Showing posts with label Smallville. Show all posts
Showing posts with label Smallville. Show all posts

Monday, October 7, 2019

Smallville: Season Eleven #53


Argo Part 9 of 9

Writer Bryan Q. Miller
Artist Daniel HDR
Colorist Rex Lokus
Letterer Saida Temofonte
Cover Artist Cat Staggs
Assistant Editor Jessica Chen
Editor Kristy Quinn
Special thanks to Rodjer Goulart
Superman created by Jerry Siegel and Joe Shuster
Supergirl based on characters created by Jerry Siegel and Joe Shuster
By special arrangement with the Jerry Siegel family

Our cover shows Supergirl fighting Superman, which is the typical response when two heroes meet in this day and age. It's a perfectly fine cover, nothing too intriguing. And by the time we get to this story, Superman and Supergirl have stopped fighting and teamed up, because, you know, they're heroes.

We come in at the end of a futuristic epic, involving Booster Gold, the Legion of Super-Heroes and Doomsday. Once the day is saved, Superman helps a mother reign in her son, who's getting a bit too reckless with his jetpack.


Turns out that little boy's name is Bartholomew Allen. As the family flies away, Superman allows a tear to fall down his cheek in memory of his fallen friend.




And that's it. Just one sweet little scene, confirming that Bart Allen was born in the future, but not born with super speed. There are still, and have always been a hundred unanswered questions about this version of Bart. But this was a nice way to wrap up his story.

Next time, we return to Teen Titans #22.

Saturday, September 21, 2019

Smallville: Season Eleven #39


Haunted Part Eleven

Writer Bryan Q. Miller
Artist Jorge Jimenez
Colorist Carrie Strachan
Letterer Saida Temofonte
Cover Artist Cat Staggs
Assistant Editor Sarah Gaydos
Editor Kristy Quinn
Superman created by Jerry Siegel and Joe Shuster

Our story opens with Impulse confronting the Black Flash, who is standing over a staggered Superman. The Black Flash notes that Bart's speed is pure, prompting Bart to joke that he should "accept no substitutes." Bart then runs right past the monster, saying "BRB," and scoops up Clark. But he's not just running Superman to safety, he tells "Stretch" that he needs his speed, too.

When Bart drops Clark off in the desert, Superman tells him this is not the time to be a hero. But Bart says he knows how to stop this, saying a "few little birdies" told him how, implying that he did actually talk to those figures in the Speed Force. Bart refuses to elaborate on this comment, though, so Superman says he won't let him face this alone. Earlier in this story, Bart had complained about always being alone, but his recent experience with the Speed Force has changed his perspective, and he now tells Clark that he never really has been alone.

Bart takes off, saying he'll be back in a flash. Clark chases after him, remembering the conclusion of their first encounter. Bart asked Clark to come with him to find other heroes, but Clark wanted Bart to stay in Smallville with him. So Bart challenged Clark to a race, promising to stay if Clark could catch him. Clark couldn't keep up then, and he can't keep up now. He begs Bart to slow down, but Bart says, "Not this time, amigo," as tears run down his face. Bart then runs right up to the Black Flash and offers to give him all the speed, before smugly saying, "Smell ya later."


There's a huge crash of lightning, creating a large explosion that sends Superman flying back through the air. When the smoke clears, all Clark can find is a large crater in the ground, shaped like the Flash symbol.

Later, Superman puts Impulse's old red hoodie on display in the JSA Brownstone. Jay Garrick is there, too, saying he should have done what Bart did a long time ago. Clark tells him not to blame himself, and they talk briefly about the nature of heroism and sacrifice. When Emil Hamilton shows up to tell Clark that Bart somehow cured his vague radiation problem, Jay leaves, casting a regretful glance at his old helmet.




So six days after Wally West sacrificed himself on Young Justice, Bart Allen sacrifices himself in Smallville. So how's that for symmetry? In the space of one week, we end the stories of two of our alternate versions of Bart (well, technically Young Justice only went on a six-year hiatus, but you get the idea). This Bart's demise certainly was bold and heroic, but it didn't really feel like a death scene. It was so ambiguous that I have to suppose that Bryan Q. Miller had plans to bring Bart back and explore some of the Flash mythos he hinted at. But he never did, and he had quite a few issues of Smallville after this.

I did like this issue, even though I had no idea what happened. Are we to assume that Barry, Wally and others from the Speed Force told Bart that the only way to stop the Black Flash was to gather all the speed across the world and then sacrifice himself? Did he take the Black Flash into the Speed Force or just vaporize him? We'll never know. But we did get to enjoy some touching flashbacks — even if Carrie Strachan suddenly decided to make Bart blond in all those scenes (I had just assumed he bleached his hair for Season Eleven).

So goodbye, Smallville Bart. I was just beginning to like you. And sadly, your premature departure means we're now left with only the New 52 Bart, who we'll next see in Teen Titans #18.

Wednesday, September 18, 2019

Smallville: Season Eleven #38


Haunted Part Ten

Writer Bryan Q. Miller
Artist Jorge Jimenez
Colorist Carrie Strachan
Letterer Saida Temofonte
Cover Artist Cat Staggs
Assistant Editor Sarah Gaydos
Editor Kristy Quinn
Superman created by Jerry Siegel and Joe Shuster

Our cover shows Superman in his speed outfit, which is reminiscent of the electric blue Superman circa 1997. Superman is surrounded by lightning, crying out in pain, and kneeling on the ground, which has fractured in the shape of the Flash symbol. It's a pretty cool cover — probably my favorite of this series so far.

In the Watchtower, Chloe tracks Impulse's location, which oddly is essentially everywhere. That's because Bart has decided to finally let loose and run faster than he's ever run before. Naturally, this intense burst is taking him all around the world — Egypt, London, Rome, etc. But there is a method to his madness. Bart is actually collecting speed from every outbreak. We see him absorb the energy from the speed storms in France and India, all while pushing himself to go even faster. As his eyes begin to glow yellow, something odd happens. Three figures — two male, one female — call out to Bart, saying they need to talk.


It's unclear whether Bart talks with these figures. In any case, he eventually makes his way down to Las Vegas, where Superman is losing his fight with the Black Flash. Impulse arrives on the scene with lightning crackling from his eyes, promising to give the monster speed.




This was a pretty cool issue. We finally got to see this version of Impulse get serious and go all out with his powers. And Jimenez really had a fun time drawing these running scenes, flirting with his more kinetic, cartoony style I enjoyed so much in the New 52 books. But he didn't quite stray from the style he has going on this series, and was able to make Bart look quite intimidating and powerful on the last page.

So, the buildup to the fight was great, but once again I feel like this series is just teasing me. We saw three figures in the Speed Force. Barry, Wally and ... Jesse Quick? XS? Who knows? I don't. And I don't think I'll ever find out, as much as I'd like to. It's incredibly frustrating to be this close to unlocking the secrets of the Smallville Flash family, but unable to do more than scratch the surface. I actually think it'd be better not to have these references to Barry, Wally and Max if there never was any intention of showing them.

And speaking of Bart, Wally and Barry, next time, we'll see them all in action once more in the final episode of Young Justice: Invasion.

Monday, September 9, 2019

Smallville: Season Eleven #35


Haunted Part Nine

Writer Bryan Q. Miller
Art Jorge Jimenez
Colors Carrie Strachan
Lettering Saida Temofonte
Cover Art Cat Staggs
Assistant Editor Sarah Gaydos
Editor Kristy Quinn
Superman created by Jerry Siegel & Joe Shuster

Superman's fight against the Black Flash in Las Vegas doesn't exactly go well for the Man of Steel. True, Clark's new containment suit does allow him to somehow absorb excess speed from individuals caught in the speed storm. But far too many people are still dying. Eventually, the Black Flash does confront Superman, noting again that Clark is not "of speed," but decides to consume him anyway.

Bart, meanwhile, is still hanging out at Jay's house on the edge of the Salt Flats. Somehow, Bart can see a huge flash of light caused by Superman clashing with the Black Flash. (Note: You cannot see Las Vegas from the Salt Flats, so this is either some Speed Force thing, or a geography error.) Bart finally decides enough is enough, and tells Jay he can't let someone else fight his battles for him.

Before Impulse takes off, Jay tells him he had heard his name before. The first time he woke up with super speed, he heard the names of Max Mercury, Barry Allen, Wally West, Bart's and his own. He says they're all part of something bigger, bound by the Speed Force. But Bart insists that he's always been alone, and now the only kind of family he has needs his help. Bart takes off with his customary "smell ya later," to which Jay responds, "Godspeed, son."


Oh, man! This comic series did not just tease me with Max Mercury's name! You can't do that! Not without intending to follow up on it. What happened to the Flash family? Where are all these speedsters? And no, we're never going to find out. I would say that this series ran out of time before being able to answer those questions, but I don't think that's the case. Smallville: Season Eleven lasted for a surprisingly long time. If Bryan Q. Miller and company really wanted to explore the Flash family, they had plenty of opportunities to do so.

Next time, we'll return to Young Justice: Invasion.

Saturday, September 7, 2019

Smallville: Season Eleven #34


Haunted Part Eight

Writer Bryan Q. Miller
Art Jorge Jimenez
Colors Carrie Strachan
Lettering Saida Temofonte
Cover Art Cat Staggs
Assistant Editor Sarah Gaydos
Editor Kristy Quinn
Superman created by Jerry Siegel & Joe Shuster

At Jay Garrick's hermit cabin in Utah, Superman is arguing with the retired Flash about his statement that Bart has to die in order to stop the fatal speed storms. Jay refers directly to the Speed Force, saying it burns you up, one way or another, and the Black Flash is just its messenger. Clark argues that Bart didn't choose to owe anyone anything, and Jay says none of the speedsters do, but once the lightning hits you, your life isn't yours anymore.

Bart, however, is not participating in this conversation, being completely occupied with a dark cloud of lightning across the Salt Flats that only he seems able to see. Clark asks Jay why there weren't any speed storms before Bart, so Jay speculates that the Black Racer is hungry and desperate. At this point, Bart joins the conversation, and the three of them reason out that the speed storms are the Speed Force's way of trying to create more speedsters. But most people can't handle that speed and are killed.

Jay says he wasn't the first speedster and Bart won't be the last. Bart angrily asks why Jay didn't "close the circle" by racing the beast and preventing it from trying to make more speedsters. Jay calls their powers a curse, but Clark says a curse can become a blessing if you don't let your power own you. Jay's reminded of Carter Hall by that line, so Bart asks him when he last saw Hawkman. Bart says he didn't even know Hawkman, but he still went to the funeral. Jay admits he's not proud of his life since the JSA disbanded. Bart calls him a coward, and before he can get too worked up, Clark pulls him back and calms him down.

This tense moment is interrupted by Superman receiving a call from the Watchtower, reporting a "category five" speed storm in Las Vegas. This one isn't slowing down and the body count is increasing by the minute. Impulse starts to take off toward Vegas, but Clark catches him by the collar and ignores Bart's protests. He slings the speedster over his shoulder and tells the Watchtower they still haven't come up with a solution for the speed storms.


Luckily, Emil Hamilton of S.T.A.R. Labs has an idea. When Superman was irradiated, they considered launching him into the sun. That plan was scrapped, but they still have the containment suit they built for it. With a few quick modifications, the suit now should make Superman as fast as Impulse, giving him a chance to confront the Black Flash and save some lives. S.T.A.R. Labs sends the suit to the Salt Flats via rocket, and Superman throws it on, heading down to Vegas for round two against the Black Flash.




Not much to say about this one. It's still pretty good, and I still like the references to the show, like Bart admitting that he never did know Hawkman even though he attended his funeral. Jay kept referencing the idea that other speedsters are out there, but I still don't expect any sign of Barry or Wally.

Next time, we'll see how Clark's fight goes in issue #35.

Friday, September 6, 2019

Smallville: Season Eleven #33


Haunted Part Seven

Writer Bryan Q. Miller
Art Jorge Jimenez
Colors Carrie Strachan
Lettering Saida Temofonte
Cover Art Cat Staggs
Assistant Editor Sarah Gaydos
Editor Kristy Quinn
Superman created by Jerry Siegel & Joe Shuster

Our cover shows who I believe to be the Chloe Sullivan of Earth-2. I don't know ... it's incredibly complicated and I don't care about it since Impulse isn't involved. I suppose it's a fine cover, but I wish it reflected Bart's quest to find Jay Garrick instead.

Our story begins in Mumbai, out on the soccer field where Bart was playing with some boys back at the beginning of this tale. Unfortunately, we see the spark of energy threatening to ensnare a boy as he reaches for the soccer ball. That same kind of energy is also discovered in France, as police continue to cleanup the Brain's raid on the Louvre.

Luckily, Chloe and Oliver Queen are keeping track of these "speed incidents" at the Watchtower. Unluckily, they're unable to do anything to prevent these incidents from occurring, or the death toll to keep rising, other than report their findings to Superman.

Clark and Bart, meanwhile, have traveled to the Bonneville Salt Flats in Utah to track down Jay Garrick. They find an isolated house on the edge of the salt, and Bart wonders if the old hermit who lives there can help them find the original Flash. Turns out, the old hermit is Jay Garrick himself, still wearing his old uniform.


Jay invites our heroes in, and learns that Bart was the one who stole his identity a few years ago. Bart admits to this, but adds that Jay's wasn't the only identity he stole. Fans of the episode "Run" will remember that Clark saw Bart using three fake IDs — Jay Garrick, Barry Allen and Wally West. Jay asks Bart why he was targeted, since they've never met before now, and Bart says he honestly doesn't know. He confesses he has no memories from before he woke up with his abilities. All he remembers is a big flash of light and those three names in his head.

Clark glares at his friend for omitting this crucial detail of his past, and Bart just sheepishly says he didn't want to make a big deal of it. So Clark launches into a prepared speech about Carter Hall, the Justice Society of America, and how they need Jay's help. Jay says he knows Bart's having problems with his speed, so Bart blurts out, asking what Jay knows about the Black Racer.

Jay avoids the question and begins hobbling around the kitchen with his cane, saying the feds broke his leg back when they rounded up the JSA. Clark points out that his leg must have healed in the decades since, but Jay angrily smashes his cup of coffee, saying he didn't want his leg fixed. Clark doesn't understand this, but Bart does — Jay has seen the Black Flash.

Jay admits this is true, saying the monster haunted him every time he broke into a run. It got so bad, Jay could even hear it whispering to him when he was sitting still. He tells Bart they only ride the lightning, not control it. Clark tells Jay about the speed storms that are killing people wherever Bart's been, which Jay identifies as a sign the Black Flash wants to "collect" Bart. Jay says he only survived by stopping running, and if Bart won't stop, then he needs to die.




This was an interesting, but slightly conflicting issue. First of all, I am absolutely thrilled to see the Salt Flats (although the issue did not explicitly identify them). The Salt Flats are near and dear to my heart, as I've spent many a summer cooking hamburgers for racers from all around the world, seeking to set new records on the fastest place on Earth. It's only natural that such a location would be a natural magnet for speedsters — an idea that Francis Manapul and Brian Buccellato explored during their run on The Flash.

I'm also happy to see Jay Garrick, although I'm sad that Clark and Bart didn't have to put in much of an effort to find him. They went to the JSA museum, which I guess gave them Jay's address, and they went straight there. Oh well. The concept of Jay living in solitude and perpetual fear of the Black Flash is a heart-breaking, yet intriguing one.

The fake IDs bit was nothing more than an Easter egg back in Bart's debut on the show. But now, all of a sudden, we learn that those weren't random names Bart pulled out of a hat, but names that came to him through some kind of Speed Force dream. And since Jay is a real, living person in this universe, the implication follows that Bart and Wally must be real, too. I'm not counting on finding out anything about them, which is rather frustrating. But then again, the name of the show is Smallville, not Keystone (or Central City).

And last, but not least ... Bart's amnesia. I'm quite disappointed that this Bart is following the same standard of the New 52 Kid Flash. I'm sorry, but a mysterious, unknown, unremembered past is not an interesting backstory. It's a lazy one. Bart wasn't given a concrete origin in "Run" because the writers didn't have the time or energy to give him one. Scott Lobdell didn't give him one partly because nobody knew what was going on in the early days of the New 52 but mostly because he wanted to buy time to put it together over a couple of years, all the while giving the false impression that he had something concrete in mind by dropping little hints that actually didn't say anything. Whew! And now we're going to play the same game in Smallville? No! I was actually somewhat enjoying this comic!

Next time, we'll return to my most favorite version of Bart in 2013, the one in Young Justice: Invasion.

Tuesday, September 3, 2019

Smallville: Season Eleven #31


Haunted Part Six

Writer Bryan Q. Miller
Art Jorge Jimenez
Colors Carrie Strachan
Lettering Saida Temofonte
Cover Art Cat Staggs
Assistant Editor Sarah Gaydos
Editor Jim Chadwick
Superman created by Jerry Seigel & Joe Shuster

Our story begins with Lois and Clark having dinner on the Daily Planet roof. Lois tells him about the man she saw rapidly aged to death, and that her investigations have uncovered several similar cases over the past five years. The victims were in Keystone City, Mexico, Miami and islands in the Pacific Rim — all places Bart has been. And what's worse, the occurrences are becoming more frequent. Clark tells her about the monster he saw and wishes he knew how to help Bart. Lois then asks the exact question I had last issue: "Bart can't be the only guy who's ever run that fast, right?"

A short flight later, Clark and Bart visit Mrs. Hunkle (the original Red Tornado), who leads them into a secret room, which Clark describes as a monument, a museum dedicated to heroes from another time, the Justice Society of America. Bart is vaguely familiar with Hawkman's old group, but he doesn't see how this collection of old knick-knacks (including a winged silver helmet) is going to help him. Clark explains that this is just the beginning of their search for the first man to break the sound barrier, Jay Garrick.


Turns out, Bryan Q. Miller was once again way ahead of me. And that really helps make this a pleasurable reading experience. Yeah, I couldn't care less about all the side plots going on in these issues, but Impulse's story has now become much more interesting. Of course, learning that Jay Garrick exists in this universe does make me a little upset that Superman was able to see the Black Flash. I think we should have skipped that treadmill scene and started with the search for Jay, keeping the Black Flash an entity that only appears before speedsters.

Next time, we'll return to Young Justice: Invasion.

Sunday, September 1, 2019

Smallville: Season Eleven #30


Haunted Part Five

Writer Bryan Q. Miller
Art Jorge Jimenez
Colors Carrie Strachan
Lettering Saida Temofonte
Cover Art Cat Staggs
Assistant Editor Sarah Gaydos
Editor Jim Chadwick
Superman created by Jerry Seigel & Joe Shuster

While Lex Luthor continues to be haunted by memories of his past, Lois Lane has doubled down on her investigations into him. She confirms that the man who got caught in the strange light show last time did decompose completely into a skeleton. Meanwhile, Clark has taken Bart to S.T.A.R. Labs, where a technician named Sivana is helping a shirtless Bart prepare for the speed assessment. Bart naturally flirts with her, which Clark chalks up to his desire to distract himself from his own haunting.


But as our heroes step on the treadmills, Bart admits that running is the last thing he wants to do right now. Clark assures him that he'll be right next to him every step of the way — literally and figuratively. These treadmills are designed to not only let Bart run as fast as he can, but to accelerate Clark to match Bart's speed. Dr. Emil Hamilton theorizes that Clark should be able to see the Black Flash if he can run as fast as Bart.

So they start running, and Bart actually destroys his treadmill, causing a bit of an explosion in the lab that knocks Clark down. When Clark gets up, he sees the Black Flash looming over him, saying that his speed isn't pure. Clark's then flung back, presumably by the Black Flash, and when Bart helps him up, Clark confirms what he saw and vows to save him some way.




So this created a rather interesting twist on the Black Flash. Usually, only speedsters can see him. But since Bart is the only speedster in this universe, they needed to find a way for someone else to confirm his visions. I liked how the Black Flash could recognize that Clark's speed had been artificially boosted. And, as weird as it sounds, I'm glad that we got to see a shirtless Bart. No offense to Kyle Gallner, but he never seemed in the proper shape to pull off a shirtless scene, as much as the CW would have loved it. The closest we got was Bart wearing a robe while coming out of the shower in "Run." Yeah, I always complain about over sexualized superheroes, but I do think they need to be at least a little bit sexy. It's a fine line, I guess.

This comic came out on January 18, 2013 (from what I've been able to tell). On January 19, a new episode of Young Justice aired, so that's what we'll cover next.

Friday, August 30, 2019

Smallville: Season Eleven #29


Haunted Part Four

Writer Bryan Q. Miller
Art Jorge Jimenez
Colors Carrie Strachan
Lettering Saida Temofonte
Cover Art Cat Staggs
Assistant Editor Sarah Gaydos
Editor Jim Chadwick
Superman created by Jerry Seigel & Joe Shuster

Our cover shows Superman and Impulse being chased by the Black Flash. It's a rather strange cover, in that none of the characters her seem to look quite right. Especially Impulse, who's now all of a sudden an 11-year-old boy. I really wish Jimenez drew this.

Sometime between last issue and this one, Bart came clean with Clark and told him all about the Black Flash. And since Bart's too scared to run anymore, Clark is flying him back over the Atlantic. Clark asks why Bart never mentioned the Black Flash before, and Bart explains that it wasn't always there. The first time he saw the Black Flash was when Lex Luthor kidnapped him and forced him to run longer and faster than he ever had before, way back in "Justice."


(I'm calling it the Black Flash, but Bart hasn't settled on a name for it yet, testing out Speed Demon and Black Racer.) Bart tried to put this haunting vision behind him, but now he knows it's still there, even when he's not running. Clark asks why he risked that race to India, and Bart confesses that since Clark is the only person who can almost keep up with him, he was hoping that he'd be able to confirm or deny the existence of the Black Flash.

Secretly, Bart was hoping he was just going crazy, finding that preferable to actually being chased by a dark entity. Clark doesn't believe Bart is crazy and vows to find some way for him to get face-to-face with Bart's "boogeyman."

That night, Lois Lane is investigating a sudden clean-up effort at the site of the old LuthorCorp industrial site that Bart, Clark and the others destroyed five years ago. Everyone is wearing HAZMAT suits, even Lois. One of the workers finds a strange bit of crackling energy near Bart's old cage. When he gets too close to the electricity, he gets caught up in a bright whirlwind. When it spits him out, the man is suddenly old and withered.




Yeah, it's still popcorn entertainment, but I actually am liking this story. I think Jimenez is getting more comfortable with this style. And I'm glad to see more direct references to the show. Even though I hated the show, it's nice to see that Miller is paying attention to detail.

Next time, we'll return to Young Justice: Invasion.

Tuesday, August 27, 2019

Smallville: Season Eleven #27


Haunted Part Three

Writer Bryan Q. Miller
Art Jorge Jimenez
Colors Carrie Strachan
Lettering Saida Temofonte
Cover Art Cat Staggs
Assistant Editor Sarah Gaydos
Editor Jim Chadwick
Superman created by Jerry Siegel & Joe Shuster

We pick up with Superman and Impulse arriving at the Louvre in Paris to deal with the art thieves. But an explosion reveals these aren't ordinary art thieves — they're the Brain and Monsieur Mallah, accompanied by a swarm of monkeys and apes, each taking off with a painting. As Superman and Impulse begin corralling the monkeys, Bart says, "This almost never happens in Mexico," implying that he's made Mexico his permanent home, which is why he keeps calling Clark his "amigo." Clark naturally worries about actually hitting the apes, but when one of them sends Impulse flying toward the Louvre's glass pyramid (which he vibrates through), Bart says they can hit the animals.

As Superman confronts the Brain and Mallah, he has Impulse clear the civilians. Bart helps a beautiful woman first, telling her he wishes he could stay and chat, but has to settle for just kissing her hand before returning to the fight. For some reason, Monsieur Mallah is able to hold his own against Superman. The gorilla pulls out a machine gun, spraying bullets all over the place. Bart is able to catch the bullets, but he has to push himself to go faster than his usual speed.


After he stops all the bullets, Bart is genuinely exhausted and gasps that he was going too fast. His eyes suddenly light up with lightning and he hears the dark voice calling his name again. He dejectedly says, "Not now ... not again ..." as he's confronted by the Black Flash. The whole encounter occurs at super speed, so nobody else can see the Black Flash chasing Bart, creepily telling him it's time.

Superman finally knocks out Mallah and his apes with a powerful handclap. He finds Bart down on his knees, weakly saying, "It almost got me ..." But when Clark asks Bart what he means, Bart brushes him off.




I'll admit this was a pretty fun comic. Is Smallville: Season Eleven growing on me? Perhaps. It is really fun to see actual villains from the comics like Psimon and the Brain battling our heroes in exotic locations like Paris. But everything is only skin deep. Psimon only wanted revenge on Luthor and was taken out with just a couple of hits. The Brain idiotically thought he could sell the Mona Lisa and other priceless works of art that were very publicly stolen in broad daylight (that a main point in "Run" — Bart stole something too unique and valuable from Luthor to actually sell it). And, just like Psimon, the Brain and Mallah were very easily defeated simply because the short comic had reached its last page.

So yeah, it's cool to see the Brain and Black Flash and Psimon and all these characters. But that's all we're getting. Just a quick glance at them. Nothing more. This is more like a trading card than a comic. Popcorn entertainment, if you will. Not bad, but not fulfilling.

Well, that's it for 2012, our first full year without the original Bart Allen. Next time, we'll have our Year in Review.

Smallville: Season Eleven #26


Haunted Part Two

Writer Bryan Q. Miller
Art Jorge Jimenez
Colors Carrie Strachan
Lettering Saida Temofonte
Cover Art Cat Staggs
Assistant Editor Sarah Gaydos
Editor Jim Chadwick
Superman created by Jerry Siegel & Joe Shuster

There are a couple of drawbacks with the weekly digital-first comics. One is the repetition of covers. Instead of commissioning a new cover for each issue, DC decided to reuse the same cover for a couple of issues, which would then be compiled into one average-sized print comic. That's fine for print readers (although the numbering does get messed up), but the digital readers get bored seeing the same cover over and over again. Another big drawback is that DC created these comics under the assumption that these comics would be read exclusively on smartphones tilted sideways. So every single page and panel is designed in landscape. But that's not how I read my comics. I use a tablet and like to view one page at a time in portrait mode — just as if I was reading a book. So going through this series is a minor inconvenience for me. And the DC Universe app automatically cuts the covers down to this landscape shape.

After the incredibly quick and easy defeat of Psimon, Impulse and Superman decide to spend some time catching up by running across the ocean. Bart mocks Clark for not being able to keep up, and Clark admits he's been focusing more on flying than running lately. So he suggests they have a race where he's allowed to fly and the loser has to buy lunch.

The two heroes blow through Cameroon, Africa, before coming to a stop in Mumbai, India. Superman briefly thinks he arrived there first, until he sees Impulse in the middle of a soccer game with some local boys. Bart smugly says, "Last name? 'Ever.' First name? 'Fastest.'"

 Later, Superman tells Impulse that he basically can't go back home right now without risking exposing his secret identity to Lex Luthor. He recently got hit with a dose of radiation poisoning, but luckily S.T.A.R. Labs tells him sunlight is chipping away at the radiation's half-life. Bart suggests camping out inside the sun until the radiation's completely gone, but Clark says Emil Hamilton worries that such an action would turn him into raw energy. Bart admits he's not informed enough to weigh in on the subject, so he tactfully stops giving advice.

Clark then asks Bart why he suddenly showed up in Metropolis for the first time in years. Bart simply says he couldn't resist seeing Clark Kent in tights and a cape. He then recalls their first meeting way back when, and calls Clark the closest thing to family he has. Clark says Bart was the first super-powered person he met who hadn't been infected by a meteor, which helped him not feel so alone. And the two young men vocalize their love for each other.


This tender moment is interrupted by a call from the Watchtower. There's a situation in Paris, and since they don't have a Watchtower agent in Europe yet, Superman and Impulse are the closest to help. Clark receives the details on a shield-shaped data pad, which tells him the "situation" in Paris is merely some art thieves.

Despite the low-key nature of this distress call, the two heroes decide to go help out. However, they do use this trip to Paris as an excuse for another race, this time with the loser buying a baguette. Bart gives Clark a head start this time, but before he starts running, he hears a dark voice calling his name. Bart ignores this voice, acting as if he's heard it before, and chases after Clark into the sunset.




I was initially confused as to why Impulse didn't look like Kyle Gallner. But this issue showed a flashback that looked just like him. So we're supposed to assume this is Gallner, for all intents and purposes, just with really short bleached hair. It's not a good look. At least this issue also clearly showed he's not wearing regular jeans (another incorrect assumption I made last time).

I actually liked this issue. Yes, I'm sad that Psimon, once a world-destroying powerhouse in the '90s, was defeated with such little fanfare. But Bart's arrival is intriguing. He's clearly dealing with something dark and sinister, and wants Clark's help, but is unable to work up the courage to talk about it. The quick flashback also reminded me of an annoying cost-saving element of the episode "Run" — the off-screen trip to Miami. In the comic, we actually got to see Clark and Bart run to India, and that makes a big difference.

Next time, we'll wrap up the year 2012 with issue #27.

Monday, August 26, 2019

Smallville: Season Eleven #25


Haunted Part One

Writer Bryan Q. Miller
Art Jorge Jimenez
Colors Carrie Strachan
Lettering Saida Temofonte
Cover Art Cat Staggs
Assistant Editor Sarah Gaydos
Editor Jim Chadwick
Superman created by Jerry Siegel & Joe Shuster

Smallville finished after 10 seasons, finally putting Clark in the iconic Superman outfit in the last scene of the show. DC then decided to explore this next chapter through a "Season 11" weekly digital comic. So it's the same continuity, same cast of characters and everything from the show that I could not stand. Maybe a different format will help the story out. If anything, it should eliminate the constraints the show had with special effects.

Our cover shows Lex Luthor covered in blood and being haunted by ghosts of the past ... or something? I don't know ... he apparently had his memory erased recently, and it's a whole thing. I will give Cat Staggs credit for making Luthor look just like the actor who played him on the show, Michael Rosenbaum.

Let's pick up toward the end of this issue, where's Luthor's amnesia has gotten him in trouble with Smallville's version of Psimon. He honestly doesn't remember funding Project Ares, which apparently turned this Dr. Jones into Psimon, but he does offer to help Psimon get the best psychiatric care money can buy. That's not good enough for Psimon, who tries to kill Luthor with a blast of purple psychic energy.

Superman saves Luthor, then begins to fight Psimon, but has a hard time. Psimon makes a common comic book boast of how Superman can't keep up with "the synaptic firing of the human mind." Suddenly, Impulse comes out of nowhere, suggests it's time for a team-up, and begins beating up Psimon. Impulse moves so fast, Psimon can't see him, and asks Superman how he got so fast. Superman calmly says there's always been someone faster than him. Once Psimon is down for the count, Impulse grabs ice cream for all the nearby bystanders and even puts a cone in Superman's hand. Clark thinks it's a little early for ice cream, but Bart tells his "amigo" he needs his calories, since this "speed" thing is a killer.


I find it odd that Luthor looks like Michael Rosenbaum but Impulse doesn't look like Kyle Gallner. Maybe DC couldn't get his permission to use his likeness? And if that was the case, then why would he refuse? Whatever the reason, this redesign of Impulse is pretty crappy. The short, blond hair does not look good, nor does his subdued outfit. The jacket's fine, but why is he wearing normal jeans? The goggles/sunglasses make sense. But the whole effect is quite disappointing, especially when you put him right next to Superman wearing the full-on blue tights and red cape. But I will say that, so far, this Impulse does feel like the Impulse we saw on the show.

And, yes, this is the same Jorge Jiménez, whose work on that Kid Flash/dinosaur story made me an instant fan. Sadly, his art does not inspire the same joy for me here. Perhaps that's because he's trying a more realistic style, forgoing the cartoony look that I was so fond of. This isn't bad art — it just makes me sad, since I know what Jiménez is capable of.

We have a house ad for all the weekly digital-first comics DC had at the time: Ame-Comi Girls, Batman: Arkham Unhinged, Arrow, Legends of the Dark Knight, Smallville: Season Eleven, Justice League Beyond, Superman Beyond and Batman Beyond.

Next time, issue #26.

Friday, May 31, 2019

Smallville – "Icarus"


Director: Mairzee Almas
Writer: Genevieve Sparling

At last we have come to the final season of Smallville and the final appearance of Impulse on the show. (He will show up in the Season 11 comics, and I'm not too excited for that.) And if you thought Impulse's last appearance was brief, just wait until you watch this episode! Or don't. I don't recommend this show. At all. To anyone.

Our story begins with Clark Kent finally proposing to Lois Lane. But this happy event is overshadowed by the government's crackdown against Clark and his super friends. Led by General Slade Wilson, the VRA (Vigilante Registration Agency) has launched Operation: Icarus to round up all known vigilantes. And Wilson actually has done his homework, figuring out the identities of just about every superhero on the show. He's even distributing wanted posters that show the faces of Green Arrow, Aquaman, and Impulse (using a picture of Kyle Gallner from his first appearance on the show). Slade doesn't, however, have a picture of Clark, resorting to his Superman logo and referring to him only as "The Blur."

Anyway, to make a long story short, there's a bunch of interrogation scenes, culminating in Wilson holding Lois in his office at the top of a skyscraper. Hawkman comes crashing through the window at the last second to save her, and after a brief fight, there's a big explosion. Hawkman wraps Lois in his wings as they plummet to the ground.

Clark confronts Wilson on the ground, who tells Clark that Lois and Hawkman died, even though he didn't bother to check. He explains he named the operation Icarus because he thought the superheroes were flying too close to the sun, but now he relishes in the poetic irony of having watched Hawkman's wings literally catch fire. Clark asks how Wilson survived the explosion, and he mysteriously says he's now immune to death's stroke (get it?). In response to this, Clark apparently sends Wilson to the Phantom Zone with a convenient handheld Phantom Zone projector.

Clark then checks on Lois and Hawkman. Turns out, Carter's wings protected Lois, but Carter himself sustained fatal injuries in the fight and ensuing blast. So our episode ends with a funeral for Hawkman in an Egyptian pyramid. Everybody is there ... sort of. About half the heroes, including Impulse, have their hoods on and the camera is careful not to show their faces. Anyway, once Carter is buried next to his wife, a mysterious white pyramid-like object appears and knocks everybody out. What does this mean? Who cares? This show sucks.




According to IMDb, Kyle Gallner did appear in this episode, but was uncredited. I don't know if they're just counting the picture we saw of him, or if he actually was at the funeral, hiding under his old Impulse hood. Considering how out of shape he looked in his last appearance and how little the director was willing to show him, it's not inconceivable that even more extreme measures would be used this time to conceal Gallner. But, I think it's more likely that the roles of Impulse, Aquaman and others were played by extras in this scene. And that just shows the cheapness and lameness of this show. The death of a hero should be a big deal, and a show should be able to arrange for previous guest stars to come back at least for one day of work.

This episode was quite unbearable, especially with this show's pathetic attempt at the Deathstroke character. The Hawkman fight was the only bit of action in the episode and it was rather uninspiring. However, I did have to laugh at how bad our heroes are at protecting their secret identities. I mean, the VRA figured everything out, except for Clark, but even then, they were halfway there. Ultimately, though, I am just very glad that I don't have to endure another episode of this show. I credit them for at least attempting to use the character Impulse. They didn't come anywhere near meeting my expectations, though.

Next time, we'll return to Teen Titans #90.

Monday, January 28, 2019

Smallville – "Doomsday"


Director: James Marshall
Writers: Kelly Souders and Brian Peterson

Every two years, like clockwork, Kyle Gallner returned to Smallville to reprise his role as Impulse. But sadly, this will turn out to be his briefest cameo yet. Wait, why am calling this a sad thing? I hate this show. And these passing glimpses of a character that's loosely based on Impulse is not enough to save it.

Our episode begins with Cosmic Boy (above) telling Clark that according to historical records, Doomsday is going to kill him tomorrow. Cosmic Boy tells Clark to send Doomsday to the future so the Legion of Super-Heroes can defeat him, but Clark refuses. For no good reason. At least, no good reason that I can see.

Quick note: Smallville's version of Doomsday may look like the classic villain from the comics, but he's quite different. On the show, he's essentially a Dr. Jekyll/Mr. Hyde situation — a monster living inside a man named Davis Bloome. And since this is a CW drama, Davis is caught up in an overly complicated love triangle with Clark's friend, Chloe.

On the day Clark is supposed to die, he summons two old friends to his barn — Black Canary and Impulse. At Clark's request, Bart has gathered maps and blueprints of a geothermal facility with a mine shaft that burrows more than one mile beneath the Earth's surface. Black Canary is surprised that Clark wants to bury Doomsday alive, but Clark believes he can split Doomsday from Davis with a piece of black kryptonite, which he gives to Bart.

Green Arrow suddenly arrives, saying they should kill Davis, as he fears simply splitting Doomsday from him would create an even worse unstoppable monster without a conscience. Clark refuses to consider this possibility. He tells the others that Green Arrow killed Lex Luthor and he sends him away, telling Oliver he's no longer one of them.

That night, Clark responds to a cry for help, only to find Black Canary and Impulse calmly waiting there for him. In his brief moment of confusion, Green Arrow shoots a kryptonite arrow into Clark's back to hold him back long enough for the three heroes to carry out Green Arrow's plan.

And that plan involves them knocking out Davis and bringing him to the geothermal plant. For some reason, they also knocked out Chloe and brought her along, too. Conveniently, Chloe quickly wakes up, and our heroes decide to tell her everything. The even mention Clark's plan with the black kryptonite, which Chloe conveniently sees in Bart's open backpack. Chloe insists that Davis doesn't change when she's around him, but Davis, who has woken up by this point, says he agrees with Green Arrow's plan.

Suddenly, Davis is overcome by the monster within him. His eyes glow red and he instantly knocks out Impulse and Black Canary. Green Arrow draws his bow, but Chloe beats him to the punch and shoves the black kryptonite into Davis' chest. Just as Clark predicted, Doomsday is pulled out of Davis as a separate being.

Meanwhile, Jimmy Olsen stumbles upon Clark and pulls the kryptonite arrow out of his back. Clark admits to Jimmy that he's the "Red and Blue Blur," then races off to the geothermal plant. He finds everyone bloodied and on the ground, except for Doomsday. They tell Clark what happened, and he says he'll go after Doomsday, asking them to prepare the tunnel and detonators to carry out his original plan.

Clark quickly finds Doomsday out on the streets, and after trading a few blows, Clark manages to get underneath the monster, lift him up high into the sky, and slam him down hard into the geothermal plant, setting off a large explosion.

The next day, Jimmy and Chloe take the still unconscious Davis to their loft apartment overlooking Metropolis that is still under renovation. They have a long heart-to-heart that ends with a romantic kiss, before Jimmy is suddenly stabbed from behind by Davis. Davis thought that Chloe really loved him, so he tries to kill her for betraying him. But with his last ounce of strength, Jimmy slams Davis onto a pile of equipment that included a conveniently sharp and pointy spike, which kills Davis.

Later, we see Bart, Dinah and Oliver and Jimmy's funeral. But Clark watches from afar, refusing to interact with anybody there. After the funeral, Clark visits Chloe at her apartment. He's unable to explain how he escaped the blast that buried Doomsday, and he reports that Lois Lane is missing. He blames himself for Jimmy's death, but Chloe insists that it was Davis, not the monster, who killed Jimmy. She says that Oliver, Dinah and Bart have disappeared, and she wants to set up her apartment as a Watchtower that they can use to bring the team back together. But Clark refuses, and dramatically walks away.




This was a terrible episode. Partly because of the unbearable, lengthy relationship monologues, and partly because of the inherent limitations of the show itself. They clearly wanted a massive Superman-Doomsday fight for the season finale, but were simply unable to do that. Although Doomsday did look very good, that rubber suit could not move — like, at all. This made it unbearable whenever they tried to show him throw a big punch or leap halfway across the city. So, the climatic fight scene was reduced to a few quick blows.

In a similar way, I feel like director James Marshall did everything he could to minimize Kyle Gallner's screen time. Two years is a long time between episodes on a show, and Kyle seems to have lost half a step in the art of playing Bart. He appeared a bit on the pudgy side in this episode and was mumbling his lines throughout. Not his best work.

Storywise, this episode fell flat. There were a lot of interesting ideas that were glossed over or shoved to the side. Like the idea of sending today's problems to the future. Or the debates of the merits of lethal force and man vs. beast. This show simply was not interested in exploring any of these deep ideas. For proof of this show's cowardice, just look at what they did with Jimmy Olsen. They were too worried about upsetting the status quo to allow Jimmy to live with the knowledge of Clark's secret identity — or to even live long enough to get married to Chloe.

Next time, we'll return to The Flash: Rebirth.

Thursday, August 16, 2018

Smallville – "Justice"


Director: Steven S. DeKnight
Writer: Steven S. DeKnight

After a two-year break, Kyle Gallner has returned to Smallville to reprise his role as everyone's favorite speedster, Bart Allen. Also returning is Steven S. DeKnight, who wrote the episode Bart debuted in, "Run." That unfamiliar face in the photo above is Smallville's version of Victor Stone, but we'll get to that later.

Our episode begins with Chloe Sullivan working late at the Daily Planet. She's suddenly confronted by a doctor she's been investigating, who has been transferring prisoners who exhibit strange abilities out of Belle Reve. Chloe asks the doctor if this has anything to do with Lex Luthor and a mysterious project called 33.1. As soon as she says that, the doctor pulls a gun on her, even though they're inside a newspaper office with plenty of other people nearby. But before he pulls the trigger, a red blur zooms by, knocking the doctor down.

Clark Kent suddenly appears and Chloe thanks him for saving her in the nick of time. But Clark says he didn't knock down the doctor. He looks up and sees a red-hooded figure, which he follows out onto the streets. The figure finally stops running by a pick-up basketball game, says, "Still too slow, Stretch," and pulls up his hood to reveal Bart Allen.

The next day, Clark tells Chloe that the person who saved her life last night got away from him, which surprises her, since she always thought Clark was the fastest man alive. She also tells Clark that the doctor was released from prison just minutes after being arrested, courtesy of a Luthor Corp. lawyer. Bart suddenly shows up and reintroduces himself to Chloe, who naturally doesn't remember him since she only talked to him for like five minutes two years ago. Bart kisses Chloe's hand and tries to impress her with some basic Spanish, but she promptly excuses herself.

Clark asks Bart what's with the Spanish, and Bart says he just went down there for lunch. Clark then recaps their previous meeting two years ago, and asks Bart why he's returned to Smallville. Bart says that Clark truly did convince him to give up a life of crime and now he's working as a courier. He just happened to delivering a package when he saw Chloe was in danger, but Clark doesn't believe him. Offended, Bart prepares to leave, but Clark offers to take Bart to lunch in Mexico.

Later, Lex Luthor and his dad, Lionel, are discussing a rash of break-ins at Luthor Corp. facilities all connected to 33.1. Lex shows his dad a single frame image from a security camera showing a red blur. Noting the perpetrator can move faster than a speeding bullet, Lex vows to protect their resources. As soon as the Luthors leave the room, Bart sneaks in and downloads a bunch of files from Lex's laptop to a flash drive, which he then takes to Oliver Queen, aka Green Arrow.

Clark then visits Lionel to ask him how that Bell Reve doctor got out of jail so quickly, but Lionel says he's not involved with that prison anymore. He hastily changes the subject, showing him the picture Lex gave him of the red blur at one of his processing plants in Mexico. Clark says it isn't him, but he refuses to tell Lionel who he thinks it is.

The next day, Bart is treated to an enormous amount of food by Martha Kent, and to show his appreciation, he even cleans the kitchen at super speed. Martha thanks him and says he should stick around longer this time. As soon as she leaves, Clark confronts Bart about the Luthor Corp. break-in. Clark's upset that Bart lied about turning over a new leaf, but Bart insists he really has changed. However, he can't explain why he's stealing from Luthor Corp. right now, simply saying it's complicated. Clark continues pressing the issue, so Bart finally leaves, tearfully lamenting the fact that Clark can't understand that he needs to keep some things secret.

So Clark heads over to Chloe's and tells her that Bart has super speed and was the one who saved her life the other day. He says he thinks Bart's in trouble, so he asks her to hack into his cellphone history, which reveals that Bart has been working with Oliver, who Clark knows is Green Arrow. Meanwhile, Bart sneaks into another Luthor Corp. facility, but as soon as he places his flash drive in a computer, it electrocutes him and knocks him out. Lex and a squad of armed security guards immediately enter the room, and Lex mockingly says, "Not so fast now, are you?"

The next day, Clark visits Oliver and demands to know where Bart is. Oliver reluctantly admits that he and Bart are working together to take down 33.1, which he believes Lex is using to create an army of "super freaks." Oliver says Bart infiltrated a facility last night, but he hasn't heard from him since. Oliver went to the facility this morning, but found it completely empty, indicating the whole thing was a setup to capture Bart. Clark offers to help him find Bart, and Oliver introduces him to rest of his team — Victor Stone and Arthur Curry.

Bart wakes up in a cell with glass walls and Lex begins to interrogate him. Lex eventually remembers his previous encounter with Bart and notes that the data he was trying to steal does not fit his low-life criminal profile. Lex demands to know who Bart is working for, so Bart says the guy's name is "Mr. Kiss-My-Butt." Seeing that Bart's not going to talk, Lex activates the floor of his prison — a pressured system that tracks movement and will electrocute Bart if he stops moving for even a millisecond. So Lex leaves, forcing Bart to constantly run around in circles.

Back at Oliver's headquarters, Clark asks how they convinced Bart to join a team. Oliver says he came across Bart while patrolling Star City, and he could tell he was a good kid that just needed some direction. Clark then coldly blames Oliver for Bart being kidnapped, but Oliver says he won't underestimate Lex again. Unfortunately, Oliver has no idea where to begin looking for Bart. So Clark visits Chloe at the Daily Planet, and she tells him about a Luthor Corp. facility just outside Metropolis that has recently been shipping in millions of dollars of lead shielding and equipment to track high velocities. Clark tells her to take all this information to Oliver, while he heads out to the facility on his own.

Clark gets inside pretty easily, but he stupidly walks right into a room full of kryptonite. Luckily, Oliver and his team aren't far behind. Armed with blueprints of the facility, Chloe stays behind to offer guidance to the team via their headsets, earning her the code name Watchtower. Victor (Cyborg) is able to shut down the security system by plugging a cable from a computer into his arm, and Arthur (Aquaman) takes advantage of the nearby body of water to swim into the facility because ... he can.

After beating up a few guards, Green Arrow rescues Clark, calling him Boy Scout. Clark objects to this code name, and Oliver says he didn't get to pick it since he wasn't around. He says Bart also didn't get to pick his code name — Impulse. Cyborg, Aquaman and Green Arrow then set about stealing as much information from the facility they can and planting some bombs, while Clark rescues Bart by dashing through the glass walls.

Green Arrow confronts Lex, telling him he has 10 minutes to evacuate everyone from the building. He then dramatically fires an arrow right past Lex's face, giving him a slight scratch on his cheek. Green Arrow meets up with Impulse and Clark, who is initially hesitant about blowing up the building. But once Chloe confirms everyone safely made it out, Clark agrees, and the whole team slowly walks away like "cool guys" as the entire facility goes up in flames.

The next day, Lionel berates Lex for letting Bart Allen go and the multimillion dollar facility be destroyed. Lex says the incident confirmed to him the great need for 33.1, saying that if Green Arrow is recruiting super-powered individuals, then he must fight fire with fire to preserve freedom and democracy. Lex also tells his dad that some security guards identified Clark Kent at the raid. But Lionel lies and says he was having dinner with Clark and Martha last night.

Our heroes, meanwhile, are in Clark's barn, lamenting the fact that the Luthor Corp. was once again able to cover its tracks and keep all the 33.1 information away from the public. But, they are glad they managed to rescue Bart, who boldly claims he had plenty of juice left. He then tries to flirt with Chloe again, to which Arthur says that's why they call him Impulse. Clark runs through all their code names and asks what their team name is. They don't have one yet, but Oliver is thinking of something with Justice in the name, saying they're going to bring Lex Luthor to justice. They all then head out to take down another 33.1 facility in Corto Maltese. They ask Clark to join them, but he says he has things to take care of in Smallville.




Two years later and this show still sucks. This episode especially ran against the greatest weakness of this show, namely that it's a show about superheroes without superheroes. They still can't let Clark be Superman, so it's really awkward when they want to start surrounding him with other heroes, but they can't really be heroes yet. They can't call them the Justice League, but they can almost reference it. They can give these heroes code names, but the style (or budget) prevents them from having real costumes. Green Arrow and Impulse had bright hoodies and sunglasses (even at night), Cyborg had a shiny jacket and Aquaman had an orange shirt. It all led to an underwhelming production, hampered by the usual weaknesses of a CW sitcom — tired, repeated sets and melodramatic romances (I spared you the subplot of Oliver's relationship with Lois Lane).

But it is worth noting that this was the first time a DC hero named Impulse appeared on TV. Unfortunately, he didn't really act all that impulsive. This show tried to tell us that he's impulsive, but they didn't show it at all. If anything, Bart was rather calm and calculating this episode. He resisted the urge to tell Clark about his superhero team, and he only got caught because Lex set a pretty good trap that fooled Green Arrow, too. I do wonder, however, why Bart didn't try to break through the glass of his torture chamber. I know he can't vibrate through objects and he doesn't have super strength, but it seems like he could have built up enough speed and smashed free, sustaining only a few cuts.

As weak as Smallville's attempt to dip their toe in the superhero world was, the show seemed to view this as an important milestone. They even produced a motion comic detailing further exploits of this "Justice" team against 33.1. I find it kind of hard to watch — poor pacing mixed with bland, receptive music and a story that isn't very compelling to begin with. But if you're interested, here it is: https://vimeo.com/27255139.

Next time, we'll take a very quick look at Shadowpact #10.

Saturday, January 13, 2018

Smallville – "Run"



Director: David Barrett
Writer: Steven S. DeKnight

So this is something new for this blog — a live version of Bart Allen. He made his first appearance in the fifth episode of the fourth season of Smallville, an episode appropriately titled "Run." This debuted on October 20, 2004 — the same day Teen Titans #17 hit the stands. A word of warning: I never watched Smallville, so I definitely will be missing out on some of the context.

Our story begins in an almost secluded alleyway at 3 p.m., where a couple of shady-looking characters are up to no good. The leader, Mr. Hanison, is getting impatient waiting for some kid. But the kid, played by 18-year-old Kyle Gallner, quickly shows up. He's wearing a red sweater and a backpack with a yellow lightning bolt on it, and his blond hair is perpetually windswept. The kid says he' never late, and when he says he'll be somewhere, he'll be there "like a flash."

He pours out a pile of watches and jewelry, but Hanison is not impressed, offering only $200 for the loot. The kid protests that his stolen goods are worth ten times that amount, but Hanison says he's no longer in the nickel-and-dime business and encourages the kid to come back when he gets something big. The kid suggests he'll take the money and the stolen goods himself. Perceiving a threat, Hanison's goon pulls out a gun. But they're all distracted by a cat knocking over some trash. When the two men turn their heads back, the kid, the $200 and all the stolen goods are gone.

We are then introduced to the hero of our show, 27-year-old Tom Welling, who is (unconvincingly) playing a 17-year-old boy named Clark Kent. He may be an alien with super powers, but right now, all he wants to do is focus on his senior year of high school, hang out with his friends and play football. And we know that Clark is a farmer because he and his dad are both wearing flannel shirts. The two of them are exiting the Metropolis Day Center, where Jonathan has received even more medication to help him recover from his recent three-month coma.

Suddenly, a man driving a big truck loaded with a bunch of large pipes decides it's OK to drink some beer while on the job. He loses control of the truck, and as it careens toward Jonathan, Clark uses his super speed to essentially stop time and race to his father's rescue. But the kid in red actually reaches Jonathan first and saves his life before running away. Jonathan thanks his son, but Clark says he was saved by someone else, someone even faster than him. And Jonathan quickly notices that his savior also made off with his wallet.

The two Kents head back home and Jonathan prepares to call the credit card company to report it stolen. But Clark wants to find out who this fast kid is, so he asks his dad to instead let him have his friend Chloe find out where the thief is using the card. So Jonathan agrees, but he warns Clark to be careful. We're then introduced to a couple of unrelated subplots, one involving Clark's mom, Martha, spending too much time at her coffeeshop, and the other about ... is that Lana Lang? ... and some mysterious tattoo she suddenly got.

The main plot returns with Clark tracking down the fast kid in a hotel room in Metropolis. He breaks the chain lock on the door and has a look around, while the kid takes a shower. Clark sees the kid's loot, clothes, shoes, junk food, some comic books (but I can't tell what they are), the stolen watches and jewelry and a bunch of fake IDs. From Kansas, Jay Garrick; from New York, Wally West; and from California, Barry Allen.

The kid soon comes out of the shower and confronts Clark in his robe. Clark says he used his dad's credit card to pay for the room, but the kid denies it and turns on Clark for rifling through his backpack. Clark accuses him of stealing everything in the room, so the kid gets dressed at super speed, putting on a red hoodie this time, and demands that Clark prove it. Clark says he saw the kid save his dad from the truck earlier, but the kid claims that no one can see him when he's "doing his thing." Clark suggests he may not be the only kid who can move that fast, then goes through the fake IDs, asking what his name is. The kid angrily admits his name is Bart, then claims he'll be a thousand miles away before Clark can even blink. Clark wants to sit down and talk, but Bart races out the door, saying, "Smell ya later."

Clark follows Bart through the city, but he's unable to keep up when Bart runs across the river. So Clark heads home and tells his dad all about Bart. To Clark's surprise, Bart is waiting for him in his house, drinking orange juice. The two kids head out the barn, and Bart says he's amazed that Clark was able to keep up with him as long as he did. He's always wondered if there was someone else like him out there, and now he's finally found one. Clark asks Bart how he got his powers, and Bart says he was involved in a huge accident a couple of years ago with a bolt of lightning that caused his body to go into "overdrive." Clark asks if this happened in Smallville, Bart says no, but he doesn't say where he's from.

Bart asks Clark how he got his powers, and Clark simply says he was born this way. He then asks Bart why he's living on the streets and what happened to his parents. Bart gets a bit uncomfortable and vague at this point, essentially saying he didn't like the way his parents treated him after the accident and he didn't fit in anymore, so he ran away. Clark admits he ran away once, too, and Bart's shocked that he came back. He says the two of them should be out there, "tearing it up," but Clark frowns on Bart's life of thievery. Bart tries to justify his actions, saying he only steals from the rich. But he admits he took Jonathan's wallet to get a room because he was worried about his "friends" at Suicide Slum who short-changed him. Bart says living on the streets is dangerous, even for him, since he's a slow as everyone else when he's asleep.

After growing uncomfortable talking about himself, Bart quickly goes through Clark's things to turn the conversation on him. He sees Clark is studying Native American mythology, apparently has a crush on Lana, and has one of the most boring hobbies known to man — rock collecting. But the rock Bart finds is actually kryptonite, which instantly weakens Clark once Bart opens the lid of its lead box. Clark says he's allergic, so Bart puts the lid back on, seeming to be genuinely concerned by Clark's pain. But he quickly changes the topic again, saying the two of them should go out and have some fun, starting with a trip to Florida.

So Clark follows Bart to have some off-screen fun in Florida before returning to Clark's mom's coffeeshop in Smallville. Bart chides Clark for refusing a girl's number in Miami because Clark thinks its irresponsible to continually travel to Florida on a whim. Clark then chides Bart for stealing a cookie, and Bart retorts that he "doesn't do lines." Chloe then joins them, saying she thought Clark would still be in Metropolis playing detective. Clark says he'll leave this to the authorities, and Bart snaps back that he wouldn't have caught the thief anyway. Clark then introduces Chloe to Bart, who says that he's from the future and came back in time to tell Chloe that they're still in love a hundred years from now. Chloe laughs at this stupid flirting, and Bart ups his game by using his super speed to fetch Chloe's favorite flower, a tulip. Chloe asks how he did that, and Bart says it was a magic trick and offers to show her more.

Clark's mom calls him over to ask about their thief. Clark tells her about Bart and how it seems like he mostly just wants a friend right now. Martha hopes Clark will be able to talk some sense into him, but then she immediately tells Clark to ditch Bart with Chloe and head over to Lex Luthor's house. So Clark obediently visits his friend, Lex, who shows him a rare 14th-century manuscript he recently purchased from St. Petersburg. What interested Lex about the manuscript is the Kryptonian symbols on the border of the page. Apparently the page was found in Rasputin's monastery, and rumor had it that Rasputin would spend days at a time staring at the page, trying to unlock its mysteries. Clark scans it with his x-ray vision and sees its actually a map. Of course, Clark doesn't want to let Lex know he has powers, even though it's pretty obvious Lex does know, but he won't come out and say it. So every scene between these two includes a lot of awkward silences.

Lex abruptly sends Clark home, and he bumps right into Bart in the hallway. Bart says that Chloe shot him down, so he decided to check on Clark and is amazed that he knows Lex Luthor. Clark tells Bart he needs to leave, and when Lex comes out in the hall, Bart quickly runs away. Lex asks Clark who he was talking to, and Clark just awkwardly stares at Lex in silence for a few minutes. He then runs home to tell his dad about the map Lex found. Jonathan advises Clark to ignore the map, reminding him of the desire he expressed just a few hours ago to be a normal teenager. But Clark says Bart has reminded him that he's not normal and he can't keep running away from who he really is. Clark then tells his dad that he won't steal Lex's map, just sneak back into the mansion to get a better look at it and draw it on a piece of paper.

As Clark prepares for his act of trespassing, Bart catches up with him, itemizing Lex's wealth and concluding that there's no way anyone can be that rich by "playing it straight." He says he needs to step up his thieving game because he wants to live like Lex. Clark tries to excuse himself, and Bart offers to come along, but Clark insists its personal. He offers to hang with Bart as soon as he gets back, so Bart starts making plans for a midnight movie, which Clark agrees to, as long as Bart doesn't tell his dad. Bart then awkwardly thanks Clark for being his friend this afternoon and presents him a gift of an MP3 player. But Clark correctly suspects the gift was stolen, which brings up another debate about stealing. Bart insists that laws only apply to normal people and they shouldn't treat their powers like a curse. Clark says they should use their powers to help people, and Bart says he won't stay around for another lecture. Clark tells him that running away won't solve his problems, but Bart says he's running toward the life he wants. He angrily tells Clark that they're nothing alike and takes off.

So Clark proceeds with his plan to sneak into Lex's house and stare at the manuscript. But as he does so, Bart zips in, grabs the priceless page and leaves Clarks standing there stupidly as a security alarm goes off. Lex quickly enters the room with one armed guard and asks what happens. Clark says he was just coming by to say hello, and the alarm suddenly went off. It seems like Lex can tell Clark is lying, but he chooses to believe Clark, saying he knows a real friend would never lie to him. Lex also assures Clark that he's confident he'll get the manuscript back soon. Even though it's worth a fortune, it's so rare and so valuable, there really isn't anyone the thief can sell it to without being found out.

The next day, Bart visits Mr. Hanison again, offering him the manuscript, which rolls up real neatly for a 500-year-old document. A car suddenly approaches this almost-concealed alleyway, and as Bart's head is turned, Hanison's goon knocks him out with the butt of his gun. Lex steps out of the car, walks right past Hanison and examines the dangerous thief he had been told about. Upon seeing Bart's just a kid, Lex orders Hanison to let him go, but Hanison warns Lex that he has no idea what Bart is capable of. He then asks Lex for his "finder's fee," but Lex reveals he's called the police. So Hanison orders his goon to take care of Lex, but Lex actually beats the crap out of the big guy with a gun. However, Hanison sneaks up behind Lex and takes him down with one punch.

Bart finally wakes up by this point, and Hanison blames him for causing this mess. He pulls out a gun on the teen, saying it's time to find out if he's faster than a speeding bullet. Before he can pull the trigger, Clark rushes in, takes the gun away, and tosses Hanison up, through the roof. The criminal crashes down through the roof of an RV, sustaining injuries that surely should have killed him. Hanison's goon wakes up at this point, and Clark tells him he doesn't want to be here right now. So the guy obediently runs away. Clark then lectures Bart about his philosophy of victimless crimes, and heads to check on Lex.

But Bart suddenly pulls out the Kryptonite, and takes back the manuscript. Clark says the Kryptonite will kill him, telling Bart he's not a murderer. Bart shouts back, "You don't know who I am!" Clark says he's seen the good in Bart and tells him to stop running, or he'll end up alone. He says he knows this because deep inside, they're the same. Bart closes the lid on the Kryptonite, saying he wishes that was true, then takes off before Clark can recover.

Later, Clark tells his dad all about this, explaining that he stayed with Lex until the ambulance arrived, so he has no idea where Bart is now. Jonathan figures this is for the best, but Clark insists Bart isn't a bad kid. Jonathan argues that embracing your abilities and flaunting them are two completely different things. Clark admits he wishes he could act more like Bart sometimes, saying he spends so much time hiding his powers that he feels like he's two different people. Jonathan says that many normal people also feel the same way about their lives.

Clark then checks on Lex, who's been released from the hospital with only a slight bruise on his face. He shows Clark that someone returned the manuscript while he was in the hospital. This gives Clark another chance to look at the hidden map, but Lex quickly sends him away, saying he still has a bad headache. Lex also neglects to tell Clark that he has taken x-rays of the manuscript and has also discovered the map. So Clark heads home and begins drawing the map from memory. Bart shows up behind him, saying his drawing sucks. Clark asks Bart why he returned the manuscript, and Bart lamely says all that money would have slowed him down.

Bart then asks Clark how he found him in that not-at-all hidden alleyway, asking if Clark also has psychic powers. Clark explains that he spent all night in Suicide Slums trying to convince people he had a thousand of the MP3 players Bart gave him and was looking to fence them. Eventually, he was pointed in Hanison's direction. Bar is impressed with Clark channeling his inner criminal. Clark asks Bart what he's going to do now, and Bart says he'll continue exploring the world, searching for more people like them in hopes of starting a club or a league. He asks Clark to join him, but Clark asks Bart to stay. Bart says he has no reason to stay in Smallville. Clark meekly says, "You have me," but that apparently isn't good enough. Bart thanks Clark for being his friend, then says that if Clark can catch him, then he'll think about staying. The episode ends with the two of them racing down the street, but just like before, Clark can't keep up with Bart.




This show sucked. I am not a fan of sitcom television — especially on the CW. There's too much melodrama, very few sets that keep being recycled, cheap special effects, expository dialogue, grown adults trying to pass for teenagers, and a fair amount of padding to push the episode out to 44 minutes. But I'm not sure if this was a good or bad episode by Smallville's standards. This was the first episode I've watched from start to finish, and, as far as I can tell, this was the debut episode for both the director and the writer. All I know is I don't like this show.

Bart really was a mixed bag for me. On one hand, I really liked Kyle Gallner. Unlike Tom Welling, Gallner actually looked like a high school student. And he seemed to have the necessary level of energy to play Bart. The problem, though, is in how Bart was written. Instead of the perpetually optimistic and happy Impulse of the comics, this Bart was perpetually angry and cynical. And when you fundamentally change a character's attitude and backstory — making him a pickpocket street urchin for some reason — you end up with a character that's barely recognizable. And it makes you wonder why they even bothered using that character's name. This version of Bart just as easily could have been Jay, Barry or Wally, and nothing would have changed. He is an original character created for this show.

I'm also trying to figure out what the point of this episode even was. I suppose that Kryptonian map will come into play later on, but we didn't need Bart Allen to bring that plot device to the show. Really, all he did was hang out with Clark for a couple of days, then left. He didn't seem to profoundly affect Clark in any way, nor did Clark really change Bart's attitude in any way. He ends the episode just as he begins it — as a restless pickpocket with a heart of gold and a desire to find others like him. And ultimately, the only reason he does take off in the end is because his actor was only hired for one episode. Because, really, Bart, who's in desperate need of a friend and is too frightened to keep living on the streets, would want to stay at the Kent farm. He could use it a sort of base while continuing to search for superpowered individuals. That would have been a very different direction for the show, watching Clark and Bart slowly build up a Justice League or Teen Titans. And maybe it would have been better. Or not. The current slate of DC shows on the CW certainly aren't wanting for any superheroes, but I still don't think they're any better than this episode of Smallville was.

So if I can come away with one positive from this episode is that it clearly showed that Bart was faster than Clark. I always hate it when Superman is as fast or faster than the Flash. Even the recent Justice League movie did that. But this dumb Smallville episode, with its cheesy special effects and all, managed to nail that crucial detail. And I will say I am honestly intrigued to see the return of Bart Allen on this show.

Next time, we'll wrap up the year 2004 with Teen Titans #17.