Wednesday, January 28, 2026

The Flash #26 (legacy #826)


Impulse Control – Part 1

Written by Mark Waid & Christopher Cantwell
Art by Vasco Georgiev
Colors by Matt Herms
Letters by Buddy Beaudoin
Cover by Dan Mora
Editor Chris Rosa
Group editor Paul Kaminski
Superman created by Jerry Siegel & Joe Shuster
Supergirl based on characters created by Jerry Siegel and Joe Shuster
By Special Arrangement with the Jerry Siegel Family

Our cover shows an angry Flash unable to prevent Impulse from racing to the front and center of this story. Step aside, ridiculously overpowered Wally and his equally overpowered children! It's Bart's time to shine! And it's all thanks to Mark Waid. But also the DC KO event, which is why we glimpses of the Doomsday Time Trapper accompanied by the cosmic World Forger in the bottom of the lightning bolt, while the top features a Darkseid-corrupted Legion of Super-Heroes. Sadly, Bart is not part of the main DC KO event, but at least he gets to (mostly) take over the Flash tie-in specials. And, as usual, none of the variant covers feature Impulse, but this Dan Mora work is more than enough for me.

Our story begins with Flash defeating the Alchemist in Arizona before being whisked away to the Justice League Watchtower satellite, where Time Trapper warns all the heroes that Darkseid is re-forming all of existence into his image. Meanwhile, Bart has decided to take Irey on a ride aboard one of the Watchtower's star-jets. Apparently Wally has kept Irey aboard the satellite ever since his war with Eclipso and Bart felt she deserved a bit of fun (even though he doesn't know how to pilot the jet, much less drive a car). I don't know why Bart happened to be on the Watchtower at this time, as well, but nobody's bothered to explain where Bart even lives for years, so I guess we'll just have to go with it.

Anyway, Superman puts an end to their joyride before it can even begin, giving us a class Impulse thought bubble of a rain cloud pouring on his head. Bart's escorted back on the Watchtower, where Max Mercury points out that Bart could have been halfway to Andromeda before he even considered whether that joyride was a good idea. Bart defensively points out that both he and Irey need to stretch their legs. Max answers with a zen-like quote, saying that the fastest he will ever run is when he's completely still. Bart can't tell if Max was being wise or just clever.

Max tries to lecture Bart further, but Impulse becomes distracted by the sight of Time Trapper, whom he recognizes as Doomsday. Bart prepares to rush off to fight the villain, but Flash quickly stops him, saying they are discussing the potential end of all existence. So Bart settles down and actually listens to the Time Trapper, who explains that Darkseid has placed the Heart of Apokolips at the center of Earth eons ago. This living essence thrives on omega energy and answers only to the one who most commands that dark power, aka the "King Omega." And apparently the only way to prevent Darkseid from completely rewriting the past, present, and future, is to hold a massive tournament to crown a King Omega who can claim the Heart of Apokolips before Darkseid.

The speedsters aboard the Watchtower — Wally, Max, Bart, Irey, and Jay Garrick — hold a quick huddle to discuss this news. Wally says this whole tournament idea sounds insane and desperate. But Jay surprises him by saying this plan could actually work. But Wally abhors the idea of having to fight their friends in order to find a champion. Max suggests time travel, pointing out that Time Trapper and World Forger have already begun to slow down time to give the heroes a chance. But Wally hates this idea, too, saying he recently caught a glimpse of the time stream and saw it is literally on fire, due to the actions of Darkseid.

Irey and Bart, however, like the idea of fighting a slowed down Darkseid. Bart even brags that he overrode the difficulty settings on every combat simulation in the 31st-century virtual reality program he was raised in. And for the first time in decades, we are treated to an artist's re-imagining of young Bart's VR hookup. Putting him in just his underwear with a massive helmet shoved over his entire head paints an even more horrifying picture than before. Seeing this stark image gives Iris even more motivation to rescue her grandson.


Irey concurs with Bart, saying battling Darkseid in these conditions would be a cakewalk. Wally says that only one person gets a cake in cakewalk, but Max believes that everybody actually gets a cake in that children's game. Wally argues that his point is this crisis isn't a game.

Suddenly, before any of the other speedsters can react, Bart takes off. He runs fast enough to vibrate through the Watchtower's walls and out into open space, managing to enter the time stream before he froze to death. Wally tried to take after Bart, but he hesitated for just a moment, which caused him to bounce off the satellite's wall. Max and Irey rush to check on Wally, who angrily says he needs to catch Bart before he does something stupider. To Wally's surprise, neither Max nor Irey know who Bart is. Realizing that this means Bart has already disrupted the time stream, he takes off once more, this time making sure to vibrate cleanly through the wall.

Wally is momentarily lost in the time stream, caught watching his whole life pass before his eyes, until Bart pulls him out, asking what took him so long. Wally and Bart come face to face with Darkseid, practically frozen in time, just as Time Trapper promised. Bart points out that in this environment, microseconds will take more than an hour to pass for them. They are moving faster than the speed of light and no one can even see them. He argues that this is their best shot to take down Darkseid, save everyone, and leave before anyone even knows they were there. Before Wally agrees, Bart rushes in to attack ... only to be surprised by Darkseid's counterattack.


Darkseid has apparently grown so powerful already, that he knew Wally and Bart would attack them. And he was just waiting for them to make the first move. Even worse, Darkseid is already faster than the two speedsters. Before they know it, Bart finds himself in a strangle hold in Darkseid's hand, while Wally is pinned to the ground with Darkseid's axe-hand at his throat. Darkseid then announces he's going to show the speedsters what he is by reaching into their past and future.

Bart suddenly finds himself back in his virtual reality system in the 31st century. And Wally is suddenly a second-grader again, getting beat up by a schoolyard bully. While Wally sees Darkseid in his bully and cowers in fear, Bart finds himself battling the Dominators — the evil alien race that initially captured him and experimented on him. Bart notes that he doesn't remember his VR combat simulations hurting so much, then he remember who he's actually fighting, getting another classic thought bubble of Darkseid punching his face.

While Darkseid gloats about being able to destroy his enemies when and where he pleases, Bart decides to risk using the VR's shutdown code, even though it could kill him. He shouts out Iris-9294, which is a nice reference to his grandmother who saved him and his first full appearance in the comics (Flash #92 from 1994). This does the trick, causing Bart to regain his senses long enough to escape Darkseid's grasp and push Wally into the time stream with himself. Bart can feel the Speed Force is in pain (yet again) but he feels there must be another chance to stop Darkseid further back in the past.

Bart eventually comes crashing out of the time stream into Russia in 1908, causing a massive explosion in a forest with his arrival. Wally is nowhere to be found, but Max Mercury surprisingly is. Of course, this Max doesn't recognize Bart and races right past him, babbling about an omega blast, pure speed, and his desire to pledge his total allegiance in pursuit of truth. Bart follows Max, wondering why he's acting so rashly. Max soon reaches three members of the Legion of Darkseid, to whom he kneels down and hails. The evil Legionnaires do actually recognize Impulse, telling him their master was dismayed by Bart's sudden retreat, but now they are thrilled to have him right before them, "ripe for the kill."




Mark Waid really frustrated me with his Impulse appearance in Justice League Unlimited. Bart wasn't allowed to do anything heroic or of any consequence for that matter. But here, Waid has made up for that and then some, putting Bart firmly in the driver's seat, for better and worse, in his own "Impulsepoint" adventure. And I am here for it!

It's been such a long time since any decided to show some hidden talents and depths to Bart's character. It's been an even longer time since someone showed Bart getting the snot beat out of him! I didn't realize how much I've been missing a good, old-fashioned fight like this. And Vasco Georgiev's frenetic art perfectly fits the story. I was unimpressed with his work during the war with Eclipso, but it turns out that a more straightforward plot fits his talents much better than anything Simon Spurrier was writing. My only nitpick is that Bart's eyes are brown instead of yellow. Oh well! That fact has been long forgotten by everyone working at DC.

To be continued...

Tuesday, January 13, 2026

New History of the DC Universe #4


Mark Waid Writer
Howard Porter & Hayden Sherman Artists
Hi-Fi & TrĂ­ona Farrell Colorists
Todd Klein Letterer
Chris Samnee & Giovanna Niro Cover Artists
Megen Bellersen, Louis Prandi & Curtis King Jr. Publication Design
Marquis Draper Associate Editor
Brittany Holzherr & Andrew Marino Editors
Superman created by Jerry Siegel & Joe Shuster.
Superboy created by Jerry Siegel.
Supergirl based on the characters created by Jerry Siegel & Joe Shuster.
By special arrangement with the Jerry Siegel Family.

Unsurprisingly, Impulse was not included on this issue's cover or any of the variant covers, either. Regardless, we're still treated to another beautiful work from Chris Samnee — except for poor Damien Wayne. His head got sqooshed for some reason.

Anyway, Bart was not included in the coverage of Blackest Night or Flashpoint, but we did get a tiny glimpse of our old New 52 friend, Bar Torr. The most interesting thing for me was seeing that Dr. Manhattan was the one who put together the New 52 universe — not Pandora, as was originally intended.

We don't actually get to see the real Bart Allen until the formation of the new Young Justice (unfortunately drawn in a style I don't care for by Hayden Sherman). And that is all the Impulse we get until the timeline at the end.


New History of the DC Universe Timeline Part Four

Written by Dave Wielgosz
Based on research by Mark Waid & Dave Wielgosz
Special thanks to John Wells

Bar Torr is mentioned in the timeline (as Kid Flash III), but we don't see him. We do get to see Impulse with the re-formed Young Justice, which was explained as a result of Bart's return in The Flash #50. And that's all we get until the timeline dips its toes in what it calls "The Many Tomorrows of the DCU..."

We get to see the adult Bart Allen as a member of the Titans of Tomorrow. And Bart's dad, Don Allen, is mentioned as having fathered our lovable speedster in the 30th century. And ... that's it. The timeline concludes at the end of time, where Doomsday has evolved into the Time Trapper, which perfectly sets up the next big event.




I admit I probably should have skipped this issue due to the lack of Impulse in it. But I had to do the last one because he was on three of its covers. And I like how the ending of the timeline leads us right into DC K.O. Naturally, Bart isn't a big player in that main title, but — much to my delight — Mark Waid found something genuinely interesting to do with Impulse in the Flash series.

Next time: The Flash #26

Monday, January 12, 2026

New History of the DC Universe #3


Mark Waid Writer
Dan Jurgens & Doug Mahnke Pencillers
Norm Rapmund & Doug Mahnke Inkers
John Kalisz & David Baron Colorists
Todd Klein Letterer
Chris Samnee & Giovanna Niro Cover Artists
Dan Mora, Ryan Sook, Scott Koblish & Hi-Fi, Frank Quitely, Karl Kerschl Variant Cover Artists
Megen Bellersen, Louis Prandi & Curtis King Jr. Publication Design
Marquis Draper Associate Editor
Brittany Holzherr & Andrew Marino Editors
Superman created by Jerry Siegel & Joe Shuster.
Superboy created by Jerry Siegel.
Supergirl based on the characters created by Jerry Siegel & Joe Shuster.
By special arrangement with the Jerry Siegel Family.

Our cover gloriously puts Impulse front and center among all the icons of the '90s. I'm a little sad that Tim Drake wasn't included, but at least Superboy is proudly standing right by his old pal, Bart. And I also have to laugh at the tiny bit of irony by sticking Impulse right next to Blue Beetle, as the two of them were so close during the Young Justice animated show. But that's a different continuity in a different decade. This issue is all about that glorious 20-year span of high Impulse activity. And I'm beyond thrilled that one of my favorite artists, Chris Samnee, got to illustrate this cover.


For the first time in a long time, Bart was included on a variant cover. So I turned to dc.fandom.com to help me out. Here he is as Kid Flash in Ryan Sook's reinterpretation of Superboy's death in Infinite Crisis. Of course, it didn't happen this way, at all — especially since Bart was in the Speed Force at the time of Kon's death, and by the time Bart had returned, he had already grown up to Flash age. Regardless, this is still a tender tribute to a momentous event in DC history.


Impulse also appears in the lower right corner of Scott Koblish's massive wraparound collage. This is part three of four, spanning the entire DC history, grouping notable characters chronologically. It's a really impressive achievement and I think it would be pretty fun to get all four of them as a massive poster. But mostly, I'm just glad that Impulse was prominently included. Few character exemplify the '90s as much as he does.

There's not really a story for this issue. It's just Barry Allen writing the history of Earth's superheroes. He notes that his grandson, Bart Allen, was sent back in time so Wally West could help him control his super-speed. And Bart quickly gained the code name Impulse, which reflected both his powers and his personality. (I'm glad Waid didn't repeat the error he once made by saying Batman named him Impulse. Bart came up with the name himself after Wally complained he was being impulsive.)

Impulse is later seen with Young Justice, as drawn by Dan Jurgens and Norm Rapmund.


I'm really sad they couldn't bring in Todd Nauck to draw this issue, but I suppose they wanted Jurgens so he could draw Superman battling Doomsday for the 1,000th time. Anyway, we next see Bart as Kid Flash and a member of the Teen Titans. Sadly, he was not mentioned in the recap of Infinite Crisis. But that's OK. He shows up quite a bit in the backup story.

New History of the DC Universe Timeline Part Three

Written by Dave Wielgosz
Based on research by Mark Waid and Dave Wielgosz
Special thanks to John Wells

This literally is just a timeline with brief lines of text for important events and the occasional photo taken directly from the source material. Impulse's debut is accompanied by a panel from Flash #92 drawn by Impulse co-creator Mike Wieringo.

Mostly, I'm impressed with how detailed this timeline is. We get a reference to Savitar from Impulse #11. We see the origins of Arrowette from Impulse #28 by Tom Peyer and Craig Rousseau. And the formation of Young Justice is explained as the result of the battle with Bedlam in JLA: World Without Grown-Ups. We even get to see Impulse's arch-enemy Inertia!

The teenaged Lobo is shown, but Wielgosz's text incorrectly identifies him as "Slobo, a.k.a. Li'l Lobo, a teenage clone of the Main Man." Li'l Lobo was actually the real Lobo, who was magically transformed into a teenager by Klarion the Witch Boy. Slobo was a smaller, defective version of Lobo that was born from his blood after he died on Apokalips. But I don't fault Wielgosz for missing these details — he had a LOT of ground to cover here.

Anyway, the timeline also shows Bart as Kid Flash with the Teen Titans and mentions how he aged to adulthood to become "Flash IV" in Infinite Crisis. The timeline says that Inertia and the Rogues killed adult Bart, then it ends by showing the revived Kid Flash and Superboy from Final Crisis: Legion of Three Worlds.




This was a pretty fun comic. I think the art could have been stronger, but I'm just happy that DC has finally decided to officially lay out what "counts" and what doesn't in its sprawling continuity. And for most purposes, this history and timeline will be more than enough for everybody. For those nerds like me, I recommend dc.fandom to get the fuller, and more accurate, history.

Next time, we'll conclude this Mark Waid project.

Saturday, January 10, 2026

The Flash #23 (legacy #823)


Bad Moon Rising Part Five

Written by Simon Spurrier
Art by Vasco Georgiev
Colors by Matt Herms
Letters by Hassan Otsmane-Elhaou
Cover by Davide Paratore
Editor Chris Rosa
Group Editor Paul Kaminski

Our cover shows the Flash posing menacingly in front of images of Eclipso, Captain Cold, and ... somebody. I know I've seen that monstrous face before, but I can't for the life of me place it. It doesn't help that this figure (and Captain Cold, for that matter) is nowhere to be seen in this issue. And that really cuts at the core of my complaints about this story. Spurrier started with an intriguing concept — the Flash family in an all-out war against Eclipso and the Rogues on the Moon — but Georgiev is either unwilling or unable to actually show that war. Anyway, this cover by itself is fine, but not particularly indicative of the story inside. And none of the variants feature Impulse, so we'll omit them.

Impulse actually does get a few more lines this time, although he still doesn't have much to do. We pick up with Bart and the rest of the Flash family apparently surrounded by an unseen horde of enemies. Seriously, we do not see anything. But everyone's worried this is the end, and Max Mercury bizarrely has a grossly optimistic take on the prospect of fighting to the death alongside the ones he loves. However, the crisis is solved by Irey doing ... something.

Don't blame me for not being able to explain this, because the characters in the story can't explain it, either, and the art once again does us no favors. But whatever she did, it both saved our heroes (for the time being) and freaked them out. Avery says it looked like a billion Ireys all fighting at once, but Ace argues it was more like the whole universe was Irey. Judy Garrick (daughter of Jay) comments on how Irey's stunt seemed to take all the power out of her. Bart picks up on this, adding that he's never felt anything so powerful or "freaking scary" in his life.


Wally is quite upset with this kind of talk, since Irey appears to be quite distressed by the whole ordeal. In fact, Wally is so mad that he orders the others to ask the Justice League to help them get Irey home once he expels everyone from the Chronosphere. Yeah, this whole war was taking place in this special bubble outside of normal time, and the only reason the other speedsters could even participate was because Wally had extended his aura around them. But now he's decided he can't risk them or his family being hurt, and he expels them all, intent to take down Eclipso himself.




This was another frustrating and boring and incomprehensible story from Simon Spurrier. Luckily, this is the last time he uses Bart in Bad Moon Rising, so I don't have to attempt to explain how Wally and his kids once again saved the day. Or recount how Wally once again learned to trust and love his children. 

The next time we'll visit this series, Mark Waid will have taken over. But first, a quick detour into another Waid project, the New History of the DC Universe.

Thursday, January 8, 2026

The Flash #22 (legacy #822)


Bad Moon Rising Part Three

Written by Simon Spurrier
Art by Vasco Georgiev
Colors by Matt Herms
Letters by Hassan Otsmane-Elhaou
Cover by Davide Paratore
Editor Chris Rosa
Group Editor Paul Kaminski

Our cover shows an army of Flashes battling Eclipso on the Moon. It's ... not terribly exciting. That may be mainly because I'm not really into the whole concept of this story, but it's also due to the style of this cover being so different from the interior art. I would have preferred to see Vasco Georgiev draw this. Anyway, I'm once again skipping the variant covers, as they do not include Impulse.

Speaking of Impulse, he barely makes an appearance in this issue. But since he does speak, I am honor-bound to report on it. So as I already mentioned, the Flash is fighting a war against Eclipso on the Moon. And because Simon Spurrier has severely power-boosted the Flash, Wally has the ability to create a seemingly endless army of duplicates of himself. I'm not too concerned about the particulars. All that matters for this blog is that the various members of the Flash Family are serving as generals, leading platoons of Wally's duplicates.


I do have to admit that I'm slightly intrigued by the idea of seeing Impulse command a couple hundred Wally clones in battle. Unfortunately, we don't get to see any of that. Just Bart delivering a report, which is ignored. Spurrier is much more interested in developing Wally's children, who also have insane, over-the-top abilities. It's all rather boring and frustrating for me, but I suppose I should be grateful for these table scraps being tossed to us Impulse fans.

Next time: The Flash #23