Wednesday, December 11, 2024

The Flash #13


Issue Thirteen: "And Everything After"

Written by Simon Spurrier
Art by Ramón Pérez
Colors by Matt Herms and Pete Pantazis
Lettered by Hassan Otsmane-Elhaou
Cover by Ramón Pérez
Variant covers by Mike Deodato Jr. & Jão Canola, and Özgür Yildirim
Artist Spotlight variant cover by Nicola Scott & Annette Kwok
Editor Chris Rosa
Group Editor Paul Kaminski

Our cover is a haunting, yet completely misleading image of an electric speedster standing in the ruins of a destroyed Flash statue. Nothing remotely like this happens in this issue. I kind of wish it did, because that idea of a "broken legacy" seems a lot more interesting than the story Spurrier did give us. Anyway, Bart didn't show up in any of the variant covers, so let's do a quick review of Spurrier's grand conclusion.

So ... here is what I think happened. Barry and Wally raced through the Source Wall to stop the Arc Angles' poison from infecting it. Barry pulls out the poison, but Wally can tell that the Source is still in pain and has been in pain since before this whole thing began. Somehow, Wally just knows that he can heal it by ... wading out into a white pool of nothingness. Inspector Pilgrim randomly and miraculously opens up a portal inside the Source to pull Barry out, leaving Wally to do his thing. But the Arc Angles are there, too, and to stop Wally, they summon his family and begin to torture them. Wally slices up all the Arc Angels with his magical dagger that he got from ... somewhere.

So now the entire West family is deep inside the Source, and everybody begins demonstrating an insane amount of knowledge. Wally's own kids bizarrely know more about everything than he does. Jai somehow has the power to "reshape" the Arc Angles into forms that resemble the Stillness entities that kind of kicked this whole thing off, only to later be destroyed by the Arc Angles. And these new Arc Angles have conveniently lost their memories, so Jai and Wally order them to explore the universe and never forget that "it's better to feel anything than nothing."

The Arc Angles take off with their newfound purpose in life, I guess, and Linda realizes that the Source is about to give birth. So the West family ... shares their love? ... with the Source, enabling it to "give birth" and send them all back to where they belong, just as it was. Except the West family now has a dog named Foxy and everybody seems to remember the dog as having always been there. 

The Flash family slowly comes to the realization that they just saved all creation, and Bart rushes off to procure more donuts, since that's all he's good for anymore.


But there's no time for celebrating. Everybody quickly receives word that Amanda Waller is up to no good, so they all rush off to join the Absolute Power event. Wally lingers behind just long enough to cryptically tell Linda that he saw a vision of two Wallys trying to work together, but not trusting each other. Then he races off into the sunset, almost as fast I raced away from this book.




I really was hopeful when Simon Spurrier took over from Jeremy Adams. Spurrier promised to take the Flash in a new direction. One filled with horror and mystery. We got a little bit of that ... but mostly an incomprehensible story filled with concepts even too abstract for Grant Morrison. And I think the biggest problem came down to how ridiculously overpowered he made everybody. For decades in the comics, entering the Speed Force was an enormously difficult accomplishment — something that Max Mercury spent a lifetime trying to accomplish. But now he can casually lead a group of speedsters deep into the highest level of the Speed Force without expending any effort. And penetrating the Source Wall used to be a near-impossible, colossal event that had ramifications for the entire DC Universe. But now? Anybody and everybody can just pop in and out willy-nilly. 

And why, exactly? What were our heroes fighting? Nearly all-powerful beings that sought to destroy time? That concept doesn't mean anything. So it's no surprise that the resolution of such a plot would be unsatisfactory. The West family saved the day through the power of love! Pretty much the lamest copout one could hope for. And along the way, we learned that the Wests are so absurdly powerful and intelligent, that it seems impossible for anything to challenge them in the future. 

What's that? Amanda Waller is up to no good? Don't worry, Jai and Irey will just reshape reality to open a sideways conduit into the ethereal nature of Waller's psyche and pluck out all the negative emotions from her subconsciousness. Seriously, what's stopping them from doing something that utterly bizarre and unfulfilling? Spurrier has opened the door for this kind of nonsense to permeate all future Flash stories.

And I am compelled to end by complaining about his treatment of Bart Allen. Adams didn't have much use for Max and Bart, so he decided to give them a beautiful farewell race into the beyond to help trim the fat of this bloated Flash family. Spurrier shockingly robbed Max and Bart of this sweet moment, only to do ... absolutely nothing with them. We had that tense moment where it looked like they were going to die in Ickto, but beyond that, they mostly stood around in the background. And in Bart's case, obsessively eating donuts. I say if you're going to do something as dramatic as pull the rug out from the under of the perfect finale, then you'd better have a good reason for it. Spurrier didn't. And I actually would have preferred that he just left them alone and focused on all the other members of the Flash family instead.

Next time? I'm not sure. It might just be time for another Year in Review. It doesn't appear that Spurrier has any plans for Bart in his next story arc, and nobody else is using him. I'll keep an eye out, but I find it highly unlikely Impulse will make another appearance in 2024.

Tuesday, December 10, 2024

Wonder Woman #13


"Reunion"

Tom King Writer
Tony S. Daniel Artist
Leonardo Paciarotti Colorist
Clayton Cowles Letterer
Tony S. Daniel & Maiolo Cover Artists
Stanley "Artgerm" Lou, Phil Jimenez & Romulo Fajardo Jr., Gleb Melnikov Variant Cover Artists
Nicola Scott & Annette Kwok Artist Spotlight Variant Cover Artists
Chris Rosa Associate Editor
Brittany Holzherr Senior Editor
Paul Kaminski Group Editor
Wonder Woman created by William Moulton Marston
Superman created by Jerry Siegel and Joe Shuster.
Superboy created by Jerry Siegel. By Special Arrangement with the Jerry Siegel family.

Our cover shows Wonder Woman breaking out all the prisoners captured by Amanda Waller during the Absolute Power event. Impulse, Kid Flash and Superboy all make the cover, and they look great. It's really hard to find any fault in Tony Daniel's art. And I really do feel spoiled having Impulse appear on two consecutive covers for this blog. Of course, he didn't make it on any of the variant covers for this issue, and he barely makes an impression inside this book, but he does have one line and I have made a solemn vow to review every comic where he speaks at least once.

Absolute Power was DC's big crossover event of the year, headed up by Impulse creator (and my favorite writer) Mark Waid. Unfortunately, Impulse only appears briefly in the background of a few of those issues and doesn't speak. So I won't be covering that event properly. This is all we get. So I hope it suffices for me to simply say that Amanda Waller has taken away all the heroes' powers and has imprisoned a whole bunch of them. This issue details how Wonder Woman, Steve Trevor and Damian Wayne rescue all those heroes.

Cassie Sandsmark makes a cameo, but Tom King is unfortunately uninterested in presenting a Young Justice reunion with Wonder Girl, Superboy and Impulse. Jay Garrick is also here, but the only other speedsters we see are Bart and Ace. They're both complaining about how everything is so slow — Bart even swears! — but they're both talking really fast, suggesting that they may not have been completely stripped of all their speed.


All in all, it's a quick, straightforward prison escape story. None of the heroes really seem to be impeded by their lack of powers — just a few grumblings, is all. The only problem I had with this issue was that Wonder Woman wouldn't stop kissing Steve Trevor the whole time. Damian felt the same way, which was nice to see my feelings being acknowledged. But at the end of the day, I would have liked to see more action and interactions involving this massive cast of characters.

"The Secret Origin of Trinity, Daughter of Wonder Woman!"

Tom King Writer
Khary Randolph Artist
Alex Guimarães Colorist
Clayton Cowles Letterer
Chris Rosa Associate Editor
Brittany Holzherr Senior Editor
Paul Kaminski Group Editor
Superman created by Jerry Siegel & Joe Shuster. By special arrangement with the Jerry Siegel family.

This is a quick backup of an adult Damian giving a very colorful retelling of the main story to Trinity. It's really cute and funny to see Damian's revisionist history. I don't have anything else to say about this, other than it contains one of my favorite Impulse drawings in years.


If we ever get a Young Justice revival, I would love to see Khary Randolph handle the art.

Next time, we'll finally conclude Simon Spurrier's story in The Flash #13. It technically happened before this issue, but this came out a week before. Plus, I was happy to interrupt that mess of a story.

Monday, December 9, 2024

The Flash #12


Issue Twelve: "Until Time Stands Still"

Written by Simon Spurrier
Art by Ramón Pérez & Vasco Georgiev
Colors by Matt Herms
Lettered by Hassan Otsmane-Elhaou
Cover by Ramón Pérez
Variant covers by Rafael Grassetti and Matt Taylor
DC Super Powers variant cover by Jason Geyer & Alex Saviuk
DC Swimsuit variant cover by Mirka Andolfo
Editor Chris Rosa
Group Editor Paul Kaminski

Our cover is an appallingly bad representation of the Flash family. This was supposed to be a triumphant celebration, the penultimate chapter in Spurrier's yearlong opening Flash run. But instead, we get a lazy, hodgepodge grouping of the speedsters, where everyone is off model and kind of freaky looking. This artwork is far below Pérez's normal standard — much worse than his work on the interior pages of this issue. I highly suspect (and really hope) that this cover was a last-minute rush job because DC rejected the original design, because this is just awful. Anyway, none of the variants feature Impulse, so let's jump right into the story.

We pick up with all our favorite speedsters debating the complicated situation they've found themselves in. As soon as the adults realize all the kids have gone missing, they come zooming back in. But instead of telling anyone that they discovered all the various villains involved in this plot have been incapacitated, Wally's children report they can feel their father's presence in the Speed Force. Specifically at the point where "the highest vibration elides with infinity." Everyone agrees they need to try to rescue Wally immediately, but Bart, still snacking on donuts, asks if anyone knows how to transcend that high. Everybody looks at Max, and he simply tells them to embrace the barrier instead of breaking it. And so all the speedsters just ... disappear in a flash of light.

Jai reaches his dad first, but he can't break through this odd bubble he's in. But a spectral version of Linda shows up right behind him, explaining that Abra Kadabra had somehow stripped her of her curiosity, pride and love. But all those parts remained floating around through the various areas of the Speed Force and are now able to connect with Wally and break him out of the bubble.

Meanwhile, all the other speedsters are battling the Arc Angles. Irey somehow had previously obtained some concentrated "Speed Force juice," which she randomly decided to give to Gorilla Grodd, the Folded Man, Abra Kadabra and Mirror Master, temporarily granting them super speed. The villains do serve to distract the Arc Angles long enough for the speedsters to help provide Wally a boost to try to catch "the weapon" from destroying all time. Bart, Avery and Ace are the first to boost Wally, with Bart oddly calling him "Mr. West."


The three teen speedsters quickly disappear from the Speed Force after giving Wally their energy. Up next is Jesse Quick, Circuit Breaker and Inspector Pilgrim, followed by Jay and Max. The Arc Angles finally manage to defeat the four villains, sending three of them back to the real world without any memory of this event. The Mirror Master isn't quite so lucky, as he was randomly erased from all time and history. Evan McCulloch now has never existed.

Jai and Irey give Wally his final boost before he's joined by Barry. Together, Wally and Barry destroy the "weapon" — a nonsensical "crown of Thawnes" representation. Or something like that. I don't really care at this point.




This is so incredibly, unbearably dumb. Every single aspect of it. No, Bart would never, EVER call Wally "Mr. West." Even to make a dumb rhyme. Everything with Linda was phenomenally stupid. And what did poor Mirror Master do to Simon Spurrier to warrant being completely erased from existence?

But from a narrative standpoint, my biggest complaint is how easy everything was for everybody. After spending all last issue worrying about Wally and wondering where he is, they suddenly knew exactly where he was and were able to instantly teleport right to his side without any effort whatsoever. And Irey was able to track down those four villains by herself and bring them all to the Speed Force's upper limits OFF PANEL. The story feels incredibly rushed, even though so little is actually happening. And I think that's because Spurrier is too busy describing his abstract concepts in the loftiest, most poetic way possible to bother himself with actually telling a story. This has been such a frustrating experience.

Next time, before concluding this awful story, I'll take a quick peek at Wonder Woman #13.