Wednesday, November 22, 2023

The Flash #1


“Strange Attractor”

Writer: Si Spurrier
Artist: Mike Deodato Jr.
Colorist: Trish Mulvihill
Letterer: Hassan Otsmane-Elhaou
Cover by: Mike Deodato Jr. & Trish Mulvihill
Variant covers by: Mike Deodato Jr. & Trish Mulvihill, Dan Mora, Rose Besch, Riley Rossmo, James Harren, Matt Taylor, Rahzzah
Assistant Editor: Rebecca Bohanan
Editor: Chris Rosa
Group Editor: Paul Kaminski

So here we go again. Right after DC restored the original numbering of The Flash series, they’ve reset it back to issue #1 and with a new creative team. But don’t let these changes fool you — the continuity has not changed. I don’t think we can even call this a soft reboot. Just an arbitrary renumbering. The first cover our new team has given us attempts to be dynamic, but came out just a bit too messy for my liking. And I’m very distracted by Wally’s teeth. There are quite a few variant covers for this issue, but none of them feature Impulse. However, much to my surprise, Impulse does appear in this story (and not just in a photograph like in the new Jay Garrick series).

Our story opens with Max Mercury and Bart Allen right where we left them last time: out in the desert, attempting to run into the Speed Force. Apparently the two of them have been practicing, and now they are ready to not break the barrier, but embrace it and breathe the lightning.


But as they begin to run, Max sees a startling image of a massive buffalo wounded by hunters. Max and Bart are both abruptly expelled from the Speed Force, landing hard on the dirt. Bart weakly asks if transcending time and space always feels like head-butting a planet. Max says something went wrong and asks if Bart saw anything, but he didn’t. So Max describes his vision and hypothesizes that it was the Speed Force’s way of attempting to communicate with him — trying to tell him that it hurts and needs help.

That’s all we get of Impulse in this issue. The story focuses on Wally’s struggles with the fluctuating Speed Force. Linda has given birth to a son, named Wade, and now she no longer has super speed. Irey has become friends with Animal Man’s daughter, but Jai is concealing a dark secret.

It is an interesting story — and surprisingly scary — but since Bart isn’t involved, I won’t get too bogged down in it here. I think Spurrier made Bart act just a tad too stupid in his brief appearance, but I really appreciate how he slammed the door on Jeremy Adams’ plan to send Bart away. Deodato’s art and layouts are quite unique, which works for the horror theme. And Otsmane-Elhaou provided the most innovative lettering I’ve seen in a long time. Perhaps ever. It takes some getting used to, but I like the direction of attempting something new and different.

Bart doesn’t appear in issue #2, either, but I’ll be keeping track of it (and the Jay Garrick series, as well). Whenever and wherever our lovable Impulse returns, I’ll be there!

Friday, July 14, 2023

The Flash #800


The Max in the Mirror

Writer: Mark Waid
Pencils & Inks: Todd Nauck
Colors: Matt Herms
Letters: Rob Leigh
Editor: Chris Rosa
Group Editor: Paul Kaminski

Our cover by Taurin Clarke shows Wally triumphantly running in front of some random images of his past. Personally, I’m not a huge fan of this one. And it’s not just because Impulse was neglected. I don’t like that orange. It’s an off-putting shade. Anyway, as you might expect, there are a bunch of variant covers for this issue, but none of them feature Impulse. Additionally, four of the five stories in this issue don’t include Impulse, aside from one extremely minor cameo that’s not even worth mentioning. Luckily for me, Christmas came early this year, and I did get one Impulse story. Not only that, it comes from both my favorite writer and favorite artist!

Our story takes place between Impulse #6 and Impulse #7, which means Bart is still pretty new to his life in good ol’ Manchester, Alabama, with Max Mercury. One morning, Bart wakes up, worried that Max will make him watch paint dry again. But to Bart’s surprise, Max is stuck inside his bathroom mirror.


Turns out, Max was helping Wally battle the Mirror Master in Keystone City that morning, and now both of them are trapped in a temporary mirror dimension that’s slowly fading away. Max tries to slowly and carefully explain the situation to Bart, but Wally panics and blurts out that Mirror Master is still on the loose in Keystone. Before he can finish his sentence, though, Bart throws on his Impulse uniform and knocks out the villain. Wally screams at Bart, saying he needed to make Mirror Master free himself and Max, to which Bart matter-of-factly says Wally left that last part out.

When Wally complains, Max points out that Bart is Wally’s cousin. Wally (correctly) states that Bart is once removed, which, in his opinion, isn’t removed enough. Max calmly explains that Bart is actually quite bright, but you have to give him very specific instructions in a sequential order, just like a Mars rover. Max asks Bart to look for a reverse switch on Mirror Master’s gun, but the weapon was unfortunately damaged in Impulse’s quick attack.

Bart casually asks if they have any glue at home, then abruptly takes off. Wally calls out to him to go get Steel to try to fix it, but Max warns Wally that Bart has the attention span of a toaster. Bart either didn’t hear Wally or chose to ignore him, instead going to the Keystone City Public Library and reading every book on mirrors, light and electronics. He returns to Max and Wally, who is panicking even more now, since they’re fading away fast. Bart quickly repairs Mirror Master’s gun, while we’re treated to one of his classic thought bubbles of old: a crying Flash with a diaper and bottle.

Unfortunately, the repaired mirror gun won’t work. Wally tells Bart to fix the gun again, but Bart insists it is fixed, but has no power. He asks what powers the gun, but Wally doesn’t know, saying that’s what Steel was supposed to figure out. Max asks Bart to look for an indication on the gun of how it’s fueled. Bart sees the letters “MPS” over a gauge of lights, and immediately takes off again. Wally worries that his last words are going to be, “Kill the boy.”

Bart races a few times around the city, and when he returns, a very faint Max tells him it’s now or never. Bart pulls the trigger, and this time it works, successfully pulling Max and Wally back into the real world. He explains that he was charging the gun, since “MPS” stood for “Miles Per Second” and Bart suspected Mirror Master was powering his weapon by tapping into the Flash’s super speed. Max praises Bart for his quick thinking and urges Wally to give a begrudging thank you. Wally suggests the three of them go out for breakfast, and Bart takes off once again, not knowing where he’s going. Max says that basically happens 12 times an hour, and Wally realizes he admires Max more every day.




Oh, that was over too fast! What a beautiful blast from the past — a real treat for people like me, who are now parents and get to explain to our kids how fun the comics of our youth were. This story fits perfectly in the Mark Waid/Humberto Ramos run of Impulse, and I loved every moment of it. True, it would have been fun to see Ramos come back and draw this one, but I always liked Todd Nauck’s style better — it’s clean, consistent, cartoony and carries a certain charm that few other artists can capture. And, of course, you know how much I love Waid, the creator of Impulse. He’s back at DC now, writing amazing stories in World’s Finest and Shazam. But I’m still going to hold out hope that he’ll be the one to revive the Impulse title. Hey, I can dream, can’t I?

So once again, I end a post with no idea when I’ll return. Impulse (mercifully) wasn’t featured in the disastrous live-action Flash movie, so I don’t have to review that. I’ll just keep watching and waiting for somebody to do something — anything — with my favorite comic book character of all time.

Thursday, May 11, 2023

The Flash #796


The One-Minute War – Finale: One More Minute

Script: Jeremy Adams
Pencils: Roger Cruz, George Kambadais & Fernando Pasarin
Inks: Wellington Dias, George Kambadais & Oclair Albert
Colors: Luis Guerrero, Matt Herms & Pete Pantazis
Letters: Rob Leigh
Cover: Taurin Clarke
Variant Covers: Daniele Di Nicuolo, Yasmin Flore MontaƱez, Lee Garrett, & Taurin Clarke
Editor: Chris Rosa
Group Editor: Paul Kaminski

Our cover puts Jay Garrick front and center, leading the final charge against the Fraction. That would have been a neat story, but that’s not what happened in this issue. That said, I don’t mind this cover too much, even if Taurin Clarke has no idea how to draw torn clothing. I am a little baffled, though, as to why Clarke didn’t just include the last two speedsters in this group — Max and Irey. I guess I should be grateful Impulse made it — he really looks like a last-minute addition. And, no, Bart does not go joy-riding on a Fraction vehicle in this issue, either, even though that would have been a good story, too. Wait … is Taurin Clarke a better storyteller than Jeremy Adams? I mean, it makes much more sense to keep Jesse Quick in her traditional outfit rather than arbitrarily make her Liberty Belle. And it’s only natural for the actual World War II veteran to be the leader in this war. Just something to think about.

We pick up right where we left off, with Gold Beetle conveniently explaining everything to Wally. Apparently when Wally was supercharged with Speed Force energy by the Fraction, the Speed Force’s defensive mechanism kicked in and sent him outside of space and time, which is an area this team has dubbed Planet Flash. Gold Beetle also reveals that way back when Wally was trapped in Bart’s body and he whispered something mysterious to her, he was actually giving her detailed instructions on how to save everyone he accidentally killed during Heroes in Crisis. 

Using 35th-century cloning technology, Gold Beetle created duplicates of all of Wally’s victims — except for Roy Harper, as he had previously already been saved by something or somebody else. Gold Beetle replaced all the potential victims with their clones, which Wally killed, while she took them all to Planet Flash to wait for Wally and help him defeat the Fraction. Gold Beetle also visited the future to work with a grown-up Jai on some Speed Force conduits for her army. Unfortunately, these harnesses will only work for one minute, so they hope they can use that limited time wisely in creating a large enough distraction for the Flash family.

And … yeah. They do just that. The sudden arrival of Wally and his misfits enables the rest of the Flash family to sneak into the core of the Spire. Max delivers one final speech of encouragement, telling everyone that they were all meant to be right here right now to save the world — why he was unable to ascend to the Speed Force, why Jay has lived so long, why the still unnamed boy was rescued, and why Bart randomly came back in time. They all begin racing around the core to supercharge it, while Wally battles the Admiral.

Turns out the Admiral is an “organic conduit,” too, thanks to the experiments of the Fraction way back when. This only matters because it enables Wally to give him what I call the Inertia Treatment. He shoves the Admiral in a big battery — like the one our nameless boy was in — and explains that once the Spire is supercharged, everything will be reset to like it was before, except for natural speedsters. This means that when the Fraction returns to space, the Admiral will still be stuck inside the battery. And for some reason, Wally assumes the Fraction won’t think to check on that battery for the next thousand years, thereby condemning this man to a fate almost as bad as poor Inertia’s. Seems like a rather extreme punishment for a guy that didn’t seem that much worse than his fellow Fraction soldiers.

Anyway, time resets to one minute ago, and the Fraction is approaching Earth. From their perspective, the Admiral has suddenly vanished. Bizarrely believing this to be some sort of planetary defense mechanism, the Fraction decides to change course and not return to Earth until they find the Admiral.

The Flash family suddenly find themselves standing in the middle of a bridge, signifying that everything is back to normal. Barry races back to his date with Iris, telling her he wants to grow old and have kids with her (but he doesn’t actually say the word “marriage”). Gold Beetle takes her misfits back to their own timelines, including the nameless boy, who finally reveals his name: Wade. He said his parents named him after a cool relative, and Linda says Wally also has an uncle named Wade, which was news to me. Our story then ends with everyone else crashing the West family barbecue.

Epilogue.

Max watches the sun set over the desert, preparing to make one more attempt. Suddenly, he’s joined by Bart, who said he’d figured with the war over, Max would try to “cross over … or go forward … or whatever.” Max admits this to be true, so Bart says, “Great. Let’s go.” When Max protests, Bart says, “We’re family. Where you go, I go. Come on, let’s see what’s next. It should be fun.” Max concedes, and the two of them race off into the sunset.


I’ll admit I got a little choked up at that end. Partly because of the pitch-perfect sentimentality between Bart and Max. But mostly because this feels like the last we’ll see of Impulse for a long, long time. DC clearly has no plans for Bart. Young Justice won’t be revived — as a comic or TV show — anytime soon. Tim and Kon each got their own solo series again, but not Bart. He is being shelved indefinitely. But the good part is this time he wasn’t unceremoniously forgotten. Racing off into the sunset alongside Max is a truly fitting sendoff. As were his final words. A really bittersweet moment for me.

In other news, it looks like DC has finally, completely and thoroughly erased all the harm done by Heroes in Crisis. All thanks to little miss Deus Ex Machina, aka Gold Beetle. Look, I get it. Everybody hated that story. Tom King had an idea, but editorial got in the way and everything fell apart. But I hate the idea of undoing unpleasant stories by simply waving a magic wand and fixing everything off panel. Joshua Williamson’s retcon was sloppy, but this feels even worse. And was this even the right time to do this? I thought this was supposed to be the One-Minute War, showcasing the might of our 10 separate speedsters! Why cut into that limited space with several pages of Gold Beetle delivering exposition? Maybe it was because Adams found out he’s being kicked off the book after issue #800, so he had to cram in every last idea before the end.

In the end, I was not pleased with the conclusion of this story. Mostly because our heroes didn’t actually save the day. They just redirected a nearly unstoppable army toward another innocent planet. How come no one thought about that? It seems to me the obvious thing to do would have been to sever the Fraction’s connection to the Speed Force, rather than merely send them back in time. Don’t tell me that Jeremy Adams wants the Fraction to reappear in future comics. Ugh.

I’m also annoyed that it took us so long to learn that random boy was named after Mark Waid, just like Bart’s old movie-making friend, Wade, and, apparently, a random uncle of Wally’s. Yes, there’s no disputing that Waid is the greatest Flash writer of all time, and he definitely deserves every shoutout he can get, but can we please honor him in a less clumsy way?

Speaking of Mark Waid, he is back at DC now and might be able to revive Impulse. If he wanted to. Or, of course, the new Flash creative team after Adams leaves. But truthfully, there just isn’t room for Bart in DC anymore. And this story demonstrated that. As fun as it was having Bart mess around with Ace, there wasn’t anything he did that Ace couldn’t have done by himself. So they might as well just stash Bart away until something drastic changes. 

I just can’t shake this sinking feeling in my gut that this was the last meaningful Impulse story we’ll get for a long, long time. I genuinely don’t know when my next review will be on this blog. Maybe the CW Flash will trot Impulse out one last time for the series finale. Maybe he’ll make an unexpected cameo in one of his friends’ books. So until then, I’ll leave you with Bart’s final words:

“Let’s see what’s next. It should be fun.”

Wednesday, May 3, 2023

The Flash #795


The One-Minute War – Part Six: Give Me Liberty

Script: Jeremy Adams
Pencils: Roger Cruz, George Kambadais, & Fernando Pasarin
Inks: Wellington Dias, George Kambadais, & Oclair Albert
Colors: Luis Guerrero & Matt Herms
Letters: Rob Leigh
Cover: Taurin Clarke
Variant Covers: Taurin Clarke, Marco D’Alfonso, George Kambadais, Eleonora Carlini
Shazam! Fury of the Gods Variant Cover by Jerry Ordway & Alex Sinclair
Editor: Chris Rosa
Group Editor: Paul Kaminski

Our cover shows a rather thick Barry mournfully holding Iris’ wedding ring, while Wally and Linda weep from a distance. Even though, you know, we’re supposed to believe that Wally’s dead right now. This cover actually isn’t too bad, by Clarke’s standards. But the word casualties does make me wish there were some actual casualties in this war. I mean, can you even call it a war if nobody dies? Last issue already revealed the plan to undo this whole thing with time travel, so there’s not a lot of suspense anymore.

Our story begins with Jesse Quick randomly deciding to stop honoring her father, Johnny Quick, and instead put on a new costume based on her mother, Liberty Belle. I guess Adams decided it’s time for some more unique costumes on this team of 10 (yes, TEN!) speedsters. Irey is also wearing the new costume we saw on last cover, and Linda has the costume we saw on this cover. And depending on who the artist is, this costume does an excellent job of concealing her pregnancy bump. Anyway, I know I said 10 speedsters, but right now we only have eight of them posing dramatically over the city, as Jay has been captured and Wally is “dead.”


Some dialogue among the Fraction tells us that 70% of Earth’s resources have been drained and many more metahumans have been kidnapped. I sure would have liked to have seen some of this happen, but I guess beggars can’t be choosers. Anyway, the Fraction quickly spots our heroes standing out in the open like that, but the Admiral advises they wait for the speedsters to make the first move.

We cut back to earlier, when Barry began presenting his plan to the team. The still nameless boy that Bart rescued continues to advise they abandon the planet, but everyone’s intent on staying and fighting, especially Irey, who yearns to “break in” her new costume. Bart loves the new look, and Ace coldly says, “You would,” possibly because he knows Bart doesn’t want two Impulses running around.

Barry explains that he believes the Speed Force is currently dissipated throughout the globe like a cloud, which is preventing them from accessing their top speed. He even reveals that he’d considered traveling back in time himself, but found he couldn’t. But Barry believes that if they stick close together, they can concentrate their Speed Force and not only boost their speed, but also their friction cushion to block anything that comes at them. Bart warns everyone that he has swallowed a bug while running, but Ace just says that only happened because Bart can never keep his mouth shut.

Bart brings up the bug again as they begin their assault on the wall. Ace bemoans Bart’s bug obsession, and it turns out it didn’t matter at all. Barry’s plan worked perfectly, and Jesse used her super strength to burst through the wall.

In another flashback, Barry explains that he doesn’t want to destroy the Spire, but supercharge it. Awestruck, Bart says, “They say I’m out there …” But the unnamed boy actually thinks this plan is genius. He starts to explain what happens when objects approach the speed of light, and Bart interjects, saying he knows those objects will go back in time. Irey is thrilled at the possibility of her dad coming back, but Linda pulls Barry aside privately to ask if that will really happen. Barry confesses that his plan will send the Fraction away, but it won’t bring back Wally. He says that speedsters can remember their universe being rebooted countless times because they’re separate from regular continuity. Linda chooses to not share this information with Irey.

Our heroes easily break into the Spire and are quickly reunited with Jay. Barry stupidly cries out, “Flash family, forward!” Bart and Ace take out a guard, hitting him high and low. And Barry takes on the Admiral himself.

Elsewhere, Wally wakes up at the feet of the random caveman, whose body he possessed way back when Adams began his run. Gold Beetle is there, too, introducing him to what once was called Timepoint but has now been rebranded as Planet Flash. And they’re not alone. Joining them is all the D-list heroes that Wally accidentally killed in Heroes in Crisis, including Kid Devil and Lagoon Boy.




Much like Roger Cruz, I’ve run out of steam on this story. He can call in backup artists, but I can’t call in backup readers. Well, I guess I could, but that’d be ridiculous. Anyway, I think Adams robbed this story of all tension by tipping his hand too early. We know everything’s going to be set right at the end, so why bother going through all these motions? Oh, I know. We still need to give Jesse her big moment. Let’s see … she can … put on a Liberty Belle costume … for reasons? And then she’ll … smash a wall, I guess? OK, good enough. Let’s move on!

It also turns out that Bart’s repeated mentions of swallowing a bug were just a boring joke he wouldn’t stop telling. I thought for sure that something was going to happen — like a stray bullet would sneak through their force field and hit … I don’t know … Ace, maybe? You know what I mean? Why bother setting something up if there’s no payoff for it? I’m also really let down by the generic Fraction forces. The only unique soldier they have is Miss Murder. And she can’t be a compelling threat anymore, because we’ve already fought and defeated her twice before. I’m just really underwhelmed by the lack of creativity here.

The One-Minute War concludes next issue!

Wednesday, April 12, 2023

The Flash #794


The One-Minute War – Part Five: Thunder in Her Heart

Script: Jeremy Adams
Pencils: Roger Cruz
Inks: Wellington Dias & Roger Cruz
Colors: Luis Guerrero
Letters: Rob Leigh
Cover: Taurin Clarke
Variant Covers: Taurin Clarke, Marco D’Alfonso, George Kambadais, Eleonora Carlini
Shazam! Fury of the Gods Variant Cover by Jerry Ordway & Alex Sinclair
Editor: Chris Rosa
Group Editor: Paul Kaminski
Superman created by Jerry Siegel and Joe Shuster.
By special arrangement with the Jerry Siegel family.

Once again, our cover doesn’t quite fit with the story as well as it could. Yes, Irey is the main focus of this issue, and she does explore the idea of forging her own identity rather than merely being the female Impulse. But she doesn’t get this new costume here. I hope she does get this costume soon, though. I never liked the idea of her being Impulse. Mainly because Irey never really had anything to do with Bart.


For the first time in this storyline, Impulse appears on a variant cover. This rather unique image by George Kambadais does a good job of capturing the frenzy of the One-Minute War, while taking a novel approach to visualizing characters running at super speed. I don’t think I like it, but I’m happy to see someone use a variant cover to experiment.

Our story picks up with Miss Murder attacking Irey at Mr. Terrific’s lab. Unfortunately, Bart and Ace didn’t tell anybody that Miss Murder can’t track you if you clear your mind. Fortunately, Irey has the ability to sling around her super-strong and still-frozen brother, Jai, as if he were a wrecking ball attached to an invisible chain. Also, Superman manages to twitch his fingers fast enough to grab Miss Murder’s dogs. The injured villain hastily retreats, and Irey recklessly decides to leave behind all the frozen people to regroup with her family.

Irey blasts up to Jay, Max, Bart, Ace and Barry, somehow causing a large shockwave that knocked down most of the Fraction troops. She randomly announces her new hero name will now by Thunderheart, causing Bart and Ace to idiotically shout out “Coooool!” like a couple of 11-year-olds.


On the other side of the wall, Jesse and Linda are captured and loaded up into a transport, which conveniently is being driven by the young man Bart and Ace rescued. That’s right, the still-unnamed interdimensional corrections officer somehow snuck behind enemy lines, disguised himself as a Fraction soldier and commandeered a vehicle.

Anyway, Irey’s sudden arrival did help the rest of our heroes, but not enough to prevent the Fraction’s admiral from carrying away the injured Jay and sealing the wall behind him. Jesse and Linda soon arrive to drive everybody back to Barry’s lab, which is an especially odd choice, seeing as how Jesse pointed out how the Fraction now knows where Mr. Terrific’s lab is and who’s in it. But I guess everybody was too busy mourning the apparent death of Wally to think too rationally right there. Barry, however, gets a crazy idea to not only win the war, but make it so that it never happened in the first place.

Jay is tortured for a little bit and taken to an operating table to be studied before being placed in a battery. Luckily, Jay manages to break the surgeon’s Speed Force processor and engineer a violent escape.




There’s always a fine line writers have to balance when using characters as comedic relief. You want them to be funny, but not too stupid. Or immature. Adams slipped into that realm in this issue with Bart and Ace. And he’s also unfortunately fallen into the trope of having two comedic reliefs constantly speak in unison. I call it the Weasley Twins Effect. I get that Bart’s big moment is already done for this story, but I’m really sad to see him be reduced to this.

I’m also worrying that the story is starting to unravel. It made no sense for Bart and Ace to learn Miss Murder’s weakness and not tell anybody about it. They should have defeated her for good, and Adams should have sent a different villain to battle Irey — ideally someone tailored to her unique skill set and position in life. And I’m very worried about Barry’s plan to travel back in time. If that was always the end goal, then why not go a little bigger with the destruction and mayhem? Have another couple of speedsters be killed — you’ve got plenty. And don’t make Wally’s apparent death so ambiguous. Do you know how many times Wally has disappeared in a flash of light?

I don’t know. I was having a lot of fun with this story, but this issue is giving me second thoughts. We’ve got a couple of issues left of One-Minute War … hopefully Adams can stick the landing. Especially as this is literally the only Impulse content I have this year.

To be continued …

Monday, April 10, 2023

The Flash #793


The One-Minute War – Part Four: Thunder in Your Heart

Script: Jeremy Adams
Pencils: Roger Cruz
Inks: Wellington Dias
Colors: Luis Guerrero
Letters: Rob Leigh
Cover: Taurin Clarke
Variant Covers: Daniel Bayliss, Marco D’Alfonso, Scott Holins, Taurin Clarke
Editor: Chris Rosa
Group Editor: Paul Kaminski
Superman created by Jerry Siegel and Joe Shuster.
By special arrangement with the Jerry Siegel family.

For the first time in this storyline, Impulse is not on the cover. But, considering how weak these covers are, I’m not too sad by that. Jesse, Wally and Jay are examining a random hologram, and I think we’re supposed to believe Wally’s been a bit beat up. But those “holes” in his uniform look more like paint splotches — almost a hastily added effect at the last minute. The variant covers are all better than this, but once again, no Impulse.

Our story picks up with our heroes bringing Superman, Captain Atom and Gorilla Grodd into Mr. Terrific’s lab. Superman, the fastest non-speedster on the world, can almost keep up with the Flash family. But, as Impulse notes, it’s going to take him a whole day to say anything.


So they decide to leave Superman where he is and interrogate the young man Impulse and Kid Flash rescued. The boy — who’s never given a name in this issue — explains that he was an interdimensional corrections officer who was captured by the Fraction. They dubbed him an “organic conduit” and used him as an engine to propel their ship through the Speed Force. The boy explains that all the Fraction soldiers wear glowing discs on their chest that allow them to artificially process the Speed Force. He says that since the Fraction is pulling so much Speed Force into one location at a time that it saturates the planet, causing all speedsters to go from “zero to super-fast,” unable to slow down until the Fraction leaves.

Jay and Barry note that they’re still a little faster than the Fraction because they conduct the Speed Force organically. The young man warns them that he can calculate probabilities faster than anyone, and their only option is to leave the world now before the Fraction captures them and becomes even more powerful. But everybody insists on staying and fighting for their home. They speculate that the Spire may be acting as an antenna that sends the Speed Force to all the Fraction’s forces.

So they all go to what I assume was once Barry’s lab but has now been turned into Wally’s garage, where he’s been working on a car described by Bart as a “hunk of junk.” Wally plans to place a Fraction engine inside his car, which he’ll use to drive straight into the Spire like a bomb. Ace thinks this is suicide, but Wally believes he’ll be protected by the same friction barrier that protects speedsters from being killed by bugs while running. Bart says he’s accidentally swallowed a bug once while running, but Ace claims that’s impossible. Bart replies that it’s merely impossible for Ace, so he says he could swallow a bug if he really wanted to. Bart urges him to prove it, but Barry gets them back on topic.

Ace warns Barry and Wally about how heavily guarded the Spire is, and Bart mentions Miss Murder. Both Bart and Ace shudder at the name, but neither of them provide the helpful information of how to defeat her. Wally insists he’ll be fine because he’ll be the only one driving to the Spire. Barry warns him to phase out of the car before he hits or, as Bart and Ace add, he’ll go “kablooey.”

Bart and Ace help Wally and Barry set up the car, while Jay and Max scout out the wall and Jesse and Irey destroy a couple of tanks. They all meet back together to plan the assault, leaving Irey behind to guard the frozen people. Barry and Wally have a quick heart-to-heart, where Barry admits he was about to marry Iris. Ace asks Bart if he knows if this mission will succeed, since he’s from the future, but Bart says he doesn’t even pay attention to the present, much less the past.

Our heroes hide out near the wall and as soon as it opens, Bart and Ace ambush the tank that comes out. Barry destroys it with a massive laser gun that I assume he took from the Fraction, while Max, Jay, Ace and Bart prop open the wall with some girders. But our heroes are quickly met by the Fraction’s forces, and Jay is electrocuted by the Fraction admiral. Luckily, this was only a diversion, as Jesse and Linda were simultaneously holding open the other side of the wall. (I guess they both have super strength now.)

Wally drives the car toward the Spire as planned, but the admiral orders the emitter to overpower him. Wally tries to phase out of the car, but can’t, and seems to disappear in a flash of pink light. Meanwhile, Miss Murder has broken into Mr. Terrific’s lab, and Jay is down for the count, while Bart, Max and Ace are surrounded.




So that’s a nice cliffhanger to what has still been a really nice Flash family story. Yeah, the pacing is a bit rough in places, most likely due to the large number of characters involved. And I still think it’s ridiculous that we’re supposed to believe that Iris is dead when time is still essentially frozen. But I’m loving every little bit of Bart I get here. I hope Jeremy Adams doesn’t forget him after all this is over.

Before I leave, here’s a funny little thing that showed up on my app. I guess DC is experimenting with “instant” trade paperbacks that are only three issues long. Here’s the cover of their collection of The Flash #790-#792.


The image is from an inside page by Roger Cruz, which is significantly better than anything Taurin Clarke has done. I don’t know why DC didn’t wait until the entire One-Minute War was done. Maybe this will be a good antidote for the people who are loathe to buy two smaller comics each month. But that means nothing to people like me who have the Infinite app and get all the comics a month later. Oh well. I can’t complain about making more covers with Impulse on them.

To be continued …

Friday, April 7, 2023

The Flash #792


The One-Minute War – Part Three: Impulse Buy

Script: Jeremy Adams
Pencils: Roger Cruz
Inks: Wellington Dias
Colors: Luis Guerrero
Letters: Rob Leigh
Cover: Taurin Clarke
Variant Covers: Serg AcuƱa, Daniel Baylis, Scott Kolins, Taurin Clarke, Mateus Manhanini
Editor: Chris Rosa
Group Editor: Paul Kaminski
Superman created by Jerry Siegel and Joe Shuster.
By special arrangement with the Jerry Siegel family.

I am so happy that Impulse remains a major presence on these covers. I think DC wisely realized the inclusion of Bart would be a major selling point of this story. Unfortunately, I just cannot stand Clarke’s style. And a few things don’t make any sense here. This is a futuristic car, which, as you can easily guess, belongs to the Fraction. So why is it full of junk food and a random Flash doll? I guess we’re just trying to be funny and not worrying about continuity. Also to my dismay, none of the variant covers include Impulse, so let’s dive into the story.

After laying the presumably dead Iris in Wally’s bed, Barry joins a strategy meeting with Wally, Linda, Jay, Jesse, Max, Wallace and Bart. Jay explains that the Fraction have set up a perimeter a mile across with an impenetrable wall that only opens to let out tanks and fliers. Jay doesn’t know what the fliers are doing, but he’s noticed the tanks are moving in an organized search pattern, which will be reaching the West home before too long. Wallace asks why they’re all stuck at top speed, and Bart asks why the Fraction is also moving so fast. Wally’s best guess is they’ve figured out a way to harness the power of the Speed Force and apply it to their vehicles. 

Barry says he’d like to study one of those vehicles, at which Bart immediately zooms away. The only person who seemed to care that Bart abruptly left is Wallace, who hastily chases after him. Bart tells Wallace not to worry about what he’s doing, but Wallace can’t help it, saying whenever Bart decides to run off, everything goes “kablooey.” Bart calls that an overstatement, but eventually agrees that Wallace is not wrong. He contends, however, that things are never boring around him, then resumes his quest to find a Fraction car for Barry. Fearing Bart will be killed on this reckless mission, Wallace decides to join him.


Bart decides to show Wallace why he’s called Impulse, by impulsively deciding to hide under one of the Fraction’s tanks. Wallace reluctantly follows, while Miss Murder surreptitiously picks up on the boys’ trail. The rest of the Flash family, meanwhile, has decided to make Mr. Terrific’s secure lab their new base of operations. It’s only after they get set up in the lab when Max realizes that Bart is missing. And Linda notes that “Ace” is gone, too. (I’ve been away too long. Everybody has new nicknames and powers.)

Conveniently, the tank Bart and Ace are hiding on returns to the Spire. Ace asks why they didn’t just take this tank back, but Bart says they couldn’t pass up the opportunity to take a peek behind the wall. Once inside, Impulse and Kid Flash carefully avoid some Fraction henchmen, who are under a lot of pressure to capture Earth’s speedsters. Bart finds a secret compartment below them, which contains a strange red rectangular box. Ace observes a lot of electricity pouring from it, so Bart speculates it may be a battery and suggests they take it. Ace is horrified by this idea, but goes along with it anyway, as usual. Also as usual, Bart’s instincts prove right, as the box is apparently the energy source for the entire ship.

Unfortunately, the box proves too big and heavy for just one of our boys to carry it. So they awkwardly struggle with their burden, promptly attracting the attention of several Fraction guards. But at Impulse’s order, our heroes wield the box as a shield and ram the two guards, knocking them out cold. This attack also broke open the box, revealing a teenage boy sleeping inside it. Noting how this place keeps getting weirder and weirder, Bart and Ace help the groggy boy up, but are suddenly ambushed by Miss Murder and her two monster dogs.

The boy warns his rescuers to run, but the dogs expertly cut them off, whichever direction they move. Ace complains that it seems like the dogs can read their minds, and the boy explains that Miss Murder doesn’t hunt by sight or sound, but by thoughts. Impulse realizes this is the perfect villain for him to battle, since he’s so good at not thinking. He leads Kid Flash and the boy on a reckless charge directly at Miss Murder, but she doesn’t sense them, allowing the trio to run right past her. They encounter a few more guards, but Kid Flash perfectly follows Impulse’s lead and helps direct the guard’s gunfire right at Miss Murder and her dogs.

Our heroes quickly find a car, but Ace doubts Bart’s ability to drive it. However, the mysterious boy explains that Bart is a “conduit,” and all he has to do is grab the wheel and the vehicle will respond. Miss Murder suddenly jumps on the roof of the car, but the boy shows Ace how to man the laser guns to knock her off. The Fraction’s admiral orders his troops to follow and kill the boys, but they manage to safely deliver the vehicle to Wally and Max before they’re caught.

The boy is so shocked to see Wally, he can only stammer when asked his name. Max lectures Bart for being so foolish, but Ace comes to his defense, saying he also thought it was a good idea, adding that Bart’s “quick not-thinking” enabled them to escape. Bart gives Wallace an appreciative smile, while Wally opens up the back of the van. To everyone’s surprise, the vehicle was transporting Captain Atom, Superman and Gorilla Grodd.




Well, I think it’s safe to say that was Bart’s major contribution of this story. And it was pretty nice. He stole a vehicle and the Fraction’s power source (which turned out to be a kid) and he rescued Superman himself. Not bad for a kid that nobody pays attention to. Seriously, how did it take everyone so long to realize that not one, but two of their teammates were missing? Especially after they had all the talk about the importance of staying together during this war! And do we really need to be adding even more characters to this already bloated cast? Regardless, I did have lots of fun with Impulse and Kid Flash once again. And I thought it was neat that Bart got to fight a villain tailor-made for his personality. Yeah, I have a few minor complaints, but this is still a fun, engaging story.

To be continued …

Friday, March 31, 2023

The Flash #791


The One-Minute War – Part Two: A Ten-Second Week

Script: Jeremy Adams
Pencils: Roger Cruz
Inks: Wellington Dias
Colors: Luis Guerrero
Letters: Rob Leigh
Cover: Taurin Clarke
Variant Covers: Daniel Baylis, Marco D’Alfonso, Kim Jacinto, Taurin Clarke
Editor: Chris Rosa
Group Editor: Paul Kaminski

Once again, we’re stuck with a terribly bland, generic cover. Bart, Wallace and Wally are pinned down behind a brick wall, hiding from the painfully generic Miss Murder, who, by the way, doesn’t show up until the last page of this issue. It really bugs me that a story with so much potential is laden down with these subpar covers that look like they were thrown together in one of those AI generators. And once again, none of the variant covers show Impulse, so let’s get to the story.

We pick up with the West family, where time is frozen for everyone except Wally, Irey and Linda (who has powers now because of course she does). Slightly surprising is the freezing of Jai, who somehow managed to pull down a large tree to protect the barbecue party from the worst of the blast. Last issue clearly showed that time froze before the Fraction’s spire hit the ground, but whatever.

Speaking of the spire, the first speedsters to investigate it are Kid Flash and Impulse, who have found a massive wall around the structure. Wallace tried to run up the side of the wall, but found it to be frictionless. He suggests turning their attention to finding out why they can’t slow down, but Bart insists on finding out what’s on the other side of the wall. He assures Wallace that he’s learned a few tricks through his time as a superhero, namely how to vibrate through things. But when Bart tries to show off this skill, he crashes right into the wall. Wallace admits he’d laugh if this situation wasn’t so serious. Suddenly, the wall begins to split open, releasing a seemingly endless supply of alien tanks and aircraft. Jay Garrick arrives out of nowhere and pulls Wallace and Bart behind a wall. Wallace says this is an invasion, but Jay darkly says, “No, boys … this is war.” I always thought an invasion was just a part of war, but what do I know?

Wally begins investigating the wreckage and quickly comes across Barry cradling Iris’ body. The two are promptly attacked by a Fraction fighter jet, but Wally quickly destroys it by throwing a rebar through it. Bart, Wallace and Jay, meanwhile have drawn fire from the Fraction’s forces, mainly because Bart revealed their position by waving at the aliens. Bart explains that he thought they might have been friendly aliens, but Wallace angrily points out that they have tanks. Jay suggests they retreat, but Wallace worries they won’t be able to outrun the aliens, since they seem to be moving just as fast as them.

Jay pulls the boys down just as a particularly large blast takes out the wall they were hiding behind. Coming face-to-face with a tank and dozens of ground troops, Bart wishes he just stayed in the future. Jay immediately prepares for a fight to the death, urging Wallace and Bart to be brave and proud and go down like men. Bart asks if there’s a second option, and right on cue, Jesse Quick arrives, saying there’s always a second option. I’m not exactly sure how, but she seems to flip the tank over on top of the ground troops, removing the immediate threat from our heroes. She also conveniently explains that she and Max recently encountered the Fraction on another planet and witnessed the destruction they left behind.

The Fraction, meanwhile, has begun to strip Earth of its resources, including any metahumans they can find. They are, however, surprised to learn that at least five people on Earth can keep up with their speed, so they decide to capture them all alive. One of the Fraction scouts is captured by Max, but rather than answer any of Max’s questions, he presses a button on his chest that electrocutes him. So Max decides to regroup with the others.

Jay, Jesse, Bart and Wallace all make their way to the West house, where Linda and Irey are carefully pulling their frozen barbecue guests inside. Bart asks where Wally is, and when Linda says he went into the city, both Bart and Wallace decide to go help him. But Jay says the worst thing they can do is split up right now. Max, who suddenly arrives, agrees with Jay.


Bart gives Max a big hug, making me wonder just how long it’s been since they’ve actually spent any time together. Bart jokes about having to babysit Kid Flash, and then he either senses or merely suspects that Max was recently trying to run into the Speed Force again. Max admits this is true, saying his attempt will have to wait until after they sort out this mess. Wally and Barry arrive before too long, with Barry still dramatically carrying Iris’ body. And the issue ends with the Fraction releasing the over-the-top Miss Murder, whom they apparently captured from another world.




This is still a fun story, even if it may not be written as tightly as I’d like. And despite the incredibly boring prospect of this Miss Murder person, I am still interested in seeing what’s going to happen with the Fraction and all this. Mostly, though, I am having a lot of fun with Bart and Wallace. They’re the comic relief this story needs and Adams has so far avoided the common mistake of making the comic reliefs completely inept.

The next issue in this story is The Flash: One-Minute War Special #1. Bart doesn’t appear in it, but he does show up on the incredibly beautiful cover by Serg AcuƱa.


This should have been the cover of last issue. I imagine it’ll be the cover for the trade paperback of this story. I also wish AcuƱa had drawn all these covers. I want my comics to look like this, not the computer-generated schlock Taurin Clarke is giving us. Oh well. At least Roger Cruz is turning out decent work on the interior pages, even if he can never remember what Impulse’s gloves are supposed to look like.

Next time, we’ll continue this One-Minute War in The Flash #792.

Thursday, March 30, 2023

The Flash #790


The One-Minute War – Part One: Zero Point

Script: Jeremy Adams
Pencils: Roger Cruz
Inks: Matt Banning & Wellington Dias
Colors: Luis Guerrero
Letters: Rob Leigh
Cover: Taurin Clarke
Variant Covers: Daniel Bayless, Ibrahim Moustafa, Taurin Clarke
Editor: Chris Rosa
Group Editor: Paul Kaminski

Much to my surprise, Impulse is prominently featured front and center on our cover. He, Jay and Wally are trying to escape the fiery blast of a vague, alien-looking fighter jet. Unfortunately, I don’t like this cover. It looks too computery and bland. And that’s a major shame, since this is the beginning of a rather exciting story involving the entire Flash family, but this cover does not convey that at all. It’s just a generic computer-generated explosion without any context or drama. I really wish Roger Cruz could have drawn the cover, because he has an exciting, dynamic style that would have been a whole lot better here. None of the variant covers feature Bart, so we’ll just head straight into the story.

We open with a race of aliens called the Fraction approaching Earth in a ship that’s shaped like a gigantic arrow. We know they’re working for an empress and they are being guided by an invisible force toward what they call a “tributary.” We also know that they pride themselves in being able to conquer worlds before the inhabitants have a chance to fight back.

We then check in on the West family. Linda is pregnant again and Jai and Irey are happily running around the backyard as Wally hosts a barbecue for some of his non-speedster friends. But the party is interrupted by a strange sound and the feeling of static electricity on the wind. Elsewhere, Max Mercury is attempting once again to run into the Speed Force. He didn’t tell anyone he was going to do this, rationalizing that Bart will understand. Max even speculates that if he fails, and merely jumps in the future again, he’ll probably end up seeing Bart anyway. Fortunately, Max aborts his attempt at the sight of the gigantic arrow poking down through the clouds.

Jesse Quick, meanwhile, is fighting a random lion-person with Hourman when time suddenly freezes for everyone except her. Kid Flash is also busy fighting crime, just about to beat up some low-level smugglers, when Impulse interrupts the operation by zooming across the river, saying, “Hey, guys! Miss me?” Yes, Bart. We did miss you. Anyway, Bart promptly takes out all the criminals before Wallace has a chance to react.


Wallace complains that this was his bust, and Bart pretends he didn’t see him there. As Wallace keeps whining, Bart jokingly confirms that these were actually bad guys, saying, “You can only capture innocent groups so many times.” But Wallace won’t let the matter drop, accusing Bart of intentionally showing him up, perhaps because he’s mad that he’s not Kid Flash anymore. Bart tells Wallace not to flatter himself, pointing out he’s already been Kid Flash and has decided that the color yellow doesn’t work with his complexion. Wallace insists that Bart’s jealous, but Bart says Wallace is the only one here who’s jealous. Bart’s playful teasing is then interrupted by the sight of the gigantic arrow descending on the city.

We then cut to Jay Garrick, who’s drinking alone in a bar, lamenting the death of some of his old friends. And we finally catch up with Barry Allen, who’s having a fancy dinner with Iris, who seems like she’s about to propose to him. Time freezes for everyone except Barry, followed shortly by the arrow hitting the city and causing a huge explosion. And I do mean huge. This arrow/ship/tower thing is as large as half the city. And the blast from its impact knocks down all our speedsters, regardless of where they are. When Barry pulls himself out of the rubble, he is horrified to see Iris is seemingly dead. I mean, with time frozen, Barry can’t really check her pulse or anything, but it still looks pretty bad.




Well, it’s taken a few years, but someone has finally found a place for Bart in this bloated and ever-expanding Flash family: obnoxious big brother to Wallace. And I love it! Bart has never had a little brother and it’s great to see him have someone to playfully tease. Of course, I’m always going to be wondering about Bart’s civilian life — I really hoped he’d go back to Manchester, Alabama, with Max. But I really did like the little bit of Bart we got here. And the Fraction is an interesting concept. Generic name, and generic designs of the aliens, but a nice idea of using super speed to conquer an entire world in under a minute. So I’m cautiously optimistic about this story.

To be continued …

Thursday, March 16, 2023

Year in Review: 2022


The year 2022 saw an almost complete end of the two-year pandemic, which meant people went back to the theaters. Unfortunately, most of the movies they saw were either sequels or reboots. In fact, nine of the 10 highest grossing films of the year were sequels and the other one, The Batman, was a reboot. The king of the game was the long-awaited Avatar sequel, pulling in more than $2 billion. Marvel’s sequels for Doctor Strange, Black Panther and Thor all earned more than $760 million. And poor little DC could only muster one hit this year with The Batman. Black Adam and Super Pets were both pretty ugly, disappointing films.

It’s rather strange for me to be reviewing a year that ended less than three months ago, but that’s the joy I have with being nearly caught up to real time. And I would be completely caught up if I didn’t take a few months off after the birth of my second son. But now he’s nearly a year old and his older brother is about to turn 3, which makes things a little easier for me to write these little posts. And most of them are quite little these days, as Bart is almost always merely a side character wherever he shows up. There are a couple of exceptions, though.


Impulse made a few appearances in Young Justice: Phantoms this year, along with a smattering of episodes on The Flash, a couple of random comics and, most of all, the disastrous Dark Crisis: Young Justice miniseries. But only one story made me genuinely happy. Earth-Prime: The Flash #5 was an honest-to-goodness classic Impulse story — the first we’ve had in 20 years. Even though it took place in the awful CW continuity, this issue captured everything that was fun and delightful about Impulse’s solo series from so long ago. I’m really sad I couldn’t put one of the Dark Crisis issues here, especially since those tried so hard to make Bart smart and powerful. But they were just too painful to read for a whole host of reasons.

Best Writers: Jess Carson and Emily Palizzi

For the first time, this award goes to two writers. That’s not because there’s a tie or anything, but just because the two of them wrote the best story of the year. Unlike Meghan Fitzmartin, Carson and Palizzi clearly did their research. They know exactly who Impulse is and what makes him great. Heck, they even brought back Evil Eye! I really hope the two of them get to write more Impulse stories soon.

Best Artist: Todd Nauck

My favorite artist claims this award for the fifth time, purely for the work of two variant covers. It might not be entirely fair, but nobody else really grabbed my attention. Well, Laura Braga did, but for all the wrong reasons. Nauck’s covers, however, were gorgeous, exciting and wonderfully nostalgic. He somehow managed to fit every single major Young Justice character on those covers without making them feel cramped or crowded. And most of all, Nauck told a story with those covers that I really wish Fitzmartin and Braga would have told.

Best Supporting Characters: Chameleon Boy and Saturn Girl

In another first, I’m giving this award to two characters. That’s because — as far as Bart was concerned — Chameleon Boy and Saturn Girl were essentially one person. They were always together with Bart, doing the exact same thing. And they did have a pretty fun adventure in space together. Granted, most of their interactions took place off screen, but they did spend several months together, working in secret to try to save the universe and the future. Yes, Dark Crisis did reunite Bart with his oldest and best friends, but they were all pretty big jerks to Bart that whole story. And none of them really apologized to him. But he somehow had to apologize to Cassie? I don’t know. It was a big mess. Another strong contender for this award was Bart’s CW sister, Nora. She was constantly by his side both on the show and in the comics, but usually as the bossy big sister, constantly lecturing Bart to be less impulsive. I guess I ultimately place more value in watching Chameleon Boy and Saturn Girl strategically seek out Bart because of his expertise in time travel, opposed to XS babysitting her brother because she has to.

Best Villain: Mickey Mxyzptlk 

Yes, yes, I know, Dark Crisis: Young Justice was a hot mess. And the original Mr. Mxyzptlk would have been a much better choice than inventing a son for him. But Mickey was a truly formidable foe, who impacted Bart much more than Evil Eye or Magog or even Lor-Zod. Mickey sent Bart to an alternate dimension, forcing him to reach deeper into his power set than we’ve ever seen before to not only escape, but also ensnare his captor. But mostly I liked how Mickey accurately tapped into the pain of old Young Justice fans like me, who have seen our favorite characters constantly get pushed aside by the company that produces them. Yeah, Fitzmartin could have written Mickey better, but he truly was the biggest obstacle for Impulse in the year 2022.

Next time, we’ll dive into our current year of 2023, which gives us the triumphant return of Impulse to the Flash books! Sure, he’s still just a minor character, easily lost in the shuffle of the ever-growing Flash family, but at least he’s there! I don’t know what will happen after the One-Minute War, but I’ll try to keep covering it as it happens.

Monday, March 13, 2023

Dark Crisis: Young Justice #6


Youth Ends

Meghan Fitzmartin Writer
Laura Braga Artist
Luis Guerrero Colors
Pat Brosseau Letters
Max Dunbar & Luis Guerrero Cover
Jorge Corona & Sarah Stern Variant Cover
Dave Wielgosz Editor
Ben Abernathy Group Editor
Superboy created by Jerry Siegel and Joe Shuster.
By special arrangement with the Jerry Siegel family.

Our cover is a supremely disappointing way to wrap up an absolute mess of a miniseries. It honestly feels like Dunbar just phoned this one in. Every single character looks bored, uninterested, ugly and all around … off. And putting them in front of the Hall of Justice implies that Young Justice will actually participate in the Dark Crisis event. Spoiler alert: They will not. Not in this issue or any of the Dark Crisis issues. Deep sigh. This has been a very frustrating experience.


Contrary to the credits, this variant cover is actually by Todd Nauck. (It is fitting that we’d get one more editorial mistake before the end.) I absolutely love this cover. And it almost breaks my heart by showing me what I wished this series would have been — a story that brought back Secret and Empress and Slobo and Fite ‘n Maad and Cissie’s mom and Riproar and Harm and Dante and Dis and the exploding Mount Rushmore and everything that made the Peter David/Todd Nauck series so rich and wonderful. Well, this series may have let me down, but at least it did give me some great variant covers.

Our story picks up in Happy Harbor, Rhode Island, where Red Tornado, Impulse, Wonder Girl, Robin, Superboy and Cissie King-Jones are shocked to see that Mickey Mxyzptlk has followed them back to the real world. Cassie is our narrator once again, and she vows to not lose her friends again after working so hard to get them back. She uses an unprintable swear word to describe Mickey, saying she doesn’t care how powerful he is. Oddly, though, she tells her team they can’t let Mickey escape … even though he just followed them there and has made no indication that he wants to leave. But Robin agrees with Wonder Girl, saying the amount of damage Mickey could cause to the world is too great to risk. He starts barking out orders, while Bart quietly whispers something to Cassie.

Suddenly, Robin loses the ability to speak as his mouth seemingly disappears. So instead of attacking Mickey, everybody stands around watching, while Cassie lectures him. She calls him a child, who remakes worlds in his image because he doesn’t like free will. Mickey doesn’t deny this, explaining that he saw how Pariah faked the deaths of the Justice Leauge so they could live out their fantasies. Mickey then “siphoned” off some of Pariah’s power (I guess?) to give his favorite heroes the world they deserve. This information about Pariah and the Justice League is news to our heroes, since this miniseries hasn’t dealt with the Dark Crisis event at all.

Right on cue, Red Tornado reports an S.O.S. call from the Hall of Justice, but Cassie insists on staying put and battling the “hateful, spiteful brat.” She wildly says Young Justice is just as strong as Mickey, but Cissie reasonably points out that they’re little more than a ragtag group of misfits. Conner reminds her that the only way anyone’s defeated Mr. Mxyzptlk was to get him to say his name backward (thank you for remembering to say backward!), but they don’t think Mickey will fall for that trick. Mickey tells Conner not to bother reasoning with Cassie since she’s just a girl and she’s only ever brought them down.

We then get a flashback to just seconds earlier, when Bart was whispering to Cassie. Turns out he lent her some of his speed to slow things down for just the two of them. Bart tells Cassie he has a plan, but he needs her to distract Mickey. And Bart wisely picked Cassie for this job because he’s picked up on Mickey’s misogyny. He asks Cassie to make fun of Mickey and challenge him, while promising her that he actually does have a plan despite his goofy reputation. Cassie tells Bart he was always smarter than they gave him credit for and she’s glad that he’s stepping up, since he makes a good leader. 

Bart, however, rejects the compliment, saying this experience has shown him that he and the others didn’t always treat Cassie great. He says he was initially scared a new girl would change them and get in the way of a good thing. So he — and Conner and Tim — treated her like a third wheel. But Bart now tells Cassie that she’s more than the three of them put together. He sadly says he hopes this isn’t the end of Young Justice, because she makes a great leader. (And once again, I have no idea where Fitzmartin is coming up with this revisionist history.)

We cut back to the present, with Cassie openly mocking Mickey, suggesting he lives in an interdimensional basement. Cissie wisely warns against antagonizing an omnipotent foe, while Red Tornado and Superboy stupidly say they need to abandon this fight to help everyone else out at the Hall of Justice. Mickey makes fun of Red Tornado and Superboy, pointing out that even if they do go and help defeat the villain of Dark Crisis, they won’t be appreciated and won’t be called on until the next universe-breaking villain. He (rather accurately) prophesies that Young Justice will be forgotten again after Dark Crisis ends. Superboy then says, “Great. He’s growing.” And Wonder Girl says, “Finally ate his veggies.” But the artwork doesn’t show or suggest Mickey turning into a giant or anything like that.

Cassie says she’s willing to risk being forgotten again if it means being nothing like Mickey. She adds that he’ll never be anything like his heroes, so Mickey decides to go full-villain mode with the dark line, “So be it.” Cissie is turned into stone (except for her head, for whatever reason), the mouthless Robin has now become green (whatever that does), Superboy says he’s become invisible (even though he’s just transparent) and Red Tornado is now human. Mickey tells Cassie that she made him do this, to which she responds with a “Now, Impulse!”

Impulse suddenly appears, issuing a lame, “Not so fast, Mickey!” He says even a child knows that no one makes anyone do anything. Between Bart’s hands is a bit of taffy-like energy in the shape of an infinity sign, and I’d guess it’s rather difficult for him to hold it, but the art isn’t helping too much. Cassie says, “Get ’im, Bart” as he tries to push the infinity symbol on Mickey, dropping another lame line about giving the villain a time out. Mickey recognizes this piece of energy as a quantum entanglement trap, designed to keep him in a quantum echo chamber between atoms.

Unfortunately, Bart tells Cassie that he’s not strong enough to hold the trap together and they need more people. Mickey destroys the trap with a simple kick, saying he never bothered taking away Bart’s powers because, despite what his friends say, he’s nothing. Mickey vows to break them all one by one, prompting Wonder Girl to order Red Tornado and Impulse to protect the immobile Cissie and Robin, while she looks for Superboy. Robin is now fused to a stone, or something, and covered with vines. Impulse advises Red Tornado to stay out of the line of fire since he’s human now, but he still insists on shielding Cissie from Mickey.

Superboy realizes that nobody can see him or hear him (even though we never saw him attempt to communicate with his friends), and his powers are also gone, too. Conner can only watch helplessly as Cassie attacks Mickey with her … heat vision?! When did she get that power?! Oh, and Cissie suddenly isn’t a statue anymore and starts shooting arrows at Mickey. Anyway, Conner remembers how small and helpless Cassie seemed when he first met her, but she quickly proved she didn’t need his help. In fact, Conner realizes, Cassie didn’t need any of them, but she chose them all the same. And now he feels like they let her down. I have no idea how or why they let her down, but that’s what Bart and Conner are feeling right now.

Mickey knocks Wonder Girl out of the sky, but Superboy actually catches her. He apologizes to her and promises to never hurt her again. And even though Superboy thought nobody could hear him, Cassie does hear him, but she still can’t see him. Conner tells Cassie she deserved a better first love than him, as Mickey transforms into a giant snake, causing Bart to yell out, “I hate snakes!” Cassie quotes Game of Thrones by saying you don’t get to choose who you love and for better or worse, Conner played a part in making her the woman she is today.

Cissie is suddenly a statue again, and she cries out for help when the ground starts shaking. Red Tornado helps her again and Impulse saves the plant-like Robin once more, complaining that he can’t leave him alone for one minute. Mickey then finally turns himself into a giant, gloating that Young Justice can’t win. Cassie says he doesn’t really believe that. Even though everyone else takes them for granted, Cassie says Mickey knows more than anyone what they’re capable of, which is why he split them up. She says that he wouldn’t be able to defeat them if they were together and had their powers. Mickey says he’s not afraid of these barely primitive beings, so Bart challenges him to bring them all back to full power. Mickey actually agrees, saying he’ll prove just how weak they really are. With a snap of his fingers, everyone is back to normal.

Bart cries out, “Young Justice, grab the symbol!” Suddenly, everyone is “holding” the quantum entanglement trap, which is now much larger and centered directly on Mickey. The imp says he destroyed the trap, but Bart simply says energy can’t be created or destroyed, even by someone like Mickey. Bart explains that once he knew he needed the strength of others, he hid the trap in the Speed Force and waited until Mickey was cocky enough to give everyone back their powers. Bart reasoned that Mickey may be too smart to say his name backward, but he can’t escape physics. The trap is an atom split in two, responding to itself like an echo chamber, which Bart felt was most appropriate for Mickey. Suddenly, the imp is … I don’t know … sucked into the split atom? Well, whatever happened, he’s gone now.

Conner asks if they basically sent Mickey to the Phantom Zone, and Bart says this trap is even more finite and infinitesimal. He starts to reference an article he read about string theory and splitting a laser beam, but Conner cuts him off, saying all he cares is that Mickey is trapped. Red Tornado says they should now hurry off to join the fight at the Hall of Justice and Bart triumphantly says, “Young Justice prevails!” But Tim realizes he hasn’t apologized to Cassie yet. He says he’s sorry for hooking up with her after Conner died, explaining that he didn’t understand what he was feeling at the time. Cassie says some things get clearer with age and they aren’t the same kids they were back then. Of course, she admits they probably weren’t ever really kids, but she vows to make sure the next generation doesn’t go through what they did. And with that, they rush off to allegedly join the big final battle of Dark Crisis.


This story technically is concluded in Dark Crisis #7, but I won’t be covering it. Young Justice only shows up in the background after all the fighting has finished and Superboy literally asks what they missed. Their lack of involvement in that massive event was even worse than what Mickey predicted. Not like this miniseries actually cared about Dark Crisis. Or the Brian Michael Bendis run. Or the Peter David run. Or general cohesion and logical sense.

I think I’ll start there. This story — especially this issue — was a disjointed mess. I have never seen artwork this disconnected from the story. The most glaring example of this was the page where Cassie was still a stone statue at the top of the page, but then was totally fine at the bottom and firing off arrows like normal. And then two pages later, she was a statue again. Did Laura Braga just not know what Meghan Fitzmartin was doing or what? Because apart from being lazy, rushed and uninspiring, this art made the story more difficult to understand. And there was so much to be confused by.

The most confusing thing of this issue was how Bart, Conner and Tim were all tripping over each other to apologize to Cassie. And I have no idea why. They dropped some empty words about treating her like a third wheel, but that never really happened. Bart said he was worried about having a girl crash their boys club, even though one of the very first things Young Justice did was rescue a girl named Secret. Did Fitzmartin merely glance at that early cover of Young Justice where the boys were hiding behind a “No girls allowed” sign and extrapolate a whole history of abuse and neglect slung at Wonder Girl. Meghan, if you’d actually read the issues, you’d know that cover was a joke! Cassie was never mistreated by the boys! They helped her gain confidence, find her voice and even become leader of the team!

And was it so bad that Tim hooked up with Cassie after Conner died? Tim didn’t force himself on her. She willingly and knowingly agreed to go out with him. And, by the way, Meghan, this was another topic that was thoroughly dealt with in past issues. We didn’t need to rehash all that drama or present a Superboy that had mysteriously forgotten all that. It’s almost like Fitzmartin was desperate to make a scathing commentary on the past but couldn’t find any strong examples to work with. So she manufactured some. All for this moment where the three boys would sorrowfully come to Cassie on their knees and she would bravely say the trauma she endured under their neglect has only made her stronger. If you ask me, she should at least apologize for acting like a jerk to them in the first issue and wishing they were dead. But that’s just me.

I really wish we would have spent more time exploring Mickey’s point of view. He’s a lot like Superboy-Prime, but more focused on this specific problem of DC unceremoniously dumping off certain characters and replacing them with hot, new, shiny ones. I think it’s a perfectly valid complaint that deserved more room to discuss. Obviously, Mickey’s homophobic and misogynistic views are what prevents him from being a fully sympathetic character. But we could have had a real fun time talking about the power of nostalgia and the dangers of indulging too much in it. Instead, we engaged in repetitive arguments and apologies fueled by revisionist history.

Now let’s talk about Bart. I like how he was the most serious and most clever hero in this miniseries. And he even got to sort of act like the leader of the team. All that is great stuff. In fact, it feels long overdue. But did Fitzmartin accidentally make him too powerful? The new abilities he displayed in this miniseries rival the overpowered time-traveling scouts he had back in the day. Bart now has the ability to locate specific individuals based on their unique “vibrations” and send messages to them, even if they’re in another dimension. He can also casually freeze time for at least one other person with him, and he can create impossible-to-explain “quantum traps.” And yes, that didn’t make at all. And it made even less sense when Bart’s non-speedster friends were also able to hold that trap and add power to it. I guess Fitzmartin just REALLY wanted to banish that internet troll to an echo chamber, no matter what.

Well, I should probably stop ranting now. No sense in beating a dead horse. As much as I hated this miniseries, I actually hope DC will quickly build off this. Revive the Young Justice series. Make Impulse the leader. Answer some basic continuity questions. And keep this creative team far away from it. No offense, Fitzmartin and Braga. I’m sure you’re perfectly lovely people. But I don’t want you working on my favorite characters anymore.

And so that wraps up the turbulent year of 2022. Next time will be the Year in Review before heading into 2023 and Jeremy Adams’ One-Minute War.

Friday, March 3, 2023

Young Justice: Targets #6


Yesterday’s Children: Memory Six

Writer: Greg Weisman
Artist: Christopher Jones
Colorist: Jason Wright
Letterer: Wes Abbott
Editor: Ben Meares

Our cover by Christopher Jones and Jason Wright is once again extraordinarily bland. Heroes posing like action figures in front of a void of shiny lights. Comics like this don’t have to be so boring and generic. They really could have done something deep and interesting and artistically engaging with this series. But they took the easy route and this is why we can’t have nice things.

The main story wraps up as predictably as one would expect, with absolutely no help from Kid Flash. You can barely see him as a tiny whirlwind fighting Lex-bots in one panel. I almost would have skipped reviewing this issue entirely if it weren’t for the backup story, which includes a flashback to Wally West’s funeral.


We can see Bart in the front row, far left. He’s next to a very pregnant Iris, accompanied by Barry and the Garricks. Bart doesn’t do or say anything here, but I appreciated seeing this moment that the show neglected. I also like how nobody’s wearing their superhero costumes. I always think that’s a bit tacky at funerals.

So that wraps up my very brief coverage of the extremely underwhelming Young Justice: Targets miniseries. Next time, I’ll conclude the much more complicated Dark Crisis: Young Justice.