Thursday, July 22, 2021

The Flash – “P.O.W.”



Director: Marcus Stokes
Writers: Kristen Kim and Dan Fisk

Don’t worry, that’s not a picture of the new live-action Impulse. It’s longtime Green Arrow sidekick John Diggle, who’s been making the rounds of all the Arrowverse shows to promote what may be an upcoming Green Lantern series. Maybe. I don’t know and don’t really care. The fact of the matter is Diggle basically accomplishes nothing in this episode, randomly arriving at the beginning and leaving in an even more abrupt manner in the end.

Of course, I’m getting a bit ahead of myself. This year has been a hard one for Bart Allen. In January, an alternate version of Bart was presented and killed in the first few pages of a Future State issue. In March and April, the regular Flash comic series had Wally West possess Bart’s body — but we didn’t actually see Bart do anything. In May, Bart made very minor cameos in Suicide Squad and Teen Titans Academy — cameos so inconsequential, I decided to not officially review them. And that brings us to July, when we finally got another appearance of a version of Bart Allen. And this is a pretty big one.

The Flash debuted on The CW in 2014, spinning out of the grim, gritty Arrow. After years of Smallville and Arrow embarrassedly burying anything that felt too much like a superhero, The Flash was a breath of fresh air. The first two seasons were engaging, entertaining and exciting. But repetition hampered Season 3, as the show slowly, but surely, morphed into little more than a soap opera in colorful costumes. That’s when I bowed out. To come back now three years later, I’m a little sad to see so many of the same actors stuck in the same rut. Squeeze into an ill-fitting, ugly costume. Stand perfectly still and apart from everybody on your marks. Spout out a few nonsensical lines of dialogue. And, when called upon, pretend to cry real hard. Wash. Rinse. Repeat. Hey, I guess it’s a paycheck. Is there an audience for this drivel? Apparently yes. Albeit a rapidly dwindling one.

Anyway, our episode begins with Barry Allen having a troubling dream about his daughter, Nora. In the comics, Barry and Iris had twins — a boy and a girl named Don and Dawn. But on this show, they had a daughter who was born with super speed and became the hero XS (instead of Barry’s granddaughter, Jenni Ognats, from the comics). Nora has previously shown up in a few time-traveling adventures, so Barry isn’t surprised to see her. But he is disturbed by her message of the future changing and the way she dramatically fades away to nothing.

Barry wakes up to a long, confusing and boring “war” between a seemingly infinite number of Godspeed clones. As I previously stated, John Diggle shows up to help, but ultimately accomplishes nothing before he abruptly leaves for mysterious reasons. And there are bunch of pointless side plots that only serve to stall for time, since the budget demands all the real action not occur until the two-part season finale beginning next episode. The only part of this episode that we actually care about comes at the very end. Nora suddenly shows up in Barry’s lab and awkwardly introduces her little brother, Bart, who arrives just about 30 seconds after her. He calls Barry “Pops” and proclaims the lab “crash” as credits role. 

Played by Jordan Fisher, this version of Bart wears a costume very similar to the original Impulse outfit, although with gold lightning trim and silver instead of white. Instead of the long, flowing hair of the comics, this Bart has lightning bolts shaved into the side of his head underneath a curly top. He has also painted his fingernails silver — a rather distracting choice. After Kyle Gallner in Smallville, Fisher is just the second actor to portray Bart in a live-action show. His appearance in this episode is far too brief to give a fair review. But I will say his costume is unflattering. It makes Fisher look fat, which is unfortunate because he’s not, having come from a dancing/singing background. I’ll also question the use of the word “crash.” Impulse used that word in the animated Young Justice because he grew up in a world controlled by the Reach and he was obsessed with literally crashing their mode. It wasn’t just a random word that sounded fun.

Those are my only nitpicks for now. Don’t worry, I’ll have a lot more complaints when I review the next two episodes. For now, I’ll just say that I am glad that Bart has finally shown up on this show. I’m just sad that it’s now a pale imitation of what it once was. There never was a chance for this Bart Allen to be as lovable as the Bart from the comics.

Next time, we begin the two-part season finale of The Flash.

Monday, July 19, 2021

The Flash #769


Blink of An Eye Chapter Two

Jeremy Adams Writer
David Lafuente & Brandon Peterson Artists
Mike Atiyeh & Luis Guerrero Colorists
Steve Wands Letterer
Brandon Peterson & Mike Atiyeh Cover
Zi Xu Variant Cover
Bixie Mathieu Assistant Editor
Mike Cotton Editor
Jamie S. Rich Group Editor

Our cover shows Wally West and Gold Beetle running away from a giant Dominator in the future. This is a mostly accurate representation of the story, with the exception being Wally possessing Bart Allen’s body. Oddly, even though the outside world sees Impulse like normal, Wally (and the reader) sees himself as regular adult Wally West just dressed like Impulse. Anyway, the cover is fine, nothing too catchy. Sadly, the real Impulse is nowhere to be seen on this or the variant cover.

Our story picks up with Barry Allen, Mr. Terrific and Green Arrow adjusting their equipment to continue communicating with Wally. Strangely, Barry regained a portion of his super speed when the raptor exploded and blasted Wally’s consciousness to the future. And when we catch up with Wally, we see that he (or rather Bart) is wearing a power-dampening collar (which he was not wearing last issue).

Gold Beetle has to push Wally off a building to save them from the giant Dominator. Still believing she’s talking to Bart, Gold blames him for growing that alien to the size of “Gorkong.” Wally is confused by all this, but especially the fact that his powers aren’t working. Gold drops a line about the collar having an anti-cloak field, which would explain why we didn’t see it last issue, but doesn’t explain why we did see it on the previous page. Anyway, our heroes land in Gold Beetle’s ship, which is uselessly smaller on the inside.

Gold Beetle blames Bart for messing up the time stream continuum in an attempt to get revenge against the Dominator who killed his dad. Barry begins speaking with Wally again, and Gold Beetle surprisingly can also hear Barry, thanks to her headnet from the 853rd century. Gold is thrilled once she realizes she’s talking to Wally, someone she’s had lots of adventures with in her past. But for Wally, this is the first time they’re meeting. Gold references one of their previous missions and even calls him Captain, which confuses Wally, who was planning to retire before this whole mess began. Gold laughs at the idea of Wally retiring, saying he still has five more crises to live through.

Gold Beetle then asks an interesting question: Where is Bart? However, Gold’s robot, Beets, quickly dismisses this intriguing idea by saying Bart’s “conscious self was probably sublimated” … whatever that means. Barry then tells Gold they believe the Speed Force is hurt and is using Wally to try to heal itself. So Gold has Beets pull up video footage of the recent chronal  disturbance caused by Bart during his encounter with the Dominator.

The video shows a big blast of light suddenly erupt from Bart’s chest. Barry, who can somehow see what Wally sees, identifies this as Speed Force energy. Wally hypothesizes the energy is looking for conduits at their weakest point, like a leak in a fuel line causing pressure to drop. Barry agrees with this theory, saying it feels like the Speed Force is now regaining equilibrium. The video continues to show the energy from Bart blasting the Dominator into the wall and then causing him to rapidly grow to the size of giant.

Mr. Terrific suggests the Speed Force may affect various physiologies differently in an attempt to account for the dinosaur gaining super speed, but the Dominator increasing in size. Barry and Wally don’t disagree with that assessment, but right now they’re more worried about the Dominator exploding like the raptor did. The two Flashes begin to form a plan to siphon energy off the giant alien, and Wally asks Barry if he still has the device Inertia used on him (I have no idea what he’s referencing). Wally has Barry put the device in a time capsule, so he’ll be able to grab it in the future. As Wally and Gold head to the Flash Museum, she asks if his son Jai is still single. Wally says Jai is only 8, but Gold says he’s older when she first meets him.

For absolutely no reason, Green Arrow and Mr. Terrific join Barry in visiting the Flash Museum in civilian clothes. They discuss at length the operating costs of the museum and its gift shop, but Barry doesn’t say a word about the device that Inertia supposedly used against him. Luckily, the device is no larger than a pen, and Barry is able to discreetly place it in the time capsule, which turns out to be a bust of Jay Garrick.

In the future, Wally prepares to break into the Flash Museum, but Gold Beetle warns him that the museum’s security defenses are specifically targeted to stop speedsters — mostly Bart — and Rogues. Wally asks how they should break in then, and Gold responds by saying they do exactly Bart has done a dozen times — be impulsive. She crashes through the museum’s roof, which summons an army of Flash robots. Wally quickly snags the bust and Gold takes care of the robots with a flare of bright light that blinds the bots long enough to cover their escape. Gold calls the security droids terrible and says she now understands why the museum gets ransacked every couple of decades.

Barry tells Wally to not turn on the device until he’s placed it on the target, but he still fails to provide anymore information on it. When Gold asks Wally how they’re going to accomplish this, he suggests they continue acting impulsive like Bart. Barry then hypothesizes that once Wally shuts off this Speed Force leak, he’ll be pulled to another conduit that’s been weakened. In other words, as Wally says, he’s going to keep bouncing around from speedster to speedster until he stops all the surges. As for what happens after that, nobody knows. Barry is worried that Wally won’t have a body, and Mr. Terrific offers to build one for him, but Wally strongly disagrees with the idea of being an android.

In the meantime, Wally and Gold reach the giant Dominator, and in her quest to be impulsive, Gold slams her ship into the back of the alien’s head. Wally jumps out of the ship, runs up the Dominator’s arm, and jokes about the alien’s breath being so bad that it dominates everything. He continues to joke, pretending to be a baseball player, as he tosses the device into the Dominator’s mouth. Wally jumps back onto the ship as the alien rapidly shrinks back down to normal size. Barry tells Wally to be prepared to be pulled back into the Speed Force stream and he asks Gold Beetle to retrieve and dispose of the device the Dominator swallowed. Gold tells Barry she’ll do that, but she has a sarcastic smirk on her face that suggests she won’t.

Gold Beetle then wraps Wally up in a big hug to give her final goodbyes to her Captain. She asks him not to attack her the first time they meet, and Wally whispers something in her ear like Bill Murray and Scarlett Johansson in Lost in Translation. Then Wally is gone, replaced by Bart, who is quite confused to have Gold Beetle so lovingly hugging him. Bart says he promised to not “break time again,” but Gold ignores him and continues to have her moment, as Wally is sent back to World War II.


Well, that was certainly something. Wally West got to have a mildly fun adventure in the future dressed as Impulse. But the real Bart was virtually nonexistent during the whole story. We learned that Bart is in the future, battling Dominators with Gold Beetle. But that’s it. We don’t know why or when he decided to abandon Young Justice and Max Mercury and everybody he knows and loves. I’m not opposed to having Impulse in the future — I just want to actually see him there doing things. Having Wally choosing to act impulsively in Bart’s honor isn’t enough for me.

The art was very difficult for me. Everything has a rubbery, computerized feel to it. But that complaint is quite minor compared to the sheer convenience of everything in this story. Wally’s lost in the future, but a competent ally with a capable form of transportation immediately shows up. He has no difficulties communicating with Barry in the past, and every single one of their guesses about this mystery proves correct on the first try. Wally has a power-dampening collar that is promptly removed without any difficulty. There’s a giant alien lurking around that fails to threaten anything and is instantly defeated with a mysterious device that we’ve never heard of before. (Seriously, Inertia has never utilized any device against Barry Allen. The closest I can think of is the machine he had the Rogues build to take down adult Bart. But that was completely different.) 

There were no stakes in this story, but there were grave consequences for our buddy Bart Allen. He is now essentially trapped in no man’s land — too far removed from anything for anyone to use him in another comic. Adams seems to have no desire to do anything with Bart, other than a convenient way to show off his original character, Gold Beetle. Until somebody does something drastic like bring back Young Justice or actually tell a story with the full Flash family, I don’t think we’re going to see Impulse in the comics again. So, in the meantime, let’s drown our sorrows in the new house ads:

Uncover the darkest corners of Gotham alongside its legendary protector! Legends of the Dark Knight.

Batman vs. Snake Eyes! Zeropoint.

DC Nation spotlight on Robin #1. Interview with Joshua Williamson and Gleb Melnikov.

Next time … well, technically, Bart did make minor cameos in Suicide Squad and Teen Titans Academy … but those were just pictures of him on a TV screen or whatever. I could review those issues, but, frankly, I wouldn’t have anything to say about them. So, I’ll just skip ahead to the debut of Bart Allen on the live-action Flash show!

Thursday, July 15, 2021

The Flash #768


 Blink of An Eye Chapter One

Jeremy Adams Writer
Brandon Peterson, Marco Santucci, David Lafuente Artists
Mike Atiyeh, Arif Prianto, Luis Guerrero Colorists
Steve Wands Letterer
Peterson & Atiyeh Cover
Ian MacDonald Variant Cover
Nixie Mathieu Assistant Editor
Mike Cotton Editor
Jamie S. Rich Group Editor
Superman created by Jerry Siegel & Joe Shuster.
By special arrangement with the Jerry Siegel family.

Our cover is a very busy, perplexing, almost horrifying image of Wally, Jay, Bart and some random caveman screaming in terror. Behind them are glimpses of the prehistoric age, World War II and the future. It’s not a bad cover, but not an enjoyable one. And, strictly speaking, the elements with Jay here don’t play out for a couple of issues. I guess they were planning ahead to the collected trade with this cover. Also, we are now officially in the “Infinite Frontier” world, which, as far as I can tell, doesn’t seem to have changed anything.

Our story begins with Wally West giving Barry Allen a rather unusual request: to take away his super speed. Wally is exhausted from all the trauma he’s had to endure over the past few years and is ready to retire. But he knows if he still has his powers, he’ll never fully quit. Barry is initially hesitant, but Green Arrow talks him into granting Wally’s wishes.

The two Flashes begin to race around the world so Barry can do to Wally what he had previously done to Eobard Thawne. But when it comes time to separate Wally from the Speed Force, something odd happens. Wally disappears in a big explosion, and Barry wakes up powerless in France. And off panel, Wallace, Max and Jay all report losing their speed, too.

With the help of Mr. Terrific and Green Arrow, Barry is able to communicate with Wally, who has somehow traveled back in time millions of years and is now inhabiting the body of a caveman. And to complicate things, he seems to have somehow inadvertently “infected” a nearby raptor with super speed, launching him on a high-speed chase over volcanoes and through jungles, all while he and Barry try to unravel this mystery. Their best theory so far is that the Speed Force is somehow damaged and it decided to pull Wally back into itself to heal. And the random caveman just happened to be susceptible to super speed.

This doesn’t explain the raptor, which suddenly begins to shake and erupt in a huge explosion of lightning. Wally tries to outrace the blast, but he’s eventually engulfed in the light. When he comes to, he finds himself in the future and in the body of our lovable Bart Allen.


Oddly, Wally still sees himself as Wally (just dressed as Impulse), while his reflection shows the normal 14-year-old Bart, which may have inspired Wally’s joke about Bart’s costume being so snug. Barry urges Wally to find a time-travel device, but before he can, he’s joined by Gold Beetle — a girl inspired by Booster Gold and the Blue Beetle. She urges Impulse to run, as a gigantic Dominator alien looms over them.




This is our first Flash issue after the departure of Joshua Williamson, and I have to admit I’m rather intrigued. Williamson had sought to redeem Wally by insisting he had been manipulated by an outside force (the Reverse-Flash). Scott Lobdell tried to redeem Wally by making him the most powerful being in the universe (via the Mobius Chair). Jeremy Adams, so far, seems to want to redeem Wally by sending him on a journey through time that will show him just how important he is to the Speed Force. And this approach is by far my favorite. I’m not a fan of the art in this issue, but the story does show promise.

However, I do have to ask why Impulse is in the future. His appearance there was so jarring, I was convinced that I must have missed an issue that sent him there. But I didn’t. Adams wanted to send Wally to the future and instead of using John Fox or XS (a bold choice) or any of the other countless futuristic speedsters we’ve met, he chose Bart. Now, Williamson had hinted at the possibility of Bart being sent back to the future during the big confrontation against the Reverse-Flash. And that could have been a really cool sacrifice. But that didn’t happen. And Bart stayed around to have a celebratory barbecue and even participate in the big Death Metal fight (sort of).

The really sad thing here is that since Adams has unceremoniously stashed Bart away in the future, that means nobody will touch him. Young Justice has been canceled. The Legion of Super-Heroes can’t save him. And Adams has refused to use Bart beyond this issue and the next. If it wasn’t for the CW Flash show, I’d have absolutely no Impulse content to look forward to in 2021. In the meantime, let’s look at the house ads:

The Dark Knight must face Fortnite’s greatest heroes in a battle to solve reality’s most dangerous mystery. Zero point.

Robin #1. The kid gloves are off! Written by Joshua Williamson. Art by Gleb Melnikov.

DC Nation spotlight on Green Lantern #1.

Next time, we’ll wrap up Bart’s involvement with this story in The Flash #769.

Wednesday, July 14, 2021

Future State: The Flash #1


Death Race Part One

Brandon Vietti Writer
Dale Eaglesham Artist
Mike Atiyeh Colors
Steve Wands Lettering
Brandon Peterson Cover
Kaare Andrews Variant Cover
Nicola Scott & Annette Kwok Wonder Woman 1984 Variant Cover
Marquis Draper Assistant Editor
Mike Cotton Editor
Alex R. Carr Group Editor

Our cover is a bleak, dark, grotesque image of an evil Wally West killing Barry Allen, Max Mercury, Jay Garrick and Avery Ho. It’s an unnecessarily grim reminder that DC has had no clue what to do with Wally for the past 15 years. Fortunately, Bart was spared this carnage, but we’ll soon find out why. I will say one good thing about this cover, though. I absolutely love the design for The Flash logo with the lightning bolt in the A. The Flash has never had a good letterhead logo and I’m thrilled they’re moving forward with this one.

Future State was a series of short Elseworlds stories that were apparently “shaken loose” by the Death Metal event. Sure. Whatever they want to say. In any case, this story on an alternate world begins with Barry, Max, Jay and Avery ambushing the Checkmate Headquarters in the Swiss Alps. But these speedsters have all lost their super speed and are instead relying on weapons stolen from the Rogues. Their target is the Thinker’s old thinking cap, which is currently being used by the Calculator.

Our heroes fall prey to the Calculator’s powerful psychic attack, and they probably would have all been killed had Impulse not arrived in the nick of time, utilizing the Rainbow Raider’s old tech. Bart snatches the thinking cap off the Calculator and mocks him for talking too much … while he himself launches into an unending monologue on the brilliance of Barry’s plan. Bart talks and talks, ending with “I can’t believe I’m finally holding the ticket to saving Wally.”

As you can suspect, Bart’s incessant talking — at normal speed, mind you — comes back to bite him. Hard. The Calculator pulls out a literal calculator that fires a laser at Bart’s back. Barry and Max saw this attacking coming, and Max did zap the Calculator with Weather Wizard’s old wand, but he was too slow. And thus ends the life of the Future State Bart Allen.


Barry then gets to work replicating the thinking cap in an effort to save the recently corrupted Wally West, who not only stole the speed from the rest of the Flash family, but also killed Wallace. And … that’s all I care about, since none of the rest of the story involves Bart.




Bart Allen has had his fair share of deaths. But this one, by far, is the lamest death he has ever suffered. Killed by a calculator. I guess that’s a slight upgrade to Wallace’s ambiguous off-panel death. This whole story really felt like Brandon Vietti merely trying to trim the fat off the bloated Flash family. I’m a little sad that Bart was eliminated so quickly and unceremoniously, but on the other hand, I’m glad he didn’t have to suffer any longer than necessary in this exhausting retread of Wally accidentally becoming a mass murderer again. But I am actually sad we didn’t see more of the Flash family using the Rogues’ weapons. That is actually an interesting idea. Well, let’s wrap this up with the house ads:

DC Future State: Justice League. To save the world, they must defeat … themselves!
Green Lantern. Graveyard of the Green Lanterns revealed!
Aquaman. No ocean can hold them!

DC Future State: Wonder Woman. Wonder Woman versus the King of the Underworld!
Immortal Wonder Woman. Only Wonder Woman can stop complete cosmic destruction!
Superman/Wonder Woman. Meet the new world’s finest!

DC Nation interview with John Ridley, writer on Future State: The Next Batman.

Next time, Impulse will return to The Flash in issue #768, but in a rather unusual way.

Tuesday, July 13, 2021

Year in Review: 2020


 I normally start these posts with a quick recap of the year in film, but 2020 really threw things for a loop. After the massive explosion of cinematic and superhero entertainment of 2019, the coronavirus pandemic slammed everything to a grinding halt the following year. Most movies were delayed for a whole year. Some were pushed directly to streaming services like Disney Plus or HBO Max. Theaters kept fluctuating between being closed or open at limited capacity. So, technically speaking, the highest grossing film of the year was the Japanese anime Demon Slayer. But does that really count? Nomadland won the Academy Award for Best Picture, but again, was that a fair competition?

There were three new superhero films in 2020. Marvel’s disastrous New Mutants was very quietly released after being stuck in development hell for years. DC’s Birds of Prey failed to garner much attention and Wonder Woman 1984 opted for an HBO Max release. That was the only of the three that had the potential to be a major blockbuster, and only the executives at Warner Brothers can determine if they made the financially prudent decision. I, for one, was happy to enjoy that movie from the comfort of my own home.

Of course, I’ve been burying the lead here. In 2020, I became a father! My wife gave birth to our son on March 20, just as all the shutdowns began (the hospital literally changed their rules for visitors while we were there). So, in light of all the challenges brought on by the pandemic, one silver lining was my ability to work from home and spend more time with my baby.

And luckily for us, the pandemic had a rather minimal effect on comic books. Apart from a brief hiatus at the beginning, DC continued to publish at a regular pace. And it was especially good for Impulse, since he became a regular in The Flash, as well as Young Justice. Granted, Young Justice took a major nosedive in 2020, ultimately leading to its cancellation in November, but that’s beside the point.

Best Story: The Flash #759

Brian Michael Bendis effectively held Impulse hostage for a full year, culminating in an empty, disappointing issue that focused entirely on Bart, but didn’t answer any questions or advance the plot in any way. Joshua Williamson finally reclaimed Bart and made the right decision in mostly ignoring whatever it was Bendis was trying, but failing to do. The Flash #759 unfortunately had a really stupid cover and not my favorite interior art, either, but the story was the best Impulse story we’ve had in years. I think the last time I was this excited was the debut of Bart in the Young Justice show way back in 2012. Williamson confirmed that Bart remembered being killed as the Flash, gave him an epic fight scene against the Reverse-Flash, and capped it all off with an emotional reunion with Grandma Iris. I couldn’t have asked for more in a single issue.

Best Writer: Joshua Williamson 

Williamson ended his Flash run on an unfortunately sour note by showing that the Reverse-Flash was single-handedly behind every mistake, argument and bad thing that ever happened to anyone in the Flash family. But everything up until that point was pretty good. And Bart’s explosive entrance into the story was more than enough for Williamson to earn this award for the third time. And, frankly, Bendis didn’t put up much of a competition. He got caught in the same pitfall of the Lost TV show, where the only thing he could do was allude to more mysteries and questions, but never answer them, trapped treading water until the series was mercifully taken from him.

Best Artist: John Timms

I was heartbroken when Patrick Gleason left Young Justice. Timms was nowhere near as brilliant, but a very serviceable replacement. Eventually, Timms left, too, and Scott Godlewski proved to be a serviceable replacement of Timms. But still, not quite as good, not nearly as dynamic as what we used to have. (Honestly, it mostly comes down to Timms drawing better Impulse hair than Godlewski.) The Flash books had a slew of artists, but none of them really got it done for me.

Best Supporting Character: Superboy

This is only the third time Superboy has won this award, as he’s almost always been the runner-up. But this year, he stood out head and shoulders above the rest. Part of that is due to Williamson’s failure to do anything meaningful with Impulse after that memorable entrance in issue #759. But part of it is also a credit to Bendis. (I know! I actually said something good about him!) As disappointing as Young Justice #16 was, I did appreciate how it showed that Superboy was hands-down Bart’s best friend on the team. Conner was the one Bart cared about the most and trusted the most. And more than anyone else in Bart’s life — including the Flash family — Conner had the ability to truly empathize with him. He’s the only one who has also experienced the trauma-inducing confusion of repeated deaths, rebirths and being stranded outside of his original reality.

Best Villain: Reverse-Flash

This is the first award for Eobard Thawne, although we have had other members of the Thawne family earn this honor — President Thaddeus Thawne and Inertia (who did reappear in 2020, but didn’t do anything). It’s true, I will never forgive the decision to blame Eobard on everything bad that ever happened to anyone in the Flash family (including keeping Bart away for a year). But I will credit him with orchestrating a large enough threat to warrant the inclusion of all our favorite speedsters. Taking over Barry Allen’s body and corrupting the Tornado Twins is a pretty big deal. Bart had to rescue both his father and his grandfather. And nothing remotely similar can be said about any of the “threats” from Young Justice. Seriously, Bendis, S.T.A.R. Labs is not evil!

Next time, we’ll begin 2021, which is odd because it’s currently July 2021 and I don’t know what the rest of the year holds. Sadly, I do know there are very few comic appearances, as the cancellation of Young Justice and the departure of Williamson has left DC without any creators who want to touch Impulse. But we will see a long overdue live-action version of Bart on the CW’s Flash. And the delayed fourth season of Young Justice is rumored to debut in October. It’s going to be strange catching up to real time on this blog. It all begins with Future State: The Flash #1.

Thursday, July 8, 2021

Dark Nights: Death Metal The Last 52: War of the Multiverses #1


Fight!

Joshua Williamson & Scott Snyder Writers
Dexter Soy pgs. 1-10 & Scott Koblish pgs. 75-80 Artists
Veronica Gandini Colorist
Tom Napolitano Letterer

Our cover by Dan Mora is a perfect reflection of the incomprehensible insanity of this story. Snyder just threw hundreds of characters into the pot to fight against hundreds more of corrupted versions of themselves. And they just fight and fight and fight. Not one bit of it makes any sense. And very little of this story — if you can even call it a story — appeals to me. Mainly because Impulse has not been involved at all. And this cover is a good reminder of that. Barry, Wally and Jay are present. But no Bart.

Bart does make a brief cameo in the main story of this issue, which focuses on Wonder Woman’s battle against The Batman Who Laughs. We briefly see Bart standing with Arrowette, who brags about bringing a lot of arrows to take down the approaching horde of evil Robins. But I think this glimpse of Impulse was a mistake, because we later see him make a “dramatic” entrance with the other speedsters who stayed behind in the Speed Force back in Speed Metal.


And that’s it. The long promised arrival of reinforcement speedsters was woefully underwhelming. And also besieged by editorial mistakes. Jay addresses Jesse, who wasn’t even speaking, and then specifically calls out Max and Avery, but not Bart. This is a level of sloppiness that is far beneath Joshua Williamson’s standards. In fact, if it weren’t for yet another diatribe about how awful Heroes in Crisis was, I’d suspect Williamson wasn’t involved at all. (Wally had to briefly confront an evil version of himself who was filled with bloodlust after killing all those people at the Sanctuary.)

I’m not mad at this story. Just disappointed. An army of speedsters is potentially the most powerful thing in the universe. But here, they were presented as nothing stronger than a couple of people with a bow and arrow. It’s a common problem with stories like this and try to involve everybody. The endless battle invariably reduces all characters to identical clones of each other who just fight and fight and fight, never doing anything unique or interesting.

The good news is we are now officially done with Dark Nights: Obnoxious Title. So let’s wrap up this post (and the year 2020) with some house ads:

DC Future State: The Next Batman. Hunted by the magistrate!
Dark Detective. The original Batman meets the next Batman!
Batman/Superman: The Dark Knight must save the Man of Steel from a powered-up Professor Pyg!

DC Future State: Superman: House of El. Being super runs in the family!
Superman of Metropolis. If these Kryptonians clash, nothing can save the city!
Superman: Worlds of War. It’s the main event: Superman versus Mongul!
Superman vs. Imperious Lex. Superman and Lois against the universe! Could the last days of Lexor be here already?!
Kara Zor-El: Superwoman. The Fortress of Solitude under siege!

Next time, we’ll hand out the awards for 2020, before jumping into Future State: The Flash #1.