: "I gotta run!" Barry gives him one last hug, saying he can't wait to meet Bart for the first time and watching him grow up. Bart solemnly says that will be pretty crash, then steps into the time machine.
When nothing happens after several moments, Beast Boy suggests Impulse is traveling forward one second at a time. Bart angrily kicks the door open, saying the whole thing is fried. Barry asks if he can fix it, but Bart claims he's a tourist, not a chronal expert. Bart laments being trapped in the stupid past and calls himself "so moded."
We then return to the desolate landscape we saw at the beginning. This time, we realize the bald man is an adult Neutron (or Nathaniel as he prefers to be called) and he warned Bart that the trip to the past will fry the machine's circuitry. Bart says this future isn't one worth returning to. And he works, we get a time stamp, saying they're at the smoldering remains of Mount Justice on February 28, 10:05 EST, forty years later.
When Bart finishes his work, he says it's time to "get in character." He throws on his Impulse outfit and collects the small blue ball from Nathaniel, who tells him that saving the Flash's life and curing him is only the beginning. Bart says he understands he has a big mission with lots to do, and steps into the time machine. As soon as Bart disappears, Nathaniel's collar disappears and his prison jumpsuit changes to normal clothes. He praises Bart as being "so crash" before sadly realizing that his surrounding hasn't changed. Nathaniel says it all should have changed at once, that the mode should have crashed, and he falls to his knees in despair.
Now that was something. After 18 years, Impulse finally got the multimedia representation he deserves. Bruce Timm almost put him in the Justice League animated series, but changed his mind at the last minute. The Teen Titans animated series did have a Kid Flash make a few cameos, but that was decidedly a Wally West Kid Flash. Yes, Kyle Gallner did show up on the set of Smallville a handful of times, but that character barely felt like the Bart Allen we know and love. But this Bart, voiced by Jason Marsden, feels like the real deal. Like ... 90% there. In any case, he feels much more like the original Bart than the New 52 imposter that was disgracing our comics at this time. It is really sad that any fans of this show who would have wanted to see Impulse in the comics wouldn't be able to find him on the shelves. They would have needed to go digging through the old issue bins, hoping to be able to find something from a decade ago. That's what I had to do, and it was quite a chore.
Anyway, let's start with our voice actor. Jason Marsden has had a few live action rolls over the years, but he's a much more prolific voice actor. Perhaps best known for voicing Max in the Goofy movies, he also has extensive experience in the superhero world. Marsden played a young Clark Kent in Superman, Snapper Carr in Justice League, and Static's best friend, Richie, in Static Shock. As Impulse, Marsden knocks it out of the park. So much so, it's almost impossible to imagine anyone else voicing Impulse. Granted, no one else has yet, but still ... Marsden is just perfect in the role. He actually sounds like a teenager, and an overly enthused one, at that. He put genuine love and enjoyment into Bart meeting his family, cocky playfulness into his "escape attempt" from the cave, and, most importantly, a serious side to balance everything out. It feels like Bart is putting on a performance for most of this episode, and that's because he is. And Marsden masterfully displayed that distinction.
Yes, this Bart is from only 40 years in the future instead of 1000. Yeah, his eyes are green, not yellow. But the biggest difference, by far, is the fact that Bart's "impulsive" nature is all an act. He is a rather serious boy on a long, serious mission. Everything he does is calculated. Every word is planned. Even his little "slip-ups" are all part of his plan to make people think he's just a goof ball and not suspect him of actually, deliberately changing history. It is impressive that Bart's able to pull this off, but at the same time it is a little disheartening.
Part of the fun of Impulse was that he didn't think. He was the "single synapse theory" and all that. Just an innocent, lovable goofball who tried to do the right thing but often messed up. As much as I would have loved to see that version of Impulse on screen (and I still would), he really wouldn't have fit in this very serious Young Justice show. Yes, there's room for fun and a little bit of comedy, but not on the level we had in the comics. So instead of mourning the fact we don't have our lovable idiot Impulse, I will gladly take what little bits of him we see in this show — even if it is mostly an act. At the end of the day, Bart's most admirable qualities — love, loyalty, bravery — were on full display here.
Much like Bart, the show itself is very careful in everything it does and shows. It was no mistake that when Bart arrived in the cave, one of the first things he asked was where Blue Beetle was. And the battle against Neutron will feel hauntingly familiar in the season finale (not to spoil a seven-year show). For both good and bad, this show has a very tight story that demands its viewers to not only watch every episode in order, but preferably to view them multiple times to catch all the details. That can be a double-edged sword, though, when the show allows itself to be slightly sloppy. The animation is very good — I had so much fun pausing this episode to see all the expressions on Bart's and Beast Boy's faces. But when characters aren't moving or speaking, it stands out like a sore thumb. And if you really analyze those official-looking timestamps, you might be a bit confused. In this episode, Bart arrived in Rhode Island at 10 a.m. Eastern Time, which meant it was 9 a.m. Central Time. But Bart didn't show up in Central City until it was after noon Central Time. Why did it take him three hours to get there? It didn't seem like he spent that much time in the cave. And it certainly didn't seem like he took the scenic route there. In fact, Nightwing barely had enough time to give Wally and Barry a heads up.
But the story was very well done. Let's look at what would have happened had Bart not shown up. Barry would have been killed on the same day his wife found out she was pregnant and his mentor was celebrating his 70th anniversary. And Wally likely wouldn't have been there to help, since he only came out of retirement to deal with Impulse. Barry's death would have been doubly devastating for the Flash family under such circumstances. And let's not overlook the incredible significance of putting the four generations of the Flash together on screen for the first time. I'm still blown away by this remarkable debut Bart was granted. Instead of being an overlooked side character like Tim Drake on this show, Bart got to be front and center in an episode that celebrated all things Flash.
And Bart actually looks pretty good, too. Yeah, his costume is more streamlined, which makes sense for animation, but it still feels like Impulse. I do wish he had fingerless gloves and yellow eyes and bigger hair and bigger feet ... but then again, this show takes itself very seriously, and some of those characteristics are just a bit too goofy for it. One interesting thing is the red stripe down the middle actually isn't a lightning bolt. It looks more like the design of Blue Beetle's outfit. He has blue "legs" sticking into his black torso, nearly identical to how the thin bits of white stick into the red on Bart's front. That can't be an accident. Anyway, I love how short Bart is, how expressive and loving he is. How he can vibrate and literally run laps around Wally. (I never liked Wally on this show, so I'm very glad to see him get shown up like this.) And most of all, I love how Bart just does things fast. The super-speed convention with Barry was rather novel. And all throughout the show, he is just doing things fast. No one can keep up with him. He's everywhere at once, moving on to the next thing before anyone can react.
Bart's futuristic slang is ... interesting. In the comics, nobody could decide whether Bart was supposed to share the Legionnaires' slang word of "grife." But here, Peter David went all in on the words "crash" and "mode," never letting us forget them even for a minute. It is understandable, but rather odd how Bart (and Nathaniel) picked up these words from the secret aliens, who were only using those words in their most literal, scientific sense. But against all odds, the slang actually does work. And it spread like wildfire, both on the show and among the fan community in real life.
Now, I guess it's time for me to talk about the one element of this episode that wasn't so "crash." At the very end, when Bart went back in time, Nathaniel turned into a human, as expected. But nothing else changed. Mount Justice is still in ruins. The landscape is still desolate. Ash is still falling from the sky. Look, every time travel story follows different rules. I was surprised that we even got to see Nathaniel after Bart took off. But since he did see him, we have to follow this show's logic and assume that Bart failed in his broader mission. Although he did successfully turn Neutron back into a human, everything he did in the ensuing 40 years did nothing to prevent the devastation that Nathaniel is still surrounded by. And if that's the case, then why bother watching the rest of season 2 or 3 or the recently announced 4? Our heroes are going to end up losing in the end, right? That's the only way those final 30 seconds make any sense.
Personally, I have to pretend those final 30 seconds don't exist. Because this was a great episode, and this is a good show. And I'm going to have so much more fun reviewing these episodes than the New 52 issues of Kid Flash.
Next time, we'll take a very quick look at the next episode of Young Justice: Invasion.
Subscribe to:
Posts (Atom)